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HARRY 柯昭興: MARITIME SILK ROUTE @ SABAH
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Comment by Story Link 3 hours ago
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[浮想觸發式的追憶]
他（编註：主角男孩西蒙）的追憶是浮想觸發式的，不同時間點上的場景和印象是隨機切換鏈接的。事實上，納道什·彼得正是根據男孩西蒙紛繁無序的追憶狀態，創造了這部小說的結構及行文方式。尤其是每章均無序號且不分段的這種呈現方式，準確對應了西蒙那男孩式彌漫而又跳躍的意識狀態。這種方式營造了一種奇特的效果：表面上看那些不分段的文字是不斷彌漫綿延的狀態，但細讀起來，就會發現每個句子都是簡短朴素的，每個場景都是異常清晰的，而生成它們的每個字句都有著露珠般的晶瑩剔透和純淨。（摘自：趙松·關於納道什·彼得的《故事終結》，刊發於《北京日報》2024年10月11日）
註釋：納道什·彼得（Nádas Péter，1942—）長篇小說《故事終結》（The End of a Family Story，1977）
愛墾評註：對比拉斯洛・卡撒茲納霍凱
愛墾網 是文化創意人的窩;自2009年7月以來，一直在挺文化創意人和他們的創作、珍藏。As home to the cultural creative community, iconada.tv supports creators since July, 2009.
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