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Ra Zola commented on corps sans organes's photo

In Search of My Senses 追隨感官

"Why distant objects please by William Hazlitt [中譯]威廉・赫茲里特：為何遠方之物令人悅目Distant objects please, because, in the first place, they imply an idea of space and magnitude, and because, not being obtruded too close upon the eye, we clothe them with the…"

9 hours ago

Ra Zola commented on corps sans organes's photo

In Search of My Senses 追隨感官

"Distance of time has much the same effect as distance of place. It is not surprising that fancy colours the prospect of the future as it thinks good, when it even effaces the forms of memory. Time takes out the sting of pain; our sorrows after a…"

yesterday

Ra Zola commented on corps sans organes's photo

In Search of My Senses 追隨感官

"When I was quite a boy my father used to take me to the Montpelier Tea Gardens at Walworth. Do I go there now? No; the place is deserted, and its borders and its beds o’erturned. Is there, then, nothing that can Bring back the hour Of…"

yesterday

Ra Zola commented on corps sans organes's photo

In Search of My Senses 追隨感官

"The eye is always open; and between any given impression and its recurrence a second time, fifty thousand other impressions have, in all likelihood, been stamped upon the sense and on the brain. The other senses are not so active or vigilant. They…"

Friday

Ra Zola commented on corps sans organes's photo

In Search of My Senses 追隨感官

"（Cont）There was a little parish church near, but tall elms and quivering alders hid it from my sight, when, all of a sudden, I was startled by the sound of the full organ pealing on the ear, accompanied by rustic voices and the willing choir of…"

Friday

Ra Zola commented on corps sans organes's photo

In Search of My Senses 追隨感官

"（Con't）“After retention of such ideas, it certainly would be very difficult to persuade me that feeling, taste, and smell can scarce be said to leave ideas, unless indistinct and obscure ones. . . . “Show a Londoner correct models…"

Friday

Ra Zola posted a blog post

[愛墾研創] 潮汐瓦解事件（Tidal Disruption Event）

潮汐瓦解事件（Tidal Disruption Event, 簡稱 TDE）是宇宙中最壯觀也最殘酷的「貓鼠遊戲」。當一顆恆星倒楣地運行到靠近超大質量黑洞的勢力範圍時，黑洞無情的重力會將這顆恆星徹底撕碎並生吞活剝。何彥琴（Anna Y. Q. Ho）博士發現的「塔斯馬尼亞惡魔（AT2022cmc）」正是這類事件中極為罕見、產生了強烈相對論性噴流的極端案例。理解這個把恆星「拉麵化」的物理過程，我們可以將其拆解為以下四個關鍵階段： [ 階段 1: 誤入禁區 ] ───> [ 階段 2: 潮汐撕裂 ] ───> [ 階段 3: 拉麵化與吸積 ] ───> [ 階段 4: 垂死狂嘯 (噴流) ](接近潮汐半徑) (重力差扯碎恆星) (形成吸積盤吞噬) (極亮光學/X射線爆發) 1. 誤入禁區：跨越「潮汐半徑（Tidal…See More

Tuesday

0 Comments 6 Promotions

Ra Zola posted a blog post

[愛墾研創] 瞬變天體（Astronomical Transients）詩學

瞬變天體（Astronomical…See More

Nov 8

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Ra Zola commented on 鮮拿哥's blog post [愛墾研創]轉型與挑戰：馬來西亞中學教育推行高級思維技能（KBAT）之教育評論

"[愛墾研創]世代價值變遷～～愛墾網查有研究者引用英格爾哈特（Ronald Inglehart，1971）的「世代（價值）變遷」（Intergenerational…"

Nov 6

Ra Zola posted a blog post

國際知名天文物理學家: 何彥琴（Anna Y. Q. Ho）

何彥琴（Anna Y. Q. Ho）是一名國際知名的華裔天文物理學家，現年33歲，目前擔任美國康乃爾大學（Cornell University）天文系的「理查茲家族助理教授」（Richards Family Assistant Professor）。她主要專注於「時域天文學」（Time-domain astronomy）與高能高能量物理學研究，是觀測宇宙中轉瞬即逝的「瞬變天體」（Astronomical Transients）領域的前沿學者。 [1][…See More

Nov 6

0 Comments 11 Promotions

Ra Zola commented on OVEPI's photo

札哈哈蒂：房子能浮起來嗎？02

"[愛墾研創] 從自然之死到精神之死：論「潘神之死」與「上帝已死」的現代心靈啟示在西方文化史的漫長河流中，有兩次石破天驚的宣告，如同兩道劃破夜空的閃電，精確地標註了人類文明範式的劇烈轉移。第一次發生在公元一世紀的羅馬帝國，開往意大利的商船在死寂的海面上聽聞秘示：「偉大的潘神死了」；第二次則在十九世紀末的歐洲，哲學家尼采借瘋子之口向世界宣告：「上帝已死」。這兩次著名的「弒神」事件，表面上是宗教與神話的更迭，但若透過心理學家卡爾·榮格（Carl…"

Nov 5

Ra Zola commented on OVEPI's photo

札哈哈蒂：房子能浮起來嗎？08

"[泰國]瑙瓦拉．蓬拍汶（Naowarat Pongpaiboon…"

Nov 3

Ra Zola commented on 馬來西亞微電影實驗室 Micro Movie Lab's photo

德國柏林新力中心 SONY CENTRE, BERLIN, GERMANY 2005

"[愛墾研創]躍動的本源與多重本事：從《給阿嬤的情書》看華文文學到文創的「華夷風」轉譯近年來，「中華圈」與「中國性」（Chineseness）的定義在全球華語社群中正經歷一場深刻的本體論轉向。過去，不論是文學創作還是文化創意產業（文創），往往將其窄化為一個基於地理疆界、特定政治體制與血緣神話的現成物。然而，史書美教授所開創的「華語語系」（Sinophone…"

Oct 25

Ra Zola commented on 馬來西亞微電影實驗室 Micro Movie Lab's photo

德國柏林新力中心 SONY CENTRE, BERLIN, GERMANY 2005

"二、僑批的文創去蔽：從文學的大地走向文創的世界在電影《給阿嬤的情書》中，核心物件「僑批」（一紙薄書、一筆銀款）完美隱喻了這種從「文學檔案」走向「文創實踐」的本體論轉譯。歷史上的僑批躺在博物館裡，只是一種「被動潛能」（Passive…"

Oct 25

Ra Zola commented on Ra Zola's blog post AI時代最搶手人才·竟是哲學系學生

"王穎皓: AI搶飯碗時代，《經濟學人》揭４個「哲學家」超搶手的關鍵理由根據美國今年最新調查數據，哲學系畢業生失業率低於資工系，且許多學生在未畢業前，就被AI公司相中。哲學系為何突然變成AI時代下的新寵兒？ 10年前，文科學生常被建議「轉行學寫程式」才有出路；如今風水輪流轉，換成工程師人人自危，深怕被AI取代。紐約聯邦儲備銀行（Federal Reserve Bank of New…"

Oct 23

Ra Zola commented on 鮮拿哥's blog post [愛墾研創]轉型與挑戰：馬來西亞中學教育推行高級思維技能（KBAT）之教育評論

"（沙巴保佛）謝詩麟：草根學校的KBAT實踐以我以前的經驗，KBAT是必須推行的教育政策，學生無疑的需要培訓新思維，以前的教學方式及課程已經不再適合。推行方面的確面對問題。有一年，科學老師來見我，告訴我教育局對我們學校在推行KBAT方面的進展分數超低，在10間縣中學裡分數幾乎墊底。她要求學校購買tablet讓學生用。我們跟董事部申請，他們很樂意的買了20個，後來再買了smart…"

Oct 16

Ra Zola's Blog

[愛墾研創] 瞬變天體（Astronomical Transients）詩學

Posted on November 8, 2026 at 1:00am 0 Comments 8 Promotions

瞬變天體（Astronomical Transients）在科學上是宇宙中最猛烈的暴力美學，但在人文視角下，它們就像是宇宙寫給人類的哲學詩篇。這些在短時間內爆發、閃耀隨後永遠黯淡的星體，打破了夜空永恆不變的靜謐，帶給人類靈魂與思想深刻的啟示————

「剎那與永恆」的辩證

人類的生命在動輒百億年的宇宙尺度下，短暫得如同塵埃；而瞬變天體（如超新星爆炸、快速藍色光學瞬變體）同樣是百億年孕育，卻在幾天、甚至幾分鐘內燃盡自己，爆發出超越整個星系的光芒。…

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[愛墾研創] 潮汐瓦解事件（Tidal Disruption Event）

Posted on November 6, 2026 at 9:30pm 0 Comments 6 Promotions

潮汐瓦解事件（Tidal Disruption Event, 簡稱 TDE）是宇宙中最壯觀也最殘酷的「貓鼠遊戲」。當一顆恆星倒楣地運行到靠近超大質量黑洞的勢力範圍時，黑洞無情的重力會將這顆恆星徹底撕碎並生吞活剝。何彥琴（Anna Y. Q. Ho）博士發現的「塔斯馬尼亞惡魔（AT2022cmc）」正是這類事件中極為罕見、產生了強烈相對論性噴流的極端案例。

理解這個把恆星「拉麵化」的物理過程，我們可以將其拆解為以下四個關鍵階段：

[ 階段 1: 誤入禁區 ] ───> […

Continue

國際知名天文物理學家: 何彥琴（Anna Y. Q. Ho）

Posted on November 5, 2026 at 9:30am 0 Comments 11 Promotions

何彥琴（Anna Y. Q. Ho）是一名國際知名的華裔天文物理學家，現年33歲，目前擔任美國康乃爾大學（Cornell University）天文系的「理查茲家族助理教授」（Richards Family Assistant Professor）。她主要專注於「時域天文學」（Time-domain astronomy）與高能高能量物理學研究，是觀測宇宙中轉瞬即逝的「…

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[iCONADA Research Team] An Encounter with the Universe’s Most Mysterious Messenger at the IceCube Neutrino Observatory

Posted on October 9, 2026 at 9:00pm 0 Comments 11 Promotions

An interdisciplinary intuition: Neutrinos, often called “ghost particles” because they interact so weakly with matter, may nevertheless encounter, within the right ecological conditions, messengers capable of exploring the most extreme depths of the universe. From a humanistic perspective, how might Hippolyte Taine’s discussion of “milieu” (environment or ecology) in The Philosophy of Art help us discover an encounter between rationality and poetic imagination through Francis Halzen’s…

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