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February 2020 Blog Posts (745)
蒙田随筆《論恐懼》（11）
學者們說，“大膽的想像可以創造意外。”我屬於那種感覺到想像力之巨大威力的人。想像力人皆有之，但有些人則被搞得神魂顛倒。想像壓得我不堪忍受。我的對策是逃避，而不是抵制。我週圍的人健康快樂，我才能生活得好。看到別人愁眉鎖眼，我也會憂心忡忡。我的感覺常常會受第三者感覺的影響。有人咳嗽不止，我的肺部和喉嚨就會感到不舒服。對於我所不關心和不敬重的病人，我是不大願意去探望的，但我更不樂意去看望我應該看望的病人。我會抓住我研究的疾病，想像著自己也得了這種病。有些人因姑息和放縱想像而導致發燒和死亡，對此，我是不會大驚小怪的。西蒙· 托馬斯是一代名醫。我記得，一天，我在一位患肺病的老富翁家里遇見了他，他和病人商討治療方案時，建議病人將我安排在身邊做伴，說是多看看我朝氣蓬勃的臉蛋，多想想我生機盎然的青春，將我身上的朝氣填充他各個感官，他的健康狀況興許能得到改善。可是，這位醫生忘記告訴病人，我的身體也會變壞。…
ContinueAdded by Kreativnaya ideya on February 1, 2020 at 1:40pm — No Comments
蒙田随筆《論恐懼》（10）
你死後，萬物將與你同行。——盧克萊修
世界萬物不是都和你同步嗎? 許多東西不是和你一起衰老嗎? 在你死去的那一刻，多少人，多少動物和生靈也在與世長辭!
從黑夜到白晝，從白晝到黑夜，
無時無刻不聽到嬰兒的啼哭，…
ContinueAdded by Kreativnaya ideya on February 1, 2020 at 11:03am — No Comments
蒙田随筆《論恐懼》（9）
生就意味著死， 有始便有終。——馬尼利斯
你經歷的一切，都是向生命索取的母這其實是在損害生命。你的生命不懈營造的就是死亡。你活著時就在死亡中了，因為當你不再活著時，你已經死了。
抑或，你更喜歡活過後才死。但你活著時就是個要死的人。死神對垂死者的打擊比對死者更嚴酷，更激烈，也更本質。
你若已充分享受了人生，也就心滿意足，那就高高興興地離開吧，為何不像酒足飯飽的賓客，開開心心地離去。——盧克萊修 …
ContinueAdded by Kreativnaya ideya on February 1, 2020 at 10:59am — No Comments
蒙田随筆《論恐懼》（8）
（上一篇： 蒙田随筆《論恐懼》（7））
彎曲的身軀難以承受重力，心靈也如此。應讓心靈挺直腰桿，頂住死的壓力。因為心裏越怕，就越無寧日。若能坦然對待死亡，我們就可以誇口說，憂慮、痛苦、恐懼這些不是最小的煩惱。都不能佔據我們的心靈，我們就會超越生存的狀況，
暴君威逼的目光，…
ContinueAdded by Kreativnaya ideya on February 1, 2020 at 10:51am — No Comments
王青：中西說書方式對小說敘事的不同影響（6）
二
中國古典小說與印度、阿拉伯、希臘的古典小說相比，在敘事結構上還有一個重要的不同之處，就是中國小說通常都是統一的敘述者利用單一視角進行敘事，並以單線聯結的方式串聯起來⑨。而在印度等地的故事書如《五卷書》中，最惹人注意的就是包孕式和連串式相結合的故事結構，有時是幾個故事互相套在一起；有時又是幾個故事並列地連串在一起。
西方學者將其稱之為“框架式(Frame)”或“連串插入式…
Added by Poèmes lieu on February 1, 2020 at 1:00am — No Comments
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