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史識 庫 commented on 馬來西亞微電影實驗室 Micro Movie Lab's photo
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愛墾慕課·歷史篇

"俞心焦詩選·倒影 往事中一匹白馬在水中的倒影糾纏 奔騰的水草渡假村的舞伴   紅色出租車的喇叭緩緩浮出水面 松竹林中的香樟上刻著她匆匆離去的標記   木柵欄圍住雪山的倒影 陽光照到的地方,正是我用盡墨水的地方   肉身無限幽靜,但石頭的耳朵奇癢 我們究竟聽到了什麼?在我們自己的倒影中   1995"
yesterday
史識 庫 commented on 馬來西亞微電影實驗室 Micro Movie Lab's photo
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愛墾慕課·歷史篇

"1.2话语和现实 众所周知,在西方,history这个词一直具有二义性(作为:历史1:历史实在过程〔史实〕;和历史2:作为表达此过程的文字表现〔史书〕),二者的区别也是到了晚近才趋于明确的。但是直到今日,史学家中还是有不少人把二者混同,这表现在,有意无意地会把历史古籍所记内容当作历史现实的直接报导;以为研究历史就是研究古籍文本内容本身,因而欠缺须先行考查该文藉本身及其与所指涉的历史现实之关系的性质。…"
Apr 26
史識 庫 posted a blog post

舒慶祥·從友聯出版社成冷戰工具說起

歷史終於解密了,也證明歷史上確有此事,所謂紙包不住火,就是這個道理。感謝南方大學學院華人族群文化研究所主辦的這一場人文沙龍講座會,邀約許維賢博士前來主講「從亞洲基金會檔案看友聯出版社在全球南方的文化冷戰;…See More
Mar 13
史識 庫 commented on 馬來西亞微電影實驗室 Micro Movie Lab's photo
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愛墾慕課·歷史篇

"Boundary: an imaginary line Boundary, n. In political geography, an imaginary line between two nations, separating the imaginary rights of one from the imaginary rights of another. — Ambrose Bierce To build a theory of international…"
Feb 22
史識 庫 commented on 馬來西亞微電影實驗室 Micro Movie Lab's photo
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愛墾慕課·歷史篇

"Free field trips into the wilderness to paint I never thought that I would support myself with art - everyone in the Group of Seven had day jobs. I became a geography teacher so that I could get free field trips into the wilderness to paint.…"
Feb 20
史識 庫 commented on 馬來西亞微電影實驗室 Micro Movie Lab's photo
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愛墾慕課·歷史篇

"Geography is just physics slowed down, with a couple of trees stuck in it Geography is just physics slowed down, with a couple of trees stuck in it. — Terry Pratchett It must be hard for humans, forever floundering through inconvenient…"
Feb 19
史識 庫 commented on 馬來西亞微電影實驗室 Micro Movie Lab's photo
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愛墾慕課·歷史篇

"I don’t want to make an incremental change in some technology in my life. I want to create a whole new technology, and one that is aimed at helping humanity at all levels regardless of geography or ethnicity or age or gender. — Elizabeth…"
Feb 18
史識 庫 commented on 馬來西亞微電影實驗室 Micro Movie Lab's photo
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愛墾慕課·歷史篇

"Geography is destiny, and history is its interpreter Geography is destiny, and history is its interpreter. — Tim Marshall Violence against women is perhaps the most shameful human rights violation, and it is perhaps the most pervasive. It…"
Feb 17
史識 庫 commented on 馬來西亞微電影實驗室 Micro Movie Lab's photo
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愛墾慕課·歷史篇

"Man Can Change Geography Geography does not change, but man does, and man can change geography. — Tim Marshall There is a geography of the human spirit, common to all peoples. — Linda Hogan Like most parents, I've been stumped by…"
Feb 16
史識 庫 commented on 馬來西亞微電影實驗室 Micro Movie Lab's photo
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愛墾慕課·歷史篇

"Nature can be a means of reassuring ourselves of our sanity as creatures We simply need that wild country available to us... For it can be a means of reassuring ourselves of our sanity as creatures, a part of the geography of hope. — Wallace…"
Feb 15
史識 庫 commented on 馬來西亞微電影實驗室 Micro Movie Lab's photo
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愛墾慕課·歷史篇

"The South China Sea is a crucial link in the ‘global commons’, connecting the Pacific to the Indian Ocean, Persian Gulf and Europe. Right now, along with the East China Sea, it is the most contested piece of sea in the world and one of…"
Feb 14
史識 庫 commented on 馬來西亞微電影實驗室 Micro Movie Lab's photo
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愛墾慕課·歷史篇

"A great city may be seen as the construction of words as well as stone — Great Quotation by Yi-Fu Tuan 1. Geography is the study of earth as the home of people. 2. Place is security, space is freedom. 3. A great city may be seen as the…"
Feb 13
史識 庫 commented on 馬來西亞微電影實驗室 Micro Movie Lab's photo
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愛墾慕課·歷史篇

"Geography has made us neighbors Geography has made us neighbors. History has made us friends. Economics has made us partners, and necessity has made us allies. Those whom God has so joined together, let no man put asunder. — John F. Kennedy…"
Feb 12
史識 庫 commented on 馬來西亞微電影實驗室 Micro Movie Lab's photo
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愛墾慕課·歷史篇

"Historians are like deaf people who go on answering questions that no one has asked them. “Historians are like deaf people who go on answering questions that no one has asked them.” Leo Tolstoy, Russian writer and philosopher…"
Feb 11
史識 庫 commented on 馬來西亞微電影實驗室 Micro Movie Lab's photo
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愛墾慕課·歷史篇

"The only history worth a tinker’s damn is the history we make today “I don’t know much about history and I wouldn’t give a nickel for all the history in the world. It means nothing to me. History is more or less bunk.…"
Feb 10
史識 庫 commented on 馬來西亞微電影實驗室 Micro Movie Lab's photo
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愛墾慕課·歷史篇

"It is as if a hand has come out, and taken yours “The best moments in reading are when you come across something – a thought, a feeling, a way of looking at things – which you had thought special and particular to you. And now,…"
Feb 8

史識 庫's Blog

舒慶祥·從友聯出版社成冷戰工具說起

Posted on March 1, 2024 at 12:00am 0 Comments

歷史終於解密了,也證明歷史上確有此事,所謂紙包不住火,就是這個道理。感謝南方大學學院華人族群文化研究所主辦的這一場人文沙龍講座會,邀約許維賢博士前來主講「從亞洲基金會檔案看友聯出版社在全球南方的文化冷戰; 講座會由莫家浩博士主持。



在3月7日晚舉行的這場講座會,聽到了許維賢博士以他找到的史料,佐證了上世紀50至70年代,在東西方冷戰方酣之時,美國中情局通過亞洲基金會,以出版《學生周報》及《蕉風》及其他刊物、課本及教科書從事各種活動,他以雙方簽署的協議、信函等,說明這活動的無孔不入。

筆者身處那一個的年代的人,在校讀書時身歷其境,目睹了許多發生在眼下的事,也深有體會。相信當年其他有在場的人也會牢記這事件,許博士的講演內容,最大的意義是驗證了當年確實有一件事。…

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雪裡紅·自我民族誌與俗民紀錄片 4

Posted on October 16, 2023 at 9:05pm 0 Comments

同樣地,「自我民族誌」內容是否真的發生過?作者詮釋與記憶是否正確?「自己的故事自己講」一定較不可信嗎?或其實更接近真實?自己的故事讓別人講,就是讓渡了主體性嗎?給出這些問題的答案或許不是自我民族誌文體/範式最重要的價值。在並未「蓄意」扭曲、欺騙、操弄前提下(筆者自身都無法覺察則不在此列,那是關於文本為何不可能百分之百客觀、民族誌內容為何無法宣稱絕對權威的討論,可參考文章開頭提及之反思文化與書寫過程的論辯),民族誌內容引起具相似經驗者共鳴,或給予有不同生命經驗者多元思考角度,那麼,一則記錄了人類社會生存軌跡,一則開啟了理論對話空間。若有此用途,對於內容公共性、普遍性、可信度之質疑,恐怕不足以否定自我民族誌存在意義。更有甚者,人生活於社會之中、是生活環境的產物,任何個體經歷勢必連結到更大脈絡,各種議題透過單一個體向外輻射、縱橫交錯,演示出多層次、大尺度之資訊、圖像。因此自傳式民族誌雖以一人為中心,說的卻是群體的故事。…

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雪裡紅·自我民族誌與俗民紀錄片 3

Posted on October 2, 2023 at 11:00pm 0 Comments

針對此部紀錄片之評論,多篇指出,美中不足的是,因攝影機終究只掌握於少數人手中,作品多大程度呈現出「真實」,並顧及群體內部異質性,仍有辯論空間。評論者指出,當地人熟悉並活用媒體科技、技術後,透過自身視角對現況、文化、社會組織創作出一套視覺再現形式;這套形式再由具動機與社會資本、科技能力的創作者傳播、強化、清晰化、再形塑。過程中,特定創作者有機會透過製播媒體來展示其個人認知的部落生活與文化,影像作品或許摒除了外部觀點可能隱含的偏見與曲解,但是否呈現「完整」、「具代表性」之在地觀點,是面面俱到或一家之言,卻是另一個層次的問題。…

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雪裡紅·自我民族誌與俗民紀錄片 2

Posted on September 30, 2023 at 6:00pm 0 Comments

本文「俗民紀錄片」(或稱「民俗學電影」)中的「俗民」概念並非指涉業餘或未受過專業訓練者,而是採用Sharon R. Sherman 所著Documenting Ourselves: Film, Video, and Culture一書定義之「folkloric film/folkloristic film/folklore documentary」,與「民族誌電影」(ethnographic film)有所區別:「ethnographic…

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愛墾網 是文化創意人的窩;自2009年7月以來,一直在挺文化創意人和他們的創作、珍藏。As home to the cultural creative community, iconada.tv supports creators since July, 2009.

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