文化有根 創意是伴 Bridging Creativity
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Posted on May 22, 2022 at 10:23am 0 Comments 8 Promotions
五、關於敘事和文化記憶,它告訴了我們什麼?
毫無疑問,“成功孕育成功”(success-breeds-success)的原則(或者說我在其他地方稱之為文化記憶里的 “稀缺”原則)適用於這部龐大的暢銷書,因為已有的改編數量增加了他在其他地方被重新運用的幾率。但是,《艾凡赫》也明顯地具有比司各特的其他小說更具啟發性和生產性的要素。*對此,請參見Ann Rigney, “Plenitude, Scarcity and the Circulation of Cultural Memory.” Journal of European Studies 35.1 (2005).…
ContinuePosted on May 22, 2022 at 10:00am 0 Comments 5 Promotions
在此談論《艾凡赫》的原因,是因為它一直罕見地具有生產性。它被復制和改編的次數令人不可思議。*《艾凡赫》因其催生了數量眾多的版本而更加令人矚目,它出現在消費主義文化正在萌發的年代,彼時,作品的新穎性備受珍視(參見John Ellis,“The literary Adaptation:An introduction.”Screen 23.1(1982):3-5);勃朗特姐妹的作品,正如簡·奧斯丁永無止境的分支一樣(參見Claudia Johnson. Jane Austen’s Cults and Cultures. Chicago:Chicigo University Press,2012),提供了相似的例子(參見Patsy Stoneman, Bront. Transformations: The…
ContinuePosted on May 9, 2022 at 10:00pm 0 Comments 7 Promotions
關於這些生產性的過程, 可探討的空間仍然很大。但是,此處關注的重點是:哪個故事,或者故事的哪個部分轉換到不同媒介、語言或文化框架之後,仍然被保留了下來?換句話說:文化中產出的是什麼,持續了多長時間?通過長期追蹤故事的復制和變形,有望了解更多關於使故事附著於文化記憶的“附著力”的問題,也能了解關於使它漸漸變得過時的一些因素,也即,不能產生自己的新版本。
*“附著力”一詞借用自Malcolm Gladwell,參見Malcolm Gladwell,The Tipping Point : How Little Things Can Make a Big Difference. Boston: Little, Brown, 2000.
諸如此類的問題不僅需要我們超越方法論文本主義,也需要超越持續統治了從一種媒介到另一種媒介的故事轉換研究的一對一的比較。…
愛墾網 是文化創意人的窩;自2009年7月以來,一直在挺文化創意人和他們的創作、珍藏。As home to the cultural creative community, iconada.tv supports creators since July, 2009.
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