文化有根 創意是伴 Bridging Creativity
Julia Kristeva's Revolution in Poetic Language has had a significant impact on critical theory, psychoanalysis, and literary studies, and its influence can be traced in some of the philosophical underpinnings of the contemporary global cultural and creative economy, though not always directly or explicitly. Here’s how Kristeva’s ideas intersect with some of the mainstream philosophies of the cultural and creative economy:
Emphasis on Cultural Diversity and Inclusion
Challenging Established Norms: Kristeva’s work, particularly her concept of the *semiotic* (pre-linguistic, bodily drives and rhythms) versus the *symbolic* (structured language and social order), challenges the dominant structures of meaning. This can be linked to the emphasis on diversity and the inclusion of marginalized voices in the cultural economy, where there is a push to disrupt established cultural norms and embrace alternative forms of expression.
Sustainability and Ethical Practices
Critique of Consumer Culture: While Kristeva’s work is more focused on language and psychoanalysis, her critique of the symbolic order can be seen as a broader critique of capitalist consumer culture, which often prioritizes profit over ethics. The shift towards sustainability and ethical practices in the creative economy aligns with a desire to move beyond purely economic motivations to more holistic, socially responsible approaches.
Digitalization and Innovation
New Forms of Expression: Kristeva’s exploration of the *semiotic* dimension can be seen as a precursor to the creative possibilities unleashed by digital technologies. The idea that language and expression can break free from traditional structures is mirrored in the innovative, often disruptive nature of digital creativity, where boundaries between different media and forms of expression are increasingly fluid.
reative Entrepreneurship and Freelancing
Individual Expression: The rise of freelancing and the gig economy, where individuals often express their unique creative vision, resonates with Kristeva’s focus on the personal and the subjective as a site of revolution. The creative entrepreneur, like the poet in Kristeva’s framework, can be seen as someone who navigates and challenges the symbolic order through innovative, often boundary-pushing work.
Cultural Capital and Soft Power
Subversion and Influence: Kristeva’s work highlights how language and culture are powerful tools for subversion and change. In the context of cultural capital and soft power, this suggests that the creative economy can be a space for challenging dominant narratives and promoting alternative forms of cultural influence, which can be a subtle form of soft power.
Cross-Sector Collaboration and Ecosystem Development
Interdisciplinary Thinking: Kristeva’s work, which draws on psychoanalysis, linguistics, and philosophy, embodies an interdisciplinary approach that is increasingly valued in the creative economy. Her blending of different fields anticipates the kind of cross-sector collaboration that is now seen as crucial for innovation and creative ecosystem development.
Access and Participation
Democratization of Meaning: Kristeva’s emphasis on the *semiotic* challenges the idea that meaning is fixed and controlled by elites. This has parallels in the push for greater access and participation in the cultural economy, where there is a desire to democratize culture and allow more people to contribute to the creation of meaning.
Value Beyond Economics
Cultural and Psychological Depth: Kristeva’s work insists on the depth and complexity of human subjectivity, which goes beyond economic value. This resonates with the current understanding in the creative economy that cultural products have value that is not just economic, but also social, psychological, and symbolic.
Indirect Influence
While Revolution in Poetic Language may not be directly cited in discussions about the creative economy, Kristeva's ideas contribute to a broader intellectual environment that values disruption, innovation, and the questioning of traditional structures—core tenets in the philosophies guiding the cultural and creative economy today. Her work encourages a deeper understanding of the complexities of language, culture, and identity, which are crucial to many of the themes and challenges faced in the creative industries.
[後記 Affects-Percepts-Powers] 2025,愛墾網創立16載;陳明發博士轉行文創研究與推廣第28年。雖然焦頭爛額沒啥獎項可領,但自告奮勇的事還幹得不少。實踐多了,面對自己原創的或經手發佈出去的5、6萬筆內容,多少有些心得。自信還有點前瞻的價值。現陸續整理出來,答謝這麼多年來默默支持著我們的國內外友好。有些事恐怕不是一代人能完成的,更不是一個人可能完成的。現留點檔案,有緣並有能力的人若及時看到,對鄉土轉型或有參考價值。(13.9.2024)
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