文化有根 創意是伴 Bridging Creativity
日本舊世代的價值觀深受戰後高度經濟成長時期影響。在1950年代至1980年代末的「經濟奇蹟」年代,企業普遍實施終身雇用、年功序列與企業福利制度。對許多人而言,只要勤奮工作、服從組織、犧牲個人利益,就能獲得穩定收入、住房、家庭與社會地位。因此,「忍耐必有回報」、「忠誠於公司等於人生成功」、「集體利益高於個人需求」不只是道德觀念,更是符合當時社會現實的生存策略。
然而,…
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From The Wild Robot to the Future of Humanity: Cultural and Creative Reflections on Artificial Intelligence and Humanistic Development
The 2024 animated film The Wild Robot resonated deeply with audiences not merely because of its stunning visual artistry and emotionally compelling narrative, but because it addresses one of the defining cultural anxieties of the twenty-first century: as artificial intelligence rapidly advances, will humanistic values be diminished? Will technology…
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[愛墾研創]觀念改變世界:歷史轉折背後最深層的力量
美國記者兼歷史學家懷特(Theodore H. White,1915-1986)曾指出,真正推動歷史前進的,不只是軍隊、財富或權力,更是人們心中的思想與信念。這個觀點揭示了一個常被忽略卻極為重要的歷史事實:決定歷史走向的,往往不是事件本身,而是人們如何理解世界,以及願意為何種價值而行動。…
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宮本美智子(宮本みち子)的《年輕人的無緣化——以工作、福利與社區重新連結》(《若者が無縁化する──仕事・福祉・コミュニティでつなぐ》)是日本青年社會學的重要著作。若說山田昌弘討論的是「希望格差」,上野千鶴子討論的是「厭女文化」,那麼宮本美智子關注的則是另一個同樣深刻的問題:年輕人如何逐漸失去與社會的連結,成為被遺忘的人。
一、什麼是「無緣化」?
「無緣化」(無縁化)是日本近年重要的社會學概念。所謂「緣」(縁),指的是人與人之間的社會連結,例如:…
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三、地方文創與AI:從生產內容到喚醒地方
《荒野機器人》另一個值得注意的面向,是其生態寓言。
Roz並沒有征服自然,而是學習融入自然。
這種思維與當代地方文創的發展方向不謀而合。
過去的文化創意常被理解為商品開發、活動設計或觀光包裝;然而在後工業社會,文創更重要的任務其實是喚醒地方感(sense of place)。…
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愛墾網 是文化創意人的窩;自2009年7月以來,一直在挺文化創意人和他們的創作、珍藏。As home to the cultural creative community, iconada.tv supports creators since July, 2009.
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