文化有根 創意是伴 Bridging Creativity
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Posted on August 1, 2026 at 6:00am 0 Comments 11 Promotions
[iCONADA Research Team]Education Reform Must Be More Than a Vision: Turning Talent into Sarawak's Greatest Strength
Sarawak Premier Tan Sri Abang Johari Tun Openg's latest address at the 61st Sarawak Secondary School Principals' Educational Management Conference was more than another policy speech on education. It was a reaffirmation of a long-term vision: that Sarawak's future prosperity will depend not on the abundance of its…
ContinuePosted on June 19, 2026 at 11:00pm 0 Comments 8 Promotions
蕭紅:長安寺
接引殿裡的佛前燈一排一排的,每個頂著一顆小燈花燃在案子上。敲鐘的聲音一到接近黃昏時候就稀少下來,並且漸漸地簡直一聲不響了。因為燒香拜佛的人都回家去吃著晚飯。
大雄寶殿裡,也同樣啞默默地,每個塑像都站在自己的地盤上憂郁起來,因為黑暗開始掛在他們的臉上。長眉大仙,伏虎大仙,赤腳大仙,達摩,他們分不出哪個是牽著虎的,哪個是赤著腳的。他們通通安安靜靜地同叫著別的名字的許多塑像分站在大雄寶殿的兩壁。
只有大肚彌勒佛還在笑眯眯的看著打掃殿堂的人,因為打掃殿堂的人把小燈放在彌勒佛腳前的緣故。…
ContinuePosted on June 4, 2026 at 10:00pm 1 Comment 9 Promotions
Sabah is currently undergoing a significant phase of development as the state government positions the creative industry as one of the “new engines” of economic growth under the Sabah Maju Jaya (SMJ) Development Plan. This approach reflects the government's commitment to diversifying the state’s economic base, which has traditionally relied on sectors such as agriculture, forestry, fisheries, and tourism. In an era driven by knowledge, innovation, and digital technology, culture, history,…
ContinuePosted on May 26, 2026 at 5:29pm 0 Comments 7 Promotions
若要將「新馬影壇早期比香港更具制度化與規模化」這一論點說得更具說服力,關鍵在於回到學界與影史研究中對邵氏與國泰體系的具體描述,並將其放入戰後華語電影工業的區域脈絡之中來理解。
首先,學者對邵氏兄弟早期在新加坡的發展,多強調其「工業化雛形」的意義。電影史學者Poshek Fu與David Desser在討論華語電影工業時曾指出,邵氏在南洋時期已建立起一套接近好萊塢制片廠的運作模式,即透過集中化的資本、設備與人力,形成一種高度控制的生產體系。這種體系包括固定薪酬的演員制度、長期合約的技術人員,以及標準化的製作流程,使電影生產可以穩定且規模化地進行。這與當時香港仍以小型公司、靈活但分散的製作模式形成鮮明對比。…
Continue愛墾網 是文化創意人的窩;自2009年7月以來,一直在挺文化創意人和他們的創作、珍藏。As home to the cultural creative community, iconada.tv supports creators since July, 2009.
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