文化有根 創意是伴 Bridging Creativity
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Posted on March 19, 2025 at 10:00pm 0 Comments 5 Promotions
9 Indeed, each Monad must be different from every other. For in nature there are never two beings which are perfectly alike and in which it is not possible to find an internal difference, or at least a difference founded upon an intrinsic quality [denomination].
確實,每一單子都必須與其它單子相區別。因為在自然中決不會有兩個東西完全一樣,以至於在它們身上找不到內在的差異,或至少是建立在內在性質上的差異。
① 「感性形式」( sensible…
ContinuePosted on March 19, 2025 at 5:00am 0 Comments 8 Promotions
(哲人王俄狄浦斯2019-11-09建議如下~~)
第6則: Thus it may be said that a Monad can only come into being or come to an end all at once; that is to say, it can come into being only by creation and come to an end only by annihilation, while that which is compound comes into being or comes to an end by parts.
原譯:因而可以說,單子只能突然地產生或消亡;也就是說,它只能通過創造而產生,通過毀滅而消亡,而複合物則部分地產生或消亡。
原譯文將「it can come into being only by creation and…
ContinuePosted on March 9, 2025 at 4:00pm 0 Comments 10 Promotions
第一部分·單純實體(第 1節—— 第 9節)
1 The Monad, of which we shall here speak, is nothing but a simple substance, which enters into compounds. By 『simple』 is meant 『without parts.』 (Theod. 10.)
我們這裡所要談論的「單子」,不是別的而是構成複合物的單純實體,「單純」指的是「沒有部分」。(參見《神正論》第10節)
2 And there must be simple substances, since there are compounds; for a compound is nothing but a…
ContinuePosted on September 27, 2023 at 9:00pm 0 Comments 3 Promotions
第三, APT 理論采用橫斷研究數據, 截取創造性表現側面, 揭示了創造力領域特殊/一般性特征, 其理論貢獻是明顯的, 但對創造力發展過程的思考仍有不足。APT 理論的主要提出者Kaufman 等對此也有清醒的認識, 提出了創造力的四 C 模型(the Four C Model of Creativity)。該模型從創造力發展的水平與貢獻的角度將創造力分為微創造力(Mini-c)、小創造力(Little-c)、專業創造力 (Pro-c) 和傑出創造力 (Big-C) 四個水平…
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