文化有根 創意是伴 Bridging Creativity
一八八八年四月,尼采因病纏身,告別十年的教學生涯,孤單窮迫地遷至意大利北部的杜林杜林(義大利語:Torino,英文Turin,中國大陸:都靈)。不到一年時間,他完成《華格納事件》、《偶像的黃昏》、《反基督者》、《瞧!這個人》、《尼采對華格納》和《戴奧尼索斯之歌》六部作品。一八八九年一月,他逐漸神智不清,創作生涯劃上句點。一八九七年,由妹妹帶至威瑪,從此臥病在床,至一九○○年過世,享年五十六歲。
“Here is a city I hold so dear. In fact, the only one. Quiet, almost solemn. A timeless land for eyes and feet. A breath of the best eighteenth century with palaces which speak to the heart and are not just Renaissance fortresses. And then you can see the Alps from the city centre! These long roads that seem to lead in a straight line to the august snowy peaks! The air is serene and sublimely clear. I would never have believed that a city, thanks to the light, could become so beautiful“. —— This is how Friedrich Nietzsche described Turin in 1888.
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Albums: 說好的俳句
Location: via Carlo Alberto, Durin, Italy 義大利杜林舊城區
Comment
親炙者
連篇累牘都是「政改成功」,把深具個人癖嗜特色的走後門方式的「朝改」(改朝換代),當成是「政改」。
說來這是最有「深度」的政權,因為大家都看不出它「改」在哪裡。唯有親炙領導者,洞察其境界與奧妙在什麼地方。
曾有人問我:「洞察」與「洞擦」有何差異?當時只覺得這是在玩弄語音的小聰明,沒理他。現在回想起來,那才叫語言的境界啊。
例如,許多明明是張口就來的語言。對插對了隊的人就別有洞天了,他們那掩不住的洋洋得意,百分百「這個你就不懂了」的表情,當真諱莫如深,不在主要媒體「評述」一兩個月就辜負領導了。
雖然我從來就不插隊,他們還是一雙「鬼叫你插錯地方」的眼神看你。
那眼神誰也受不了,何況他原來就是街邊小混混,現在說話的語氣居然完全是睥睨風雲的氣概了。
無所謂,他後來根本就不看人了。可是,見到同路的,或電話響了,卻故意提高聲調說:「拿督斯裡約了去吃午飯,我都忙死了,他就是要我去......。」
(16.7.2024 《飼兽记》)
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