文化有根 創意是伴 Bridging Creativity
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Posted on March 5, 2024 at 7:00pm 0 Comments 8 Promotions
摘要: 本研究基於詩歌療愈的基本理論,通過拼貼詩的方式探索詩歌對負性情緒的療愈效果。拼貼詩是一種通過拼貼詩歌達到心理療愈效果的創新型詩歌療愈。實驗采用單因素兩水平被試間設計,以58名大學生作為被試,通過前後測及實驗組與對照組之間的差異來探究拼貼詩能否對被試的負性情緒起到干預作用。結果表明,拼貼詩確實能在正負性情緒的不同維度影響被試情緒。文章嘗試從文學前景化、陌生化的處理方式及心理學的潛意識理論探討拼貼詩對情緒的調節機制。
1.1 引言
詩歌療愈是指使用特定的語言、象徵和故事,來達到干預效果、教育意義或者團隊建設性的目的(Mazza,…
ContinuePosted on November 22, 2023 at 12:00am 0 Comments 7 Promotions
陳世驤在翻譯《文賦》中的「選義按部,考辭就班」一語為英文時,極富機心地譯「班」為 order(即秩序)。看起來,陳世驤對柯勒律治(Samuel Taylor Coleridge)為詩下的定義深有會心,也說得上別有用心:詩=用最佳的秩序安置最佳的詞匯(Poetry=the best words in their best order)。
對此,陳世驤學術思想的研究者陳國球深有感慨:「這個定義本身並非特別高深,但陳世驤再進而追問『最佳秩序』從何而來,以誰的觀點來判定,所以他再從柯勒律治的文學傳記第十八章找答案(Biograhia…
Posted on November 11, 2023 at 10:00am 0 Comments 5 Promotions
幾十年後,捷克漢學家普實克(Jaroslav Průšek)也有過類似於戴望舒那樣的猜想,只不過比後者更感性、更直接。普實克傾向於以膾炙人口的作品為出發點,去討論問題,去獲取理論結果,因為作品越膾炙人口,理論結果就可能越有說服性或公信力。
普實克猜測說,在白居易的《賣炭翁》中,大有可能隱藏著一個看不見,但能夠被直覺所感知的抒情基址(basic lyrical ground-plan)。抒情基址的任務,是為全詩的主題、情感走向和詩意範疇劃定界限,或給出一個大致的輪廓,類似於有軍隊設防的邊境線。在穩固、妥當的抒情基址之上,才是一個較為完整的故事[59]。…
Posted on November 2, 2023 at 9:00pm 0 Comments 2 Promotions
或許是無神論的中國不存在古希臘號為伊西斯(Isis)一類的詩歌神祇,也就沒有普魯塔克(Plutarque)轉述過的伊西斯的自負、得意之言:「不曾有凡人揭開過我的面紗。」[50]很可能是有感於「蕭墻」內外對新詩合法性持之以恒的質疑[51],廢名乃於…
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