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地方文化營銷 1.8 泰國

"Bonding in Communities Bonding relationships are strongly evident in various older communities in Charoen Krung. Like a family, these bonds and relationships are important in maintaining a sense of trust and belonging. Participants from both the…"
8 hours ago
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札哈哈蒂:房子能浮起來嗎?11

"Designing for “the eyes of the skin” The tactile element of architecture is often ignored. In fact, very often, the first point of physical contact with a building typically occurs when we enter or leave. Or, as Pallasmaa (1994, p. 33)…"
8 hours ago
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地方文化營銷 1.2:PGC

"藝術創意與文旅商產業融合發展,2024廈門思明山海藝術季系列啟動 人民網廈門1月14日電…"
Sunday
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札哈哈蒂:房子能浮起來嗎?11

"There, she points to examples such as the hearth, the sauna, and Roman and Japanese baths as archetypes of thermal delight about which rituals have developed, the shared experience reinforcing social bonds of affection and ceremony (see also Lupton,…"
Sunday
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地方文化營銷 1.8 泰國

"The CEA‘s mission to model Charoen Krung as its flagship creative district, to learn from and develop other cities around Thailand, provides strong motivation. The CEA is playing a key role in linking public and private sectors such as…"
Sunday
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地方文化營銷 1.1 PGC:Literature

"產教融合:從“一頭熱”到多方共贏 正值暑期,但很多職業院校的師生沒有放假,而是走向了另一個「課堂」—企業。在企業的不同崗位上,學生們檢驗自己所學的知識,也學習新的知識和技能。 近年來,隨著產教融合全面深化,校企合作呈現出多樣化格局,校企協同育人的模式也不斷成熟。職業院校「雙師型」教師佔專業課教師比例超過50%,企業導師也為學生帶來新的資源。 但是,隨著時代發展,產業升級對人才培養提出了新的要求,產教融合還需進一步發力。 ▲蘇州市職業大學校園裡,產教融合的字牌十…"
Sunday
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地方文化營銷 2.2 文化特區

"Rekan Library— Muar design community Rekan Library is a community library space that promotes collaboration and actively engages the community with reading, design and learning. Working with the Chinese community of Muar, Johor, their network…"
Saturday
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地方文化營銷 2.0: 文化特區運動

"Tajau of the Chinese chronicler may be Tanjong, and the reference may be to the northern head-land of the estuary of the river Pahang which was known to sea-farers as TanJong Pahang, " Cape Pahang." Pa-la-mi-so-la-ta-lo-si-ni was almost…"
Saturday
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札哈哈蒂:房子能浮起來嗎?11

"According to Donnell Jr. et al. (1989), these complaints of odours may well have heightened the perception of poor air quality by some employees in the building. This, in turn, may have led to an epidemic anxiety state resulting in the SBS…"
Saturday
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地方文化營銷 1.8 泰國

"This age-old craft, developed in close relationship with the land, was transmitted through the generations until modern production technologies of industrialisation overshadowed traditional practices. Thanks to a small number of pioneers, however,…"
Friday
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地方文化營銷 0.9:國内遊

"魯白野·從彭亨到吉蘭丹 作夢也沒有想到,我這匹黑馬竟有一天會到這兩個荒野的國土奔馳。想到過去研讀史書,知道這兩個地方與中國的交通是那麼的密切,我是感覺到無限高興的。我們不應該認為讀史是一件不重要,甚至是落伍的事情。如果中馬兩大民族能夠重溫歷史上深摯友誼,我們將會感覺到民間的隔閡是更容易消除的而更容易親熱起來了。 該寶貴的一段友誼…"
Friday
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秦三澍:遊之詩,載回山水來文身 4

Posted on November 2, 2023 at 8:00pm 0 Comments

這種看似機巧的語言遊戲行為,難道僅源於奇技淫巧式的機心?語言的生成機制恰恰就在於此:「不存在詞語的創造,也沒有在句法效果之外具有價值的新詞,這些新詞正是在句法效果中得以發展……『捍衛語言的唯一方式就是攻擊它』」(德勒茲《文學與生命》);張爾的詩句「為了冒犯語言,也阻止語言對自我的冒犯」(《壯遊圖》第十六首)就是對引文中普魯斯特言論的最妙的回應。而這種語言觀背後,是將詞語作為牽連經驗的紐帶加以重新組裝和鏈接的意識,是「一隻眼看進去,能直接通過另一隻,/ 看到同一個對面」、「把可見物都 / 拿捏成可引見之物」(均引自蔣浩《遊仙詩》第十一首)的邏輯復述。羅蘭·巴特在論述了詩歌消除語言自發功能的現代形態之後,接著說,「現代詩只保留下來關係的運動、關係的樂曲式表達,而不是保留下來關係的真實性。字詞在一條毫無內容的關係線上閃爍……」(《寫作的零度》)…

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秦三澍:遊之詩,載回山水來文身 3

Posted on October 18, 2023 at 7:00pm 0 Comments

這種「越軌鍛煉」不僅體現於物象在心象映射下的切換與交疊,更重要的是在複雜現實頻道之間的跨界與互相溝通(想想蔣浩的詩句吧:「頻道加密 / 至親密」),而跨界、「漫遊」的中介則是詩人用以關聯事項的心智(包括意志、感官知覺、想像力等)和掌握詞語的腕力。就像張爾在詩中布局「以夢為驢」「美人澗」「剽竊曹雪芹」那樣,蔣浩堪稱將自然之物與人造物、「詩性」語言與社會性的言語單位加以並置並舉——譬如上引的第四首《遊仙詩》,以及「轉播迅雷的天線也解剖 / 倒長的松鱗」之類的詩句——的修辭大師:某種「神與物遊」的可能性常常在「身與物遊」的基礎上展開,具身性的素材不僅作為對象物出場,更反饋了「載回山水來文身」這樣概括性的詩學追求。更妙的是,政治經濟領域的日常生活詞匯、時下流行的網絡用語(如「見光死」「臥槽」…

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秦三澍:遊之詩,載回山水來文身 2

Posted on October 17, 2023 at 5:30pm 0 Comments

就像張爾用一句「詭譎車身,其實也是一枚微軟的陽具」(《壯遊圖》之八)所揭露的,承載著詩人之「遊」的交通工具早就搖身變作想像力的過山車(同時也是「想像的過山車」):

房日兔星夜疾馳的,以夢為驢,

他掛上個倒車檔,一個推桿撞入了

 美人澗,

巧遇崖頂腐銹的鎖鏈。紅纓捆撲忙亂噪音

剽竊曹雪芹。

山頂上,眾僧齊敲著金鑄魚…

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秦三澍:遊之詩,載回山水來文身 1

Posted on October 16, 2023 at 10:30pm 0 Comments

純以里爾克的「詩是經驗」和埃德加·坡的「詩作為智識的任務」這樣爛熟的論斷,來規劃「遊」在當代詩中紛雜呈像的解釋進路,難逃過分怠惰、過度簡化之嫌。但,老調重彈的好處在於,一些對當代詩的基本理解可以在這樣的框定中得到強調性的確認;預先做出清障,有助於摒除掉那些最不應該進入討論範圍的議題。在「遊之詩」(避免使用「記遊詩」這一命名的用意,稍後會談)這個看似細微局限、實則外延寬宏的文體上,有關詩之「經驗」與「智識」微妙關係的領會恰如其分地交疊於其內部,易言之,「遊」在當代,不僅是一種詩的題材,更是一種詩之方法,亦是檢察詩作為語言藝術在表達經驗與心智的「遊刃」時必不可缺的試金石。往開闊處說,「遊之詩」不正是「詩」的當代形態的一個基本隱喻?它所影射的「綜合」功能越來越成為詩歌寫作的標準動作之一。…

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愛墾網 是文化創意人的窩;自2009年7月以來,一直在挺文化創意人和他們的創作、珍藏。As home to the cultural creative community, iconada.tv supports creators since July, 2009.

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