文化有根 創意是伴 Bridging Creativity
(續上)克雷斯韋爾透過地方的發展史,將眾多研究者的地方研究總結成三個層次,即描述取向、社會建構取向和現象學取向(pp. 85~86) [8]。
地方的描述取向主要表現在區域地理學的研究上,對區域的描述也一直是地理學的研究方式。20 世紀60 年代以前的地理學大多「沈迷於個別特色」,核心詞語不是「地方」,而是「區域」。區域地理學…
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(上續)「地方」無論是作為一個概念,還是一種研究視角,於人文地理學的重要性已毋庸置疑。然而,對於初涉此領域的學人來說,很難找到一本系統介紹此概念的書籍,若想對相關理論進行學習,只能從眾多論著中零星尋找,很難獲得系統性和連貫性,筆者便曾遭遇此困境。
這種情況與「地方」在人文地理學中的重要地位是極不相稱的。因此當蒂姆•克雷斯韋爾(Tim Cresswell)的著作「Place: a short introduction」(《地方:記憶、想像與認同》)走入筆者視野時,猶如暗夜裏的一束光,照亮了學習的方向。鑒於此,以下將對《地方:記憶、想像與認同》一書做簡要的評述,以示分享與推薦之意。…
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四、討論
語言不是中立的,語言背後總是充斥著交際者的語用意圖(Bakhtin,1981),立場建構恰好能反映語言基於交互主觀性的意義協商(Wang,2019)。由於文本所共建的立場結盟祇會部分達成結盟趨同,並由此引申出不同的立場結盟類型(Agha,2007),而交際者的立場結盟的類型可以反映交際者建構立場的心理認知架構(Agha,2011)。立場結盟的意義與…
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愛墾網 是文化創意人的窩;自2009年7月以來,一直在挺文化創意人和他們的創作、珍藏。As home to the cultural creative community, iconada.tv supports creators since July, 2009.
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