文化有根 創意是伴 Bridging Creativity
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Posted on October 22, 2026 at 5:30pm 0 Comments 8 Promotions
鐵樹開花,象征著漫長等待之後,終於迎來綻放的時刻。對於華文獨中而言,這是一個充滿希望的比喻,也是華教人士數十年來堅持奮斗、捍衛教育理想所迎來的重要成果。
回顧華文獨中的發展歷程,從六十年代初面對教育改制的挑戰,華教人士毅然站出來捍衛華文教育,到後來創辦初中統一考試、推動華文獨中統一考試(統考),一路走來,經歷了多少艱辛與考驗,只有親身走過這段歷史的人,才能深刻體會。 當年,前輩們面對的不是一條平坦的道路,他們必須在困難中尋找出路,在質疑中堅定信念,在資源有限的情況下,仍然堅持為下一代保留接受華文教育的機會。他們所守護的,除了是一張文憑,更是一種教育理念、一份文化傳承以及華裔子弟追求知識與實現理想的權利。
幾十年來,一代又一代華教人士接過接力棒,校董、教師、家長和社會熱心人士各盡所能,讓獨中教育得以延續。無數獨中生也在這樣的環境中成長,帶著從母校學到的知識與價值觀,走向社會各個領域。…
Posted on October 14, 2026 at 8:00pm 0 Comments 5 Promotions
Posted on October 12, 2026 at 12:30am 0 Comments 7 Promotions
面對當代商業語境,文創(Cultural and Creative Industry)的核心邏輯似乎只能透過標準化、符號化來「建立強大的IP(Intellectual Property,知識產權)」,進而實現品牌溢價與規模化複製。
然而,當這種「IP思維」撞上上述一群獨立藝術家的「鄉村微觀遊擊」實踐時,呈現出了一種極其微妙且張力十足的互文與矛盾關係。這本質上是商業資本的「佔有與複製邏輯」與獨立藝術的「在地與去中心化邏輯」之間的深層對話——
矛盾一:IP的「可複製性」 vs…
ContinuePosted on October 6, 2026 at 6:08pm 0 Comments 9 Promotions
五、鐘鼓與青銅:國家祭祀的禮樂共振
在上古社會,「國之大事,在祀與戎」。祭祀是維系政權合法性與凝聚力的最高儀式。
《詩經》的禮樂歌詠:《周頌》與《商頌》的大部分篇章,如「我有嘉賓,鼓瑟吹笙」(《小雅·鹿鳴》)或「鐘鼓喤喤,磬筦將將」(《周頌·執競》),均是王室宗廟祭祀時的樂歌,描繪了青銅禮器陳列、鐘鼓齊鳴的宏大場景。…
Continue愛墾網 是文化創意人的窩;自2009年7月以來,一直在挺文化創意人和他們的創作、珍藏。As home to the cultural creative community, iconada.tv supports creators since July, 2009.
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