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TV Plus's Blog – February 2017 Archive (1)
李星文《邊境風雲》有缺點的創建好過圓熟的跟風
不厭其煩地交代情節鏈上的每段糾葛，不離不棄地延展感情線上的每條線索，直到無路可走、無話可說，這是電視劇的玩法；跳躍性地、蒙太奇式地講述前因後果，點到為止地表達人物的悲喜愁苦，相信觀眾智商，給人留有余地，這是電影的玩法。
新銳導演程耳的新作《邊境風雲》是電影的套路，一團一團地往前推進，團與團之間大量留白。影片的敘事是不連貫的，開篇毒梟（孫紅雷）劫走了小女孩小安，鏡頭一轉毒梟和成年小安（王珞丹）已是結發夫妻。“斯德哥爾摩綜合癥”是怎麽發作的，“捆著我，綁著我”怎麽就成了“愛著你，勸化你”，影片完全沒有交代，一切留給觀眾揣摩。當年麥克阿瑟在太平洋上用了“蛙跳”戰術，在廣袤海域的島嶼之間跳躍式前進，沒多久就打到了日本人的老巢。《邊境風雲》也是這樣，在過去和現在兩個時空中隨意出入，幾個大的節點描述清楚，故事和情感脈絡已出。…
ContinueAdded by TV Plus on February 15, 2017 at 1:23pm — No Comments
愛墾網 是文化創意人的窩;自2009年7月以來，一直在挺文化創意人和他們的創作、珍藏。As home to the cultural creative community, iconada.tv supports creators since July, 2009.
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