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陸揚·論闡釋的四種模式（10）
綜上，本文陳述了以艾柯、羅蒂、卡勒和張江為代表的四種闡釋模式，假若以闡釋家不做苛求的某一主導身份為標識，或者我們可以分別名之為小說家、哲學家、批評家和理論家的闡釋模式。在小說家如艾柯，闡釋的語境可以無窮無盡，然文本必有其字面的意義。文本發生之初的文化和歷史語境，構成日後一切闡釋的發生點，是以闡釋應有邊界。在哲學家如羅蒂，闡釋就是使用，要看它是不是實用，而不是取決它是不是名副其實，構成所謂的真理。故闡釋是一個不斷進取的、不可分裂的完整過程，不存在所謂的原初的、本真的意義。在批評家如卡勒，闡釋語必驚人，與其不溫不火四平八穩，不如走極端路線。所以「過度闡釋」情有可原，因為它說到底是力圖將作品文本與敘事、修辭、意識形態等勾連起來，而且艾柯本人在這方面，其實就身體力行的代表。在理論家如張江，闡釋必須具有公共性，私人性質的個體闡釋可以存在，但是必須接受公共理性的約束，以升華為公共理解，舍此不足以言闡釋。故闡釋也是一個權力問題，是實現文化領導權的關鍵組成部分，不應回避它的政治目的。…
ContinueAdded by Host Studio on September 3, 2022 at 5:33pm — No Comments
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愛墾網 是文化創意人的窩;自2009年7月以來，一直在挺文化創意人和他們的創作、珍藏。As home to the cultural creative community, iconada.tv supports creators since July, 2009.
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