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Tata Na's Blog – January 2024 Archive (2)
蔡政洋：蜉蝣朝生而暮死：從《銀翼殺手》到《銀翼殺手2049》2
科幻的核心
《銀翼殺手2049》首先作為一部「續集」電影，必須在前作的世界觀上有所延續，但又不能只是把故事講完好有個交代，就像《駭客任務》第二三集那樣。其次，作為一部「科幻」作品，要怎麼樣在前作的議題上有所延伸，或是另闢戰場，去討論新的問題？又要怎麼在前作創造的視覺效果上，帶給觀眾相仿卻又新穎的電影感受？這些難題在維勒納夫的手下都獲得了非常非常非常優秀的成果。（因為覺得太棒了所以講三次非常）
對我來說，《銀翼殺手2049》觸及「科幻」這樣的題材所能夠觸及各種層面。…
ContinueAdded by Tata Na on January 28, 2024 at 3:30pm — No Comments
蔡政洋：蜉蝣朝生而暮死：從《銀翼殺手》到《銀翼殺手2049》1
雷利．史考特（Ridley Scott）不是一個容易退縮的導演，從《異形》（Alien，1979）到好評的《末路狂花》（Thelma and Louise，1991），至其生涯高峰《神鬼戰士》（Gladiator，2000），他不願意在同樣的風格上停留，不斷嘗試各種題材的可能性，雖然他近年作品水準參差，大起大落，史考特仍有他的一套，也持續讓人期待他的新作品產出。
1982年的《銀翼殺手》…
ContinueAdded by Tata Na on January 25, 2024 at 3:00pm — No Comments
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愛墾網 是文化創意人的窩;自2009年7月以來，一直在挺文化創意人和他們的創作、珍藏。As home to the cultural creative community, iconada.tv supports creators since July, 2009.
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