文化有根 創意是伴 Bridging Creativity
由於士人階層的累世不懈經營,服丹用藥這一先前帝王的特權終於讓位於門閥士族,成為門閥士族的身份性標誌之一。從外觀形象上看,“一班名人都吃藥,穿的衣都寬大,於是不吃藥的也跟著名人,把衣服寬大起來了!” 因為士族文人提倡風行的緣故,五石散中幾味主藥價格日趨昂貴,普通市人求之不易。西魏時梁彥光的父親得了重病,醫生給他開的藥方為五石散,然而紫石英一味卻求之不得。梁為此而憔悴,因而感動上蒼,讓他在園中拾到一塊。可見求五石散之難。所以在一般人心目中,服藥便意味著其人為上流貴族,如同穿金戴銀一般神氣。由此還導致了許多人倒在路邊冒充服藥散發:
後魏孝文帝時,諸王及貴臣多服石藥,皆稱“石發”。其時乃有非富貴者…
Added by Ra Zola on October 14, 2017 at 2:00pm — No Comments
陳寅恪先生《天師道與濱海地域之關系》一文所列舉的東晉天師道世家的服藥修道行為明顯地體現出嵇康所認定的疏離政治、註重精神修煉的服藥宗旨 。尤為引人矚目的是王羲之,他不僅與道士許邁等人“共修服食,采藥石”,而且“窮諸名山,泛滄海,嘆曰:‘我卒當以樂死!’” 。“我卒當以樂死”一句是值得玩味的。如果理解上沒有偏歧的話,那麽在王羲之看來,“樂”的意義要遠遠超過“不死”,至少可以用“死”來交換“樂”。這也就是說,精神上的安祥和愉悅遠比肉體生命本身的存在要重要的多。這種註重士人自身的精神修養的取向不僅與嵇康的倡導遙相呼應,而且也與整個魏晉時期士族文人註重精神養煉的潮流密切吻合。明白了這一背景,也就比較容易理解兩晉士人服藥過程中的精神取向:
王孝伯在京行散,至其弟王睹戶前,問:“古詩中何句為最?”睹思未答。孝伯曰:“‘所遇無故物,焉得不速老?’此句為最。”(《世說新語•文學》)…
Added by Ra Zola on October 14, 2017 at 1:00pm — No Comments
愛墾網 是文化創意人的窩;自2009年7月以來,一直在挺文化創意人和他們的創作、珍藏。As home to the cultural creative community, iconada.tv supports creators since July, 2009.
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