文化有根 創意是伴 Bridging Creativity
在當代以感性爲核心旨意的審美現代性討論中,學者們不斷回溯到“埃斯特惕卡”的“感性學”本義,以至有學者認爲當恢複其“感性學”原名。不過,鑒於西文該詞本義突出的並非感性本身也非美,而是人感知、獲得美的活動狀態或過程即“審美”,故1980年代以來,越來越多的漢語美學界學者紛紛表示用“審美學”這個譯名更爲妥切⑧,也以此出現了多部以《審美學》命名的美學原理教材⑨。另外,將“埃斯特惕卡(克)”譯爲“審美學”還有一個重要的方便之處:可以順理成章地將其研究對象確定爲“審美(活動)”…
ContinueAdded by Mystikós kípos on July 30, 2023 at 5:30pm — No Comments
作爲現代漢語詞匯的“美學”是一個外來詞,在清末西學東漸的歷史進程中逐漸出現於中國人的語匯中。作爲一門學問,美學也曾在20世紀的中國學術史上獨領風騷,屢掀熱潮。即使是在幾次美學熱已經沉寂有年的今天,人們依舊會在各種學術與非學術場合,每每遭遇“美學”一詞。那麼,人們究竟是怎麼用這個詞的?作爲一個學科的名稱,它有哪些方面的內涵?本文並不想給這個概念再增添一個定義,只是試圖通過對“美學”概念的多層面分梳,來揭明人們自覺不自覺地賦予“美學”術語的諸多含義與用法。
首先,從概念的産生而言,“美學”術語源於哲學內部一門新學科的創立,其本義是感性學,漢譯爲“審美學”更貼切些。①創立這門新學科的是啟蒙運動時期的德國哲學家鮑姆加登…
ContinueAdded by Mystikós kípos on July 28, 2023 at 7:30pm — No Comments
愛墾網 是文化創意人的窩;自2009年7月以來,一直在挺文化創意人和他們的創作、珍藏。As home to the cultural creative community, iconada.tv supports creators since July, 2009.
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