文化有根 創意是伴 Bridging Creativity
如何處理批評的經典意識與同時代立場之間的關係?我們經常會認為,文學批評是經典化的一道濾網,最終是為文學史寫作服務的。對此我有懷疑。《咀華集》是批評史上千古不磨的珠玉,針對《斷章》中著名的句子「明月裝飾了你的窗子,你裝飾了別人的夢」,李健吾下了評斷:「還有比這再悲哀的,我們詩人對於人生的解釋?都是裝飾……但是這裡的文字那樣單純,情感那樣凝練,詩面呈浮的是不在意,暗地卻埋著說不盡的悲哀……」這番意見立即被卞之琳指為「顯然是『全錯』」,《斷章》每節之內是相對關係;兩節之間是對稱結構,並列而不相互統攝,而李健吾只取「裝飾」做文章,以偏概全,所以卞之琳強調「我的意思也是著重…
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這兩件作品都直接把表演者的身體放在社群網路上,探討在男性凝視以及資本主義的架構下,女性所面臨的處境。這些表演既不像現場行為藝術勾起觀眾未知的情動,也不完全是為了帶動觀眾「情緒」而設計一系列高潮迭起的劇情。雖然兩位藝術家都為此設計了「人設」,但她們展演的方式並非是在一部有劇情的電影中,而是在網路空間試圖再現社群媒體結構中的女性身體展演。
Amalia Ulman:Excellences & Perfections I Los AngelesAmalia's Instagram I learn mostly from books and movies eating, blogging, shopping & sleeping CITY…
Added by desafinado on March 1, 2025 at 6:30pm — No Comments
曆法月令之學之為鄒子學說之根蒂,漢代學者尚明言之。《漢書·藝文志》「陰陽家」有《鄒子》四十九篇和《鄒子終始》五十六篇。而陰陽家是出自曆法學家,司馬談《論六家要旨》謂陰陽家「序四時之大順,不可失也。」《藝文志》謂「陰陽家者流,蓋出於羲和之官,敬順昊天,曆象日月星辰,敬授民時。」皆指明了其與曆法之學的淵源關係。…
ContinueAdded by Ashgabat on March 1, 2025 at 5:00pm — No Comments
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愛墾網 是文化創意人的窩;自2009年7月以來,一直在挺文化創意人和他們的創作、珍藏。As home to the cultural creative community, iconada.tv supports creators since July, 2009.
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