陳明發（舒靈）的詩《孤獨》
"莱布尼兹《單子論》 第一部分 單純實體（第 1節—— 第 9節）
1.The Monad, of which we shall here speak, is nothing but a simple substance, which enters into compounds. By 『simple』 is meant 『without parts.』 (Theod.…"
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陳明發（舒靈）的詩《孤獨》
"6.Thus it may be said that a Monad can only come into being or come to an end all at once; that is to say, it can come into being only by creation and come to an end only by annihilation, while that which is compound comes into being or comes to an…"
陳明發（舒靈）的詩《孤獨》
"8.Yet the Monads must have some qualities, otherwise they would not even be existing things. And if simple substances did not differ in quality, there would be absolutely no means of perceiving any change in things. For what is in the compound can…"
陳明發（舒靈）的詩《孤獨》
"10.I assume also as admitted that every created being, and consequently the created Monad, is subject to change, and further that this change is continuous in each.
我還認為以下觀點是理所當然的，即每一創造物，因而每一被創造的單子都是變化著的，而且這一變化在每一事物中都是持續不斷的。 11.It follows from what…"
戲仿陳明發《造句簿》:唐詩三百首是你的字詞提款機？
「詩壇有股奇風：一言不合，就抄唐詩三百首。」——字不夠用？古人字典當提款機，借太多，小心詩變貸款合同。「向古人借詞，句句帶息。詩還沒寫完，文氣已經破產。」——詩人醉古如醉酒，醒來只剩轉貼的微信記錄。「朗讀時咬舌，旁人望而生畏。再深考據，眼累心傷，費力不討詩。」——字借得來，魂借不到；古人有神，讀者只感召魂。「這文不古不白，只為醉古者備茶，免他們一飲現代語，反胃難下。」——給迷古的人講白話，不是喚醒，是冒犯。「創作不是挖古墳，是翻心帳。」——詩不是仿冒古貨，而是讓語言長出新芽。「你說你寫詩，我說你在轉世：借古人的語氣，用自己的配圖。」——不創，不成。抄得再像，也只是影分身。「文化不是重播，而是原創的連載。」——每句詩都該問一句：這句話，是誰的第一次？ 愛墾評註：中華詩學傳統堅持個人抒情特質，現代詩人則不少自詡解域拓疆、突破自我之辈，這現象可被看為一個傳統的兩種表達方法。但是，現代詩人每每向古詩複制詞匯、語法和語氣，甚至覺知、技藝與境界，照搬硬使、不思蜕轉求異，從文化生產的角度来看，和靠借貸過日没两樣。（25.6.2025）…See More
陳明發（舒靈）的詩《孤獨》
"14.The passing condition, which involves and represents a multiplicity in the unit [unite] or in the simple substance, is nothing but what is called Perception, which is to be distinguished from Apperception or Consciousness, as will afterwards…"
陳明發（舒靈）的詩《孤獨》
"17.Moreover, it must be confessed that perception and that which depends upon it are inexplicable on mechanical grounds, that is to say, by means of figures and motions. And supposing there were a machine, so constructed as to think, feel, and have…"
陳明發（舒靈）的詩《孤獨》
"21.And it does not follow that in this state the simple substance is without any perception. That, indeed, cannot be, for the reasons already given; for it cannot perish, and it cannot continue to exist without being affected in some way, and this…"
愛墾APP: 評陳明發《造句簿2》
1 文字創作最小的單位是句子；造一行好句，它會呼朋喚友，物以類聚，招來其他好句。2 已經有人在實驗「一行詩」的創作。3 中華文化上下五千年，什麼稀奇古怪的事情沒見過？為求方便形容與流傳，絕大部分都用四字成語總結。四字成語於是成了我們最慣用的句子；最有安全感的思考方式。4 習慣所及，許多人面對最講究新句奇法的詩作，也往往是四字連連，節奏單調不說，思維脈動也虛弱。5 四字成語，偶爾為之只求畫龍點睛之效；頻密用之，像餐餐吃罐頭食物。6 反之，慣語改裝，往往有預想不到的效果，把創想推向不一般的維度。例如，我曾嘗試把「人無私心，天誅地滅」，改裝成「人有詩心，誅天滅地，再造一個新的」。（24.2.2017 臉書）這組《造句簿…See More
陳明發（舒靈）的詩《孤獨》
"25.We see also that nature has given heightened perceptions to animals, from the care she has taken to provide them with organs, which collect numerous rays of light, or numerous undulations of the air, in order, by uniting them, to make them have…"
愛墾APP:評陳明發《造句簿 01》
從文學創作與文創哲學的角度來看，陳明發《造句簿 01》中的這四則短語，確實呈現所關注的兩項寫作精神：「不穩定性」與「代價與效益」。以下來逐條解析： 一、不穩定性：揭示觀點之間的衝突或張力…See More
陳明發（舒靈）的詩《孤獨》
"28. In so far as the concatenation of their perceptions is due to the principle of memory alone, men act like the lower animals, resembling the empirical physicians, whose methods are those of mere practice without theory. Indeed, in three-fourths…"
舒靈的詩《桌子》
"愛墾APP:陳明發〈高潮前的强度與速度節奏〉～～在「情動轉折」脈絡中，「速度」是一種和感受強度並行的過渡（transition）力量。它不是物理意義上的快慢，而是身體如何經驗一種變化的快慢，同時「及時」回應或轉化這種變化。它也是在語言化前的那一瞬身體「被觸動」的節奏性力量。
在「情動轉折」的理論視角中，性愛高潮不僅適宜被研究為一種情動體驗，更可作為情動、感知與身體美學交會的一個臨界場域。它能提供對於：情動節奏；體與語言邊界；感官覺知與強度變化等問題的具體實例與理論延伸。…"
舒靈的詩《桌子》
"與性愛高潮之關聯：Sedgwick 的「觸動節奏」（caress as shaping，愛撫[caress]是一種塑形[shaping]。）概念，非常貼近性愛高潮裡微妙觸感與強度變化的過渡；性愛高潮這種「無法直述、卻能感受的經驗」，正符合她對「慾望敘事中的不確定性、間隙與共振」的關注。
Patricia Brennan（或Clough/Pedwell等學者）：情動轉折與性愛美學
Patricia Brennan 的資料可參考集體著作如 The Affect Theory…"
陳明發（舒靈）的詩《孤獨》
"32.And that of sufficient reason, in virtue of which we hold that there can be no fact real or existing, no statement true, unless there be a sufficient reason, why it should be so and not otherwise, although these reasons usually cannot be known by…"
陳明發（舒靈）的詩《孤獨》
"35.In short, there are simple ideas, of which no definition can be given; there are also axioms and postulates, in a word, primary principles, which cannot be proved, and indeed have no need of proof; and these are identical propositions, whose…"
Luova ajatus's Blog
戲仿陳明發《造句簿》:唐詩三百首是你的字詞提款機？
Posted on July 25, 2025 at 3:00pm 0 Comments 9 Promotions
「詩壇有股奇風：一言不合，就抄唐詩三百首。」——字不夠用？古人字典當提款機，借太多，小心詩變貸款合同。
「向古人借詞，句句帶息。詩還沒寫完，文氣已經破產。」——詩人醉古如醉酒，醒來只剩轉貼的微信記錄。
「朗讀時咬舌，旁人望而生畏。再深考據，眼累心傷，費力不討詩。」——字借得來，魂借不到；古人有神，讀者只感召魂。…
Continue愛墾APP: 評陳明發《造句簿2》
Posted on July 18, 2025 at 6:00am 0 Comments 10 Promotions
1 文字創作最小的單位是句子；造一行好句，它會呼朋喚友，物以類聚，招來其他好句。
2 已經有人在實驗「一行詩」的創作。
3 中華文化上下五千年，什麼稀奇古怪的事情沒見過？為求方便形容與流傳，絕大部分都用四字成語總結。四字成語於是成了我們最慣用的句子；最有安全感的思考方式。
4 習慣所及，許多人面對最講究新句奇法的詩作，也往往是四字連連，節奏單調不說，思維脈動也虛弱。
5 四字成語，偶爾為之只求畫龍點睛之效；頻密用之，像餐餐吃罐頭食物。
6…
Continue愛墾APP:評陳明發《造句簿 01》
Posted on June 15, 2025 at 10:00am 0 Comments 11 Promotions
從文學創作與文創哲學的角度來看，陳明發《造句簿 01》中的這四則短語，確實呈現所關注的兩項寫作精神：「不穩定性」與「代價與效益」。以下來逐條解析：
一、不穩定性：揭示觀點之間的衝突或張力
第1則：「人說現象，我想意象」…
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愛墾網 是文化創意人的窩;自2009年7月以來，一直在挺文化創意人和他們的創作、珍藏。As home to the cultural creative community, iconada.tv supports creators since July, 2009.
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