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Posted on December 29, 2020 at 8:00am 0 Comments 5 Promotions
使詩歌放在一個“易於為讀者所接受的平常風格”下存在,用字、措辭、處置那些句子末尾的韻,無一不“平常”,然而因這點理由,反而得到極多的讀者,是焦菊隱的詩歌。
作者在十五年七月所出版的散文詩歌《夜哭》,三年中有四版的事實,為中國新興刊物中關於詩歌集子最熱鬧的一件事。這詩集,是總集作者十五年以前所有散文詩而加以小小選擇的。十八年,另外出了一個次集,名為《他鄉》,收入了《夜哭》以後詩歌,共十五首。…
ContinuePosted on December 23, 2020 at 11:00pm 0 Comments 3 Promotions
以清明的眼,對一切人生景物凝眸,不為愛欲所炫目,不為汙穢所噁心,同時,也不為塵俗卑狠的一片生活厭煩而有所逃遁;永遠是那麼看,那麼透明地看,細小處,幽僻處,在詩人的眼中,皆閃耀一種光明。作品上,以一個“老成懂事”的風度,為人所注意,是聞一多先生的《死水》。
讀《死水》容易保留到的印象,是這詩集為一本理知的靜觀的詩。在作品中那種安詳同世故處,是常常惱怒到年輕人的。因為年輕人在詩的德行上,有下面意義的承認:——
詩是歌頌自然與人生的,
詩是詛咒自然與人生的,…
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