Dokusō-tekina aidea
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Dokusō-tekina aidea commented on Dokusō-tekina aidea's blog post Creative Industries Policy in Malaysia
"Intercultural Perspective on Impact of Video Games on Players: Insights from a Systematic Review of Recent Literature by Elena Shliakhovchuk & Adolfo Muñoz GarcíaAbstract:The video-game industry has become a significant force in…"
Oct 23
Dokusō-tekina aidea commented on Dokusō-tekina aidea's blog post Creative Industries Policy in Malaysia
"CCI: University Business Incubators' ResponseAccording to the information compiled, it is possible to observe that most of the top 13 incubators, according to UBI Index 2016, have creative economy as a strong pillar. Even the ones that did not…"
Oct 20
Dokusō-tekina aidea commented on Dokusō-tekina aidea's blog post Creative Industries Policy in Malaysia
"Importance of using art and culture in stimulating state economy Harvey Stewart August 2, 2019 Arts and culture-related industries provide direct economic growth for the state and local communities. They are important complements to community…"
Oct 19
Dokusō-tekina aidea commented on Dokusō-tekina aidea's blog post Creative Industries Policy in Malaysia
"Behind the growth of Malaysia’s digital creative content startups by Stefanie Yeo Many things come to mind when one thinks about Malaysia. The country is a key producer of rubber and palm oil, an industrial powerhouse, and a popular tourist…"
Oct 18
Dokusō-tekina aidea commented on Dokusō-tekina aidea's blog post Creative Industries Policy in Malaysia
"A S.W.O.T Analysis on Malaysian Music Industry (Other Who Spoke 5 : Fueling the Kreativ Malaysia)Copyright © 2017 byMichael VeerapenProfessional PianistDiploma, Professional MusicBerklee College of MusicFLCM THE ENEMY OF CREATIVE ARTIST IS…"
Oct 15
Dokusō-tekina aidea commented on Dokusō-tekina aidea's blog post Creative Industries Policy in Malaysia
"The Development of Malaysia’s Advertising Industry by Youmo StudioThe Rise of AdvertisingMalaysia has had a number of advantages with respect to advertising; for one, the country’s strong infrastructure has made it favourable for…"
Oct 14
Dokusō-tekina aidea commented on Dokusō-tekina aidea's blog post Creative Industries Policy in Malaysia
"Malaysia Design Development Centre (DDEC) Ditubuhkan pada tahun 2007, DDEC adalah pusat sehenti reka bentuk pilihan usahawan Malaysia. Sehingga kini, DDEC telah banyak membantu usahawan Malaysia memperkukuhkan imej syarikat serta produk dan…"
Oct 12
Dokusō-tekina aidea commented on Dokusō-tekina aidea's blog post Creative Industries Policy in Malaysia
"Malaysia Textile Craft Industry: Innovation Inspired by Bamboo for Batik Block Contemporary DesignBlock Batik in batik industry has been practised in Malaysia since 1920s. It also  known as “Batik Cop” or “Batik Terap”.…"
Oct 12
Dokusō-tekina aidea commented on Dokusō-tekina aidea's blog post Creative Industries Policy in Malaysia
"An Overview of the Book Printing and Publishing Industry in MalaysiaThis paper focuses on the overview of the book printing and publishing industry in Malaysia. The book printing and publishing industry is facing challenges as the e-books are…"
Oct 10
Dokusō-tekina aidea commented on Dokusō-tekina aidea's blog post Creative Industries Policy in Malaysia
"Malaysia Digital Economy Blueprint: MyDigital blueprint to drive Malaysia’s high-income nation aspirations (Pathma Subramaniam / The Edge Malaysia / March 01, 2021 ) BY the end of this decade, Malaysia will become a high-value-added economy…"
Oct 10
Dokusō-tekina aidea commented on Dokusō-tekina aidea's blog post Creative Industries Policy in Malaysia
"Budget 2023: Supports sustainability of tourism, arts, culture KUALA LUMPUR: The RM1.16 billion allocation in the 2023 Budget for management and development of the tourism, art and culture sectors reflected the government's continuous…"
Oct 9
Dokusō-tekina aidea commented on Dokusō-tekina aidea's blog post Creative Industries Policy in Malaysia
"Budget 2023: Govt allocates over RM100 mln to drive local creative industry KUALA LUMPUR, Oct 7 — The government has allocated over RM100 million to drive the local creative industry next year through the Nationhood Film Production Fund…"
Oct 8
Dokusō-tekina aidea commented on Dokusō-tekina aidea's blog post Creative Industries Policy in Malaysia
"Govt Urged To Increase Fund For Creative Industry In Budget 2023 After two years of inactivity, the creative industry got a shot in the arm last year when a total of RM288 million was allocated for the industry under Budget 2022. Government agencies…"
Oct 8
Dokusō-tekina aidea commented on moooi's photo
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阿九譯·埃及新王朝時期的情歌

"格麗克詩·遠去的光 妳就像個年幼的孩子, 總是等著聽故事。 而我已經講了那麽多次; 我厭倦了講故事。 所以我給了妳鉛筆和紙。 我給了妳蘆葦做的筆,那蘆葦 是許多個午後,我在茂密的草地上親手采集的。 我告訴妳,寫妳自己的故事。   妳聽了那麽多年, 我想妳該知道 故事是什麽。   妳能做的只是抹眼淚。 妳想要別人講給妳聽, 什麽都不通過妳自己的思考。   那時我意識到妳不會 用真正的勇氣或熱情去思考; 妳還不曾有妳自己的生活, 妳自己的悲劇。 所以我給妳…"
Oct 1
Dokusō-tekina aidea commented on Dokusō-tekina aidea's blog post Creative Industries Policy in Malaysia
"The Gap in the Creative Industry Ecosystem of Malaysia Chapter 3 of Fuelling the Kreativ Malaysia The very nature of a creative business is intangible. They have plenty of intangible assets called Intellectual Properties (IP). IPs can be valued.…"
Oct 1
Dokusō-tekina aidea commented on Dokusō-tekina aidea's blog post Creative Industries Policy in Malaysia
"Creativity Needs SoulChapter 2 of Fueling The Kreativ MalaysiaTHE ECOSYSTEM of the Creative Industry needs to be analysed critically. If not, we will forever prescribe the wrong medicine that will never heal the disease. It would be a shame if all…"
Oct 1

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Dokusō-tekina aidea's Blog

愛懇·誠意推薦

Posted on February 21, 2021 at 11:00pm 0 Comments



誠意推薦 》…



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應星:“氣”與中國鄉土本色的社會行動 (7)

Posted on December 1, 2020 at 12:33am 0 Comments

(二)氣的進攻性

 

既然抗爭政治中的氣具有地方性,那麽,這種氣與日常生活中的氣到底有什麽樣的差別呢?“路見不平,拔刀相助”這條著名的諺語告訴了我們第一個變化:氣從一種防禦性策略變成一種進攻性策略。…

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應星:“氣”與中國鄉土本色的社會行動 (6)

Posted on November 21, 2020 at 2:00am 0 Comments

三、任氣行俠:抗爭政治中的氣

 

下面要分析的是氣在鄉土中國抗爭政治(contentious politics,關於這個概念,參見Mc Adametal.,2001:7-8)中的展現形態。與日常生活相較,這里所說的抗爭政治有三個特點:其一,日常生活所涉及的基本上是民眾與民眾之間的關係,而抗爭政治主要涉及民眾與國家之間的關係;其二,日常生活分析的基本行動主體是單個的個人、家庭或宗族,而抗爭政治分析的基本行動主體是多個個人、家庭或宗族組成的群體;其三,日常生活分析的行動基本是制度內的行動(包括打官司在內),而抗爭政治分析的行動是制度外甚或反制度的行動。我把氣在抗爭政治中的總體形態稱為“任氣行俠”。其具體含義可以從三個層面來理解。…

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應星:“氣”與中國鄉土本色的社會行動 (5)

Posted on November 20, 2020 at 1:00am 0 Comments

我們以中國古代最著名的戲曲之一——《竇娥冤》為例,來做一些分析。竇娥的父親是個秀才,卻是“讀盡縹緗萬卷書,可憐貧殺馬相如”,“只為無計營生四壁貧,因此上割捨得親兒在兩處分”(關漢卿,1999:182-183)



賽盧醫行醫為生,卻也窮困潦倒,僅因欠蔡婆的二十兩銀子就起了殺人之心。張驢兒父子本已成功地威逼蔡婆與張驢兒父親成親,而蔡婆剛一生病,張驢兒即生毒死蔡婆之意。盡管這些戲劇人物有著鮮明的道德褒貶色彩,但我們可以看到,竇娥的父親、賽盧醫與張驢兒所同屬的社會底層在物質生活上的逼仄,動輒以兒女相送、生死相逼。



竇娥雖然蒙受了天大的冤,但這冤並不完全來自張驢兒,也不直接來自太守桃杌的徇私枉法,所以她才說“不告官司只告天,心中怨氣口難言”。結果,她發出的毒誓之一就是“著他楚州大旱三年”…

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愛墾網 是文化創意人的窩;自2009年7月以來,一直在挺文化創意人和他們的創作、珍藏。As home to the cultural creative community, iconada.tv supports creators since July, 2009.

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柳敬亭說書

Posted by Host Studio on May 14, 2017 at 4:30pm 8 Comments