文化有根 創意是伴 Bridging Creativity
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Nomadic Narratives
1.Order is often considered crucial for understanding stories, but this notion can be challenged. Maria Tamboukou from the University of East London has introduced the concept of nomadic narratives. These narratives don't necessarily follow a strict chronological order with clear beginnings and endings. Instead, they meander through various literary styles and autobiographical accounts, blurring the lines between genres.
2.Narrative analytics frequently emphasizes the dynamic process through which stories evolve, focusing on how meaning emerges and narratives take shape rather than adhering strictly to their sequential structure. There's a notable shift in attention from merely representing experiences to understanding the effects of power dynamics, knowledge relations, and desires in play. Analysis now pays close attention to the fluidity and openness of narratives, acknowledging the virtual forces that influence them, as well as the significance of silences and unspoken elements within them.
3.Narration revolves around the interconnectedness of experiences and relationships. Traditionally, it hasn't involved the researcher's personal identification with their historical subject. Rather, it's been about the spatial and temporal connections that lead one to recognize that their present as a researcher comprises a series of realized moments, enveloped by numerous potentialities emerging from the study.
(Rewrite by www.iconada.tv from Re-imagining the narratable subject by Maria Tamboukou of University of East London, Article in Qualitative Research · July 2008 DOI: 10.1177/1468794106093623 · Source: OAI)
Senses of a Place
It had come to me not in a sudden epiphany but with a gradual sureness, a sense of meaning like a sense of place. When you give yourself to places, they give you yourself back; the more one comes to know them, the more one seeds them with the invisible crop of memories and associations that will be waiting for you when you come back, while new places offer up new thoughts, new possibilities. Exploring the world is one of the best ways of exploring the mind, and walking travels both terrains. (Rebecca Solnit)
All Americans need a sense of place. That's what makes our physical surroundings worth caring about. (Ed McMahon)
OK, well maybe I have to get back to Judaism. In the sense that if I look at me and my forebears forever stretching back to I don't know, whenever there's no sense of place and therefore no sense of nationality. (Janet Suzman)
All great hotels should have stellar personalized service, a unique design that gives guests a sense of place, an excellent on-site restaurant, and other fantastic amenities. Obviously location is a key factor as well. (Ivanka Trump)
Lowell is my home. It is where I drew my first breath. It is where I will always derive a sense of place and a sense of belonging.(Paul Tsongas)
Note by Dr Tan Beng Huat
The cultural and creative industry (CCI) encompasses a wide range of sectors, including art, music, film, entertainment, advertising, design, fashion, architecture, publishing, media, software, games, and more.
Recent data indicates that these sectors collectively hold promising prospects for the next five years.
As of 2022, the global market for Creative Industries was valued at USD 2.67 trillion. It's expected to reach USD 3.43 trillion by 2028, growing at an average rate of 4.29% annually during this period. [NOTE 3 5.2.2024]
Lap of Luxury – Origin & Meaning by Candace Osmond
What does lap of luxury mean? I can assure you it doesn’t involve a luxury lap pool or a lap-sized serving of luxury chocolates. We use this phrase in English to describe a condition of amazing comfort and extravagance. So, let’s dive into the plush cushions of this idiom, explore its origin, and look at some alternative ways to say it and how to use it in a sentence.
The idiom lap of luxury is meant to describe a state of opulence or extravagant comfort. Picture this: lounging on a sun-kissed beach, sipping cocktails, with no worries in the world. That’s the lap of luxury. It’s where many of us aspire to be, but few find ourselves.
I often think of my trip to Cuba years ago. I’d just had my second kid, and work was crazy, so the trip was well-deserved. We stayed at a five-star resort, had zero responsibilities or places to be, and food and drinks were brought to us by the pool each day. That was the lap of luxury, and I’ll never forget it!
Top 10 Lap Quotes
I loved myself. And with that, opportunities start to fall into my lap. And I thank God for all of them. (Winnie Harlow)
Our lives are not in the lap of the gods, but in the lap of our cooks. (Lin Yutang)
'Victory Lap,' even the title. It's the accumulation of trial and error; that's what I represent; trial and error. (Nipsey Hussle)
Whoever will be free must make himself free. Freedom is no fairy gift to fall into a man's lap. What is freedom? To have the will to be responsible for one's self. (Max Stirner)
A man watches his pear tree day after day, impatient for the ripening of the fruit. Let him attempt to force the process, and he may spoil both fruit and tree. But let him patiently wait, and the ripe pear at length falls into his lap.
(Abraham Lincoln)
Nothing comes easy. Success doesn't just drop on your lap. You have to go out and fight for it every day.(Dana White)
My uncle's dying wish - he wanted me on his lap. He was in the electric chair.(Rodney Dangerfield)
There's no better feeling in the world than a warm pizza box on your lap. (Kevin James)
Sometimes life drops blessings in your lap without your lifting a finger. Serendipity, they call it.(Charlton Heston)
Happiness is like a cat, If you try to coax it or call it, it will avoid you; it will never come. But if you pay not attention to it and go about your business, you'll find it rubbing against your legs and jumping into your lap.(William Bennett)
Related: LAP Philosopy for Local Cultural & Creative Industries
地方文化營銷 0.3:閱讀+出版文創:
動人口號:
口號也給予人們動力與新鮮點子,
它是簡短的一句話,包含一個地方整體的愿景。
INDRIYA 文化特區
PARK: The Cultural & Creative Hub
陈明发〈从“意识流”谈起〉
“意识流”理论易懂难精。
除了伍尔夫的著作,阅读弗拉基米尔·纳博科夫的《说吧,记忆:自传追述》也带给我很大的乐趣。此书部分地采纳了意识流。
意识流最有名的小说之一《尤利西斯》,买了许久一直没好好读,很对不起乔伊思。另一部意识流大书普鲁斯特的《追忆逝水年华》,我偷工减料地在一些选集中,当散文篇章读过一小部分,说起来很不成样子。
但在哲学方面。柏格森(1927年诺贝尔文学奖得主)对我影响很大,因为他,我上溯维柯(“诗性智慧”历史发展观),下访克里斯蒂瓦(“诗性语言”革命),思想起来心里比较踏实些。
“意识流”得益于19世纪心理学家威廉·詹姆斯的学说,但后来被归入“意识流”的文学家,明显也采纳了20世纪佛洛伊德、荣格、拉康诸子的精神分析理论。
对中国意识流文学作品我不熟悉,我近年相对喜欢的小说家如李佩甫(《无边无际的早晨》等)、冯苓植(《与死共舞—“鞭杆”的故事》等)的创作。二人把意识流与“微魔幻”做了令人期许的混融。
我个人的心智之旅,许多年来依靠着存在主义先驱海德格尔的哲学,近年有柏格森诸子加持,期待文创路上有新领悟。再读李佩甫和冯苓植等中文作家的努力结果,诗性实践在汉字文创中无疑是可能的。(19.12.2023)
陈明发:越境
今早临醒的脑际浮句:“王国的边境是天国”。
醒来但未张眼的第一个念头:“王国不在,天国不在,只有此在。”
想起木心有过一个说法,刚从睡梦中醒来的人,是“人之初”。
那意识与潜意识交班的一瞬,模模糊糊的,没有性本善,没有性本恶。
那又是怎么的一个状态呢?木心形容:
“空白、荏弱、软性的脱节。”
这几年,好些认识的人都越境去了,不按年龄分班次。都是些享有“王国”的人。
从此岸前去彼岸的是渡头、驿站或机场,谁也说不准;日期、时间与座席等次,更说不准。
“人之初”啊。木心,您说的“空白、荏弱、软性的脱节”,对于人类此刻的存在状态,真是透彻啊。
可是,您的一个诊断,“英雄的失策、美人的失贞,往往在此一瞬之间”,我倒是有个不同的想法。
我找了两位前人来帮忙:
一位是维柯。他说,诗诞生于原始人初次遭遇闪电时的惊恐、颤栗。
我的理解是,原始人一直都没离开过这个世界,他匿藏在我们最深层的潜意识里。
那惊慌中、颤栗后的想像力,维柯叫它“诗性智慧”。
还有一位,是邓以蛰。他将人与自身内外感知到的事物,叫“境遇”。
有人用听觉逮住那无以名状的境遇,创造了音乐。
有人则用视觉,于是有了绘画。我们今天或许还可以加上雕塑、建筑、工艺、摄影与各种工艺美术等。
不过邓以蛰认为,可能为那觉知境遇留下最大想像空间的,是诗。而且,他眼中的诗,与历史大同小异。
这说法,和维柯提倡透过荷马的史诗,去追认人类文明的起源,是同一个道理。
生死换景,是人诗样历史的境遇。
初遇苍天霹靂的“人之初”,做好份内的诗性功课,意识与潜意识能喜乐交班,平常年岁自然无牵掛。
其他的,看见临界綫再说。何况,也未必来得及亲见临界綫。(17.12.2023 体检后第三天)
注:
木心引句出自:木心,2012,〈将醒〉,见《琼美卡随想录》,31-32页,台湾INK印刷文学
新科学(上下册),维柯著,朱光潜译,北京商务印书馆1989.6
诗与历史,邓以蛰,145至157,见:梁锡华编《闻一多诸作家遗佚诗文集》,香港文学研究社主办,1979)
朱光潛·材料(matter)與形式(form)孰為重要
西方文學史上一個大懸案就是材料(matter)與形式(form)孰為重要。從亞理斯多德至十八世紀,學者都以為偉大作品必有偉大事跡做材料。這種主張證之文學史的前例也不無根據。從前最好的史詩和悲劇都是敘述偉大人物的偉大事跡。
到了十九世紀,浪漫主義風行,詩人乃推翻前說,以為任何材料須經藝術家熔鑄,賦以特別形式以後,才成藝術。所以藝術之所以美, 在形式不在材料。小題目也可以做出大文章來。
阿諾德是一個站在浪漫主義潮流中而崇奉古典的人,以為詩人第一任務就在選擇可歌可泣的偉大事跡。人類有幾種根深蒂固的基本情感,與生俱來,與生俱去,不隨時代變遷,也不隨境遇變遷。詩人要能感動這種情感,才有永久性與普遍性。無論古今中外,無論智愚賢不肖,都能領略它,欣賞它。
所謂偉大事跡就是能感動基本情感的事跡。
希臘大詩人都能抓住偉大事跡,所以他們的著作到現在還是一樣驚心動魄。讀希臘悲劇或史詩,斟字酌句,不必有何奇特,但他們所生的總印象(total impression)是不可磨滅的。
上乘文學作品的佳勝處都在總印象而不在一章一句的精煉。近代文學家不能抓住要點,只於形式方面做雕刻的工夫,所以拆開來看,雖是琳琅滿目,美不勝收,而合觀其全,則所得的總印象甚為淡薄。
比方濟慈的《丁香花盆》(Isabella or Pot of Basil)一首短詩里所含佳句比索福克勒斯悲劇全集還要多,而論詩的價值,則索福克勒斯比濟慈不啻天壤懸殊。
阿諾德說這全是由於古人注意全局(whole),今人注意部分(parts);古人力求偉大事跡,今人力求美麗辭藻;古人目的在激動基本情感,今人目的在滿足飄忽的想像。
阿諾德力勸初學者多讀古人名著。寢饋既久,便自能於無形中吸收其神韻,浸潤其風格。近代作品多未經時間淘汰,好比衣服樣式,只是一時新,過時便沉到敗紙堆里去。在這種著作中費時間,不特徒勞無補,而且走入迷途,到結局只落得頭暈目眩。
阿諾德雖不絕對主張偉大事跡須從歷史上搜求,卻深信選歷史的事跡比選近代的事跡較易抓住永久的普遍的情感,不至於為一時飄忽的風尚所迷惑。選過去史跡作文學材料,難在不易明瞭古代生活習慣。阿諾德以為這也無妨,因為詩人所描寫的是內在的永恆的情感,而生活習慣只是外表的時常變化的。(選自朱光潜著《我與文學及其他》,據《朱光潛全集》卷 3)
爲何越來越多的高校開始設置微專業?
從近兩年中國各大高校的探索實踐來看,在設置微專業時,學校一般會選擇與科技前沿技術領域相關的專業學科,與戰略性新興産業緊密連接,以培養産業所需的創新型、複合型人才。
“秉承魯班精神,鍛造一流人才。我們是2021級智能建造實驗班!” 在廣東工業大學首個微專業——智能建造的開班儀式上,班級首屆50名本科生滿懷熱忱地喊出了開班宣言。
2022年,廣東工業大學啟動微專業項目建設工作,計劃每個學院至少開設一個微專業,充分利用科研與企業資源,打造一批“小而美”的特色人才培養項目。
實際上,微專業也並非新鮮事物。近年來,爲貫徹和實施新時代高等教育育人質量工程,國內衆多高校相繼開設了微專業。越來越火熱的微專業,能否創新人才培養模式,成爲未來教育體系中不可或缺的一部分?
(部分微專業課程)
愛墾網 是文化創意人的窩;自2009年7月以來,一直在挺文化創意人和他們的創作、珍藏。As home to the cultural creative community, iconada.tv supports creators since July, 2009.
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