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Posted on January 1, 2021 at 10:04pm 0 Comments 5 Promotions
“……臨淮關梁園鎮間一百八十里之距離,已完全斷絕人煙。汽車道兩旁之村莊,所有居民,逃避一空。農民之家具木器,均以繩相連,沈於附近水塘稻田中,以避火焚。門窗俱無,中以棺材或石堵塞。一至夜間,則燈火全無。雞犬豕等覓食野間,亦無人看守。而間有玫瑰芍藥猶墻隅自開。新出稻秧,翠藹宜人。草木無知,其斯之謂歟?” —— 民國十六年五月十九日《新聞報》
他們都上那裏去了? 怎麽
蝦蟆蹲在甑上,水瓢裏開白蓮;
桌椅板凳在田裏堰裏漂著;…
ContinuePosted on January 1, 2021 at 9:51pm 0 Comments 3 Promotions
在都市住上十年,我還是個鄉下人。第一件事,早就永遠不習慣城里人所習慣的道德的愉快,倫理的愉快。
我崇拜朝氣,歡喜自由,贊美膽量大的,精力強的。一個人行為或精神上有朝氣,不在小利小害上打算計較,不拘於物質攫取與人世毀譽,他能硬起脊梁,筆直走他要走的道路,他所學的或同我所學的完全是兩樣東西,他的內政治思想或與我的極其相反,他的宗教信仰或與我的十分衝突,那不礙事,我仍然覺得這是個朋友,這是個人。我愛這樸人山尊敬這種人。因為這種人有氣魄,有力量。這種人也許野一點、粗一點,但一切偉大事業偉大作品就只這類人有份。他不能避免失敗,他失敗了能再幹。他容易跌倒,但在跌倒以後仍然即刻可以爬起。…
ContinuePosted on December 29, 2020 at 8:00am 0 Comments 5 Promotions
使詩歌放在一個“易於為讀者所接受的平常風格”下存在,用字、措辭、處置那些句子末尾的韻,無一不“平常”,然而因這點理由,反而得到極多的讀者,是焦菊隱的詩歌。
作者在十五年七月所出版的散文詩歌《夜哭》,三年中有四版的事實,為中國新興刊物中關於詩歌集子最熱鬧的一件事。這詩集,是總集作者十五年以前所有散文詩而加以小小選擇的。十八年,另外出了一個次集,名為《他鄉》,收入了《夜哭》以後詩歌,共十五首。…
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