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July 2025 Blog Posts (49)
情動《心經》：照見五蘊皆空
欲了解《心經》的「照見五蘊皆空」法門，首先，須先認識「五蘊」——「五蘊」是什麼？
一部分人將「五蘊」誤以為「五行」——「五行」，即是中國的金木水火土，它出自《尚書》，是中國儒家哲學的基本觀念，後世道家哲學也廣泛採納其「陰陽五行」的思想。因此，也有人說「跳出三界外，不在五行中」，意即，離開金木水火土，離開了三界。
但是，「五行」是否即等於「五蘊」？兩者之間的關係、界別究竟為何？
「五蘊」出自佛家的概念，代表構成「人」之生命的五個要素，即是色、受、想、行、識。…
ContinueAdded by Malacca Light on July 17, 2025 at 4:48pm — No Comments
趙學清《說文解字》傳遞的文化密碼 4
從許慎發現漢字的系統性至今已經快兩千年了。認識到漢字的系統性是極為重要的，這對於漢字教學、漢字研究以及漢字的信息化處理都有極為重要的指導作用。
漢字與漢語密不可分
從清末至近代時期，還出現了廢除漢字、改用拼音文字的「切音字運動」。從時代背景來說，自鴉片戰爭後，中國逐步淪為半殖民地半封建社會，進入積弱積貧時代。很多愛國志士都在尋找救國之路，其中就有一些學者將落後的原因歸結到漢字上，進而要求廢除漢字，改用切音字即字母文字。錢玄同、魯迅都有類似的言論。還有一些學者反對這種觀點，章太炎於1908年發表了《駁中國改用萬國新語說》，反對要求廢除漢字使用萬國新語（世界語）的主張。自清末民國開始，切音字運動一直延續到現代。1949年中華人民共和國成立後，大家才逐漸認識到，漢字無法改成拼音文字。…
ContinueAdded by Dramedy on July 17, 2025 at 1:30pm — No Comments
丹納《藝術哲學》形象思维·藝術識見
文明國度的特點是使圖像受挫，而讓概念佔了上風。在教育、談話、想法和知識的不斷作用下，對於事物的原始知覺會變得紊亂、破碎、消退，以致於被直截了當的概念、分門別類的術語、代數符號一類的東西所取代。
從此以後，思維就演變成…
Added by Sindumin on July 17, 2025 at 8:54am — No Comments
愛墾APP: 丹納文明批判～觀念壓制形象
愛墾APP:丹納批判文明過度、觀念壓制形象的文字，《藝術的哲學》（Philosophie de l'art）一書中。根據公開電子書和整理筆記，這段文字隸屬於第 第三章〈次要形勢〉中的一節，該章探討文明進展對藝術感知的影響，其中明確指出：「文明過度的特點是觀念越來越強，形象越來越弱……如果能記住形體……靠長期的訓練和反教育的力量。」(…
ContinueAdded by Sindumin on July 17, 2025 at 8:48am — No Comments
愛墾APP: 情動轉折與情感史
愛墾APP:情動轉折（affective turn）與情感史（History of Emotions）在當代人文與社會科學的發展中形成了一個重要的交集。兩者雖然起源不同，關注重點也略有差異，但它們對「情感／情動」的重新評估與中心化使它們在研究方法與問題意識上有許多互補之處。
一、情動轉折（Affective Turn）簡介…
ContinueAdded by 鮮拿哥 on July 8, 2025 at 4:30pm — No Comments
[美] 彼得·聖吉: 傾聽静默
傾聽静默：静默所在之處，才有真正的溝通。在這種特别的静默裏，你能聽到、或看到、或得到一種感覺，知道某件事渴望發生，若不是這種静默，你不會察覺到它。
此刻，我們是那湧現事物的一部分。有個涌现的未来，操之于我們！
一切的學習都跟我們如何與世界互動有關，跟我們從這些互動中發展出哪些能力有關。
你觀察、觀察，讓你的體驗堆壘，想法也漸漸有個樣子。就某種意義来說，這個過程并不涉及作决定。你甚至不是思考，而是與身邊的情境合而為一。
你能做的，只是根据眼前逐渐開展的景象，定位自己。…
ContinueAdded by Rajang 左岸 on July 7, 2025 at 12:10am — No Comments
主體間性 上
主體間性，是20世紀哲學中出現的一個基本范疇，它的主要內容是研究一個主體怎樣與另一個主體相作用的。
從十七世紀笛卡爾提出「我思故我在」形成西方哲學主體主義的開端，到胡塞爾借由「先驗自我」提出主體間性概念，再到海德格爾、哈貝馬斯等人對主體間性理論的完善和延伸，西方哲學的研究范疇經歷了從主客體二分的主體主義到主體交互關係的主體間性，雖然主體間性理論在此過程中不斷完善，但始終存在問題，最突出的是主體間性理論中對客體實踐基礎的忽視。…
Added by Ra Zola on July 1, 2025 at 6:30am — No Comments
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