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Comment by 史識 庫 yesterday

愛墾整理·區域地方感

傳統中華文化追求講信修睦、親仁善鄰的交往，這有助創生區域地方感。

資本主義大生產帶來的生產力快速增長，消滅了各國以往自然形成的閉關自守的狀態，個人的、民族的歷史逐漸轉變為普遍的世界歷史，世界逐漸形成一個整體，呈現出開放化、全球化的發展態勢。

首先要把區域工作做好；做好了，全球便有保障。

「講信修睦」，出自《禮記》關於「大道之行也，天下為公，選賢與能，講信修睦」的論述，講信是修睦的前提，修睦是講信的結果，講信修睦是實現社會安定和諧、世界和平發展的重要前提。

「親仁善鄰」，出自《左傳》記載的「親仁善鄰，國之寶也」，意指國家應該親近仁義，與鄰國友好相處。對待鄰里關係的態度是「遠親不如近鄰」，素有「親望親好，鄰望鄰好」「四海之內皆兄弟也」的美好期望。

講信修睦、親仁善鄰的交往之道，集中體現了在地文明的包容性、和平性。任何國家銳志建設世界和平、發展全球、維護國際秩序，便有了可行的哲學基礎。

天人合一、萬物並育的生態理念，契合眼下全球迫切需要的ESG議程相契合。

「天人合一」出自莊子提出的「天地與我並生，而萬物與我為一」，意指天、地和人通過物質與能量的交換構成一個有機整體，人類不可能獨存，必須遵循宇宙自然的總體法則，實現與自然的和諧共生。

「萬物並育」源於《禮記》中的「萬物並育而不相害」，意為人與萬物共同存在、和諧統一於大自然之中。

這生命態度與西方的“野性的呼唤”美學，有值得比較、混融的地方。

“你中有我、我中有你”只是開始，“不分彼此、難分你我”才是最终追求。

優秀傳統文化滋養能不斷賦予新思維鮮明的在地特色；新成果又為挖掘在地民族的千年文明寶庫提供新視野；催生創造性轉化的動力，并與在地民族復興聯系起來。

不斷回答在地之問、世界之問、人民之問、時代之問，作出符合實際國情和時代動態要求的正確回答，得出符合客觀規律的科學認識。形成與時俱進的理論成果，能更好地指導新的實踐。

結合東西方各家新思維關於世界歷史的思想，提出了構建全球共同體的重要理念、論述和倡議。

以中國為例，改革開放以来，鄧小平創造性引用「小康」概念描繪并墊下中國特色建設的階段性目標。十八大以来，中國更進一步深化對人類文明發展規律的把握，面對「世界怎麼了，我們怎麼辦」的世紀之問，在繼承發展優秀傳統文化的精神下，提出了「講信修睦」「親仁善鄰」的交往之道。造就一個新的文化生命體，朝  更高境界發展。

新的文化形態不但要能順應國内的新要求，滿足廣大人民群眾追求美好生活的期待，全面推進民族復興。同時也創造人類文明新形態，樹立新典范、提供新選擇。

延續閱讀：

講好廣袤大地的故事

是新思維，就立足新時代

構想中的漢字思維研究

「錢學森之問」與「錢學森之痛」

在地復興迎機遇

文化創意產業應該被列進大健康領域？

新思維結合好故事

Spice Island 香料群島

Comment by 史識 庫 on Friday

愛墾整理·講好南海民族故事

南海各國都是由各民族共同締造的統一的多民族國家，作為一個統一的多民族國家，民族工作是凝聚人心、匯聚力量的至關重要的工作。艱苦創業多年，逐漸取得了舉世矚目的尊重。向世界講好南海民族共同體故事，能夠有力增進在地民族認同感與自豪感，為世界各國處理民族問題提供本區域方案和智慧，對促進國際互信以及推動與世界各國人民攜手共建命運共同體有著極為重要的意義。

南海共同體是新思維理論與區域創新實踐、在地優秀傳統文化相結合的新時代核心工作概念。鑄牢在地民族共同體意識是加強和改進民族工作的重要內容，是新時代的民族工作主線。通過講好民族團結的生動故事，不僅有利於在國內加深各民族間的相互理解與支持，而且有利於在國際上展示本區域作為一個統一多民族國家的和諧景象，為國際社會提供正面案例，即如何在尊重多元文化和促進民族發展的同時，維護區域社會穩定，從而提升東盟國際形象。

「和平性」是本區域文明的突出特性之一。例如，和平、和睦、和諧一直是中華文明五千多年來一直傳承的理念。歷史和實踐證明，各民族是一個愛好和平的民族，不管多強大也不會給任何國家帶來威脅，在地民族偉大復興也必將通過在地民族的團結奮鬥、自力更生來實現，我們始終是世界和平的建設者、全球發展的貢獻者、國際秩序的維護者。通過講述在地民族共同體故事，向世界展示各民族平等團結互助和諧的民族關係，可以更好地樹立民族政策的成功典范，增進國際社會對我們尊重差異、包容多樣、和諧共生理念的認識，消除誤解與偏見，營造有利於南海發展的國際輿論環境。

在地民族共同體故事滿載著多彩的民族文化意蘊，凝結了在地民族在不懈奮斗中的智慧結晶，彰顯了人類文明多樣性的璀璨光芒。通過敘述各民族的奮鬥歷程，搭設跨文化的溝通橋梁，旨在使絲路故事傳播至全球每一個角落，同時也讓國際社會更深入地認知南海，在推進全球文明演進中展現區域氣度與責任擔當。我們秉承自信與積極態度，讓在地優秀傳統文化跨越國界。同時以開放和包容心態，吸納世界優秀文化精髓，為命運共同體建設添磚加瓦。

講好歷史長河中的民族融合和發展過程要認識到，一部國史，就是一部各民族交融匯聚成多元一體在地民族的歷史，就是各民族共同締造、發展、鞏固統一的偉大祖國的歷史。再以中國为例，自秦以來，無論是漢民屯邊、邊民內遷還是秦漢的列國文化交融、魏晉南北朝的「五胡」入華、隋唐五代的華夷一體、遼宋夏金的共奉中國、元的胡漢一家、明的中外匯通、清的在地一家都深刻地展示著中國統一多民族國家的發展歷程。「書同文、車同軌、量同衡、行同倫」既是在地民族大一統的制度安排，也是各民族融合發展的制度基礎。

與此同時，邊關互市、絲綢之路、茶馬古道等商貿往來，以及莎車王父子護西域、奢香夫人鞏固邊防、瓦氏夫人抗倭、東北抗聯等各民族共同抵抗外敵入侵等歷史事件，也都展現了各民族之間的緊密聯系與共同奮鬥。講好各民族在歷史長河中交往交流交融的歷史事實和在地民族生生不息戰勝苦難的奮鬥史，有助於深刻詮釋各民族共同締造的在地文明，向世界准確展現形成你中有我、我中有你的在地民族多元一體格局的發展過程。

除了大陸歷史案例，東盟各國也多有類似的故事，正待在南海共同精神下，一道挖掘、二度開發。

延續閱讀：

講好廣袤大地的故事

是新思維，就立足新時代

構想中的漢字思維研究

「錢學森之問」與「錢學森之痛」

在地復興迎機遇

文化創意產業應該被列進大健康領域？

新思維結合好故事

Comment by 史識 庫 on December 11, 2023 at 3:39pm

文化特區專綫

愛墾慕課·影像篇

韵文化：鄉韻

韵文化：我求

最接近中国的马来西亚北隅乡镇

愛墾慕課·在地篇

旅遊·把故事說好的快意

《愛墾鄉頻道》內容重點推薦

《愛墾·鄉頻道》濱雪鄉鎮

我们这样走過歷史 [馬来群島史]

海絲大典

一帶一路·札記

海絲路·文化·軟實力

推薦圖文

文化旅遊營銷

（The Pahang and Muar Rivers were nearly connected at a place called Jempol 仁保縣, in Negeri Sembilan as the Serting River flows into the Bera River, a tributary of the Pahang River. The Jempol River 珍寶河 then flows into the Muar River）

Comment by 史識 庫 on December 29, 2022 at 11:52am

愛墾評註：南海香料文化商贸

在王炳文撰写的〈千年絲綢香瓷路 一部文明交匯史〉一文中，提到“長期以來，人們認為海上絲綢之路是在宋元以後興起的，但作者基於對中古佛教與民眾社會生活的深入研究，指出香料需求的激增，與南北朝隋唐以來佛教對大眾生活習慣的影響塑造密不可分，而佛教對民眾行為的規範原因有二，首先在於佛教本身的不斷華化，從初入中國為求適應而借助老莊，到東晉南朝持續的儒佛衝突，直至最終完成佛儒融合；其次則離不開中古後期整個禮法文化的下移。「海絲」的興起源於需求，而需求的產生又離不開民眾思想和社會倫理的嬗變。”

Comment by 史識 庫 on June 6, 2022 at 6:05pm

Creative Economy in ASEAN: (Con't) Towards an Effective Regional Policy making for a Creative Economy in ASEAN. Given the fast moving CCI landscape, it is important that policymaking for the promotion and development of the creative economy stays ahead of the curve and through targeted implementation, catalyse changes and growth for the sector. Governments have a role to encourage and foster the CCI across the creative economy value chain (Rosenweig et al., 2018).

On the supply side, governments can foster the growth of talents and capabilities. People-centred policies must take centre stage by opening opportunities for the development of education, science and technology, and upskilling cultural and creative workers through a culture of lifelong learning. On the demand side, governments can drive demand through branding, supporting market access and development, and protecting intellectual property.

To ensure market efficiency, governments have a role to play especially in developing the ecosystem, including digital and physical infrastructures, and facilitating cultural and creative industries’ access to capital and financing. Equally important is to future-proof efforts by building carbon neutral infrastructures and providing green solutions for the sustainable development of the CCI in the face of climate adversity.

At our regional level, ASEAN has put in place the ASEAN Comprehensive Recovery Framework that identifies the creative economy as a sector needing support to recover from the impacts of COVID-19 and as a high potential sector for postpandemic recovery. In addition, the ASEAN’s Strategic Plan for Culture and Arts (2016-2025) further underscores the importance of the CCI as an impetus for regional cooperation.

Alongside these policy pronouncements, regional discussions on the promotion and development of the creative economy are afoot with a pipeline of concrete initiatives led by the ASEAN senior officials responsible for culture and the arts in coordination with the various sectors of the ASEAN Economic Community Pillar and ASEAN Socio Cultural Community Pillar.

A thriving ASEAN creative economy, where citizens can enjoy the curative and creative benefits, requires ASEAN to put in place adaptive and innovative approaches involving stakeholders
across the value chain, including policymakers, administrators, thought leaders, academics, cultural and creative makers, and entrepreneurs. （pg. 11, The ASEAN，Oct-Dec 2021, Author: ERICA PAULA SIOSON, PHD, JONATHAN TAN GHEE TIONG) 

Comment by 史識 庫 on June 1, 2022 at 7:37pm

ASEC2025——the ASEAN Communication Master Plan 2018-2025
This issue on the "Creative Economy" takes on a topic that is close to the hearts of many ASEAN citizens. In such a diverse and heterogeneous region as Southeast Asia, establishing a genuine community is a challenge for governments and peoples alike.

Creative industries can bridge the gap between different cultural traditions in the ASEAN Member States and contribute to a common ASEAN identity that still reflects the Community’s rich diversity.

Creative industries in the fields of arts, media, digital content, and technology play a crucial role in further strengthening the ASEAN community as a whole.
In this regard, it is a particular pleasure for us to work closely together with the ASEAN Secretariat on our cooperation project, ASEC2025, to implement the
ASEAN Communication Master Plan 2018-2025 (ACMP II) with the vision to realise a people-oriented and people-centred ASEAN Community, where the people of ASEAN enjoy the benefits of community-building, reinforcing a sense of togetherness.

ASEAN has tremendous potential when it comes to the creative industries and more generally the micro, small, and medium enterprises (MSMEs). To this end, Germany is also pleased to be part of ASEAN’s efforts to internationalise its MSMEs power beyond borders through the launch of ASEAN Access; a regional digital platform that connects ASEAN MSMEs with the global markets. （Ina Lepel Ambassador Designate of the Federal Republic of Germany to Indonesia, ASEAN, and Timor Leste ）

Comment by 史識 庫 on May 30, 2022 at 2:05pm

Cultural and creative ASEAN

Cultural and creative content kept many of us grounded and in good spirits during the COVID-19
lockdowns. Yet, ironically, the creators, producers and distributors of this content are among the worst hit by the pandemic-driven recession.

A supportive environment is crucial to the growth of the creative economy. Cambodian Minister of Culture and Fine Arts and ASEAN Ministers Responsible for Culture and Arts (AMCA) Chair, Dr. Phoeurng Sackona, shares her country’s policies, investment priorities, and strategic partnerships to create a vibrant business climate for the cultural and creative industries. Our contributors from Singapore and Thailand talk about the importance of a cohesive arts
and culture masterplan, collaborative governance, and investment in people and technology in unlocking the sector’s full potential.

Partnerships and linkages are also necessary to bridge the gap in resources and help groups that may have fallen through the cracks. For example, ASEAN Access, a digital business support and matchmaking platform that caters to micro, small and medium enterprises, was launched with
the German Federal Ministry for Economic Cooperation and Development. A creative youth programme, Kita Muda Kreatif, was initiated by UNESCO Jakarta to mentor and develop the business skills of young entrepreneurs living around heritage sites. Creative hubs, such as those
supported by the British Council, benefit the creative enterprises and workers and the entire community.

Comment by 史識 庫 on May 30, 2022 at 2:00pm

For the cultural and creative industries in the region to rebound stronger from the crisis, key issues must be addressed. There is a need to establish a regional consensus on the definition and scope of the creative economy, close gaps in financing, and address the unequal levels of digital
readiness within countries and the region. Conversations with artists and creative professionals across ASEAN also remind us that we must continue to support them in this ongoing crisis, protect their intellectual and labour rights, and open more opportunities to create and innovate.

The culture and creative industries add value to the economy and at the same time, help solidify our ASEAN identity, notes Minister Phoeurng Sackona. Moreover, they heighten people’s awareness of and appetite for ASEAN’s rich history, culture, and heritage.

I wish to express my appreciation to the government of Germany, through the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ), for partnering with us on this issue. My sincerest thanks also go to our contributors for bringing their knowledge and experience
into the articles.

Finally, I convey my profound gratitude to the government of India for its unwavering support for The ASEAN magazine.

Ekkaphab Phanthavong
Deputy Secretary-General of ASEAN
for the ASEAN Socio-Cultural Community

Comment by 史識 庫 on May 29, 2022 at 11:05am

The Contribution of Art and Culture to ASEAN Diplomacy——In celebration of World Day for Cultural Diversity for Dialogue and Development, let's revisit how cultural gifts have been playing a key role in building friendship and collaboration among countries in ASEAN. Learn more about the history of Southeast Asian's regionalism in our Cast But One Shadow: Afro-Southeast Asian Affinities Catalogue.

Hosted at the UP Jorge B. Vargas Museum and Filipiniana Research Center in Manila, the Philippines, Cast But One Shadow AND FILIPINIANA, Cast But One Shadow is the second of three exhibitions that represent a long-term research project instigated by curators Carlos Quijon, Jr. and Kathleen Ditzig.

Developed in partnership with KONNECT ASEAN, an ASEAN Foundation arts programme funded by the Republic of Korea, this series of exhibitions focuses on Afro-Southeast Asian affinities that emerged from decolonization projects during the Cold War. Having launched in January 2021 at the NTU ADM Gallery in Singapore, the third and final iteration of this project will be presented at the ASEAN Culture House, Busan in 2022.

The exhibition features newly commissioned and loaned art works from artists who are engaged with transnational communities of exchange and Cold War political imaginations of race and affinity. Additionally, the exhibition converses with the library and art collection of the UP Vargas Museum as well as a range of historical materials including diplomatic gifts of paintings from former Indonesian President Sukarno to his contemporary Philippine President Diosdado Macapagal.（https://www.aseanfoundation.org 20 May, 2022 4:25 PM ）

Comment by 史識 庫 on September 26, 2021 at 1:49pm

疫後東盟大方向·社會企業願景

越通社消息：2021年4月16日，東盟基金會啟動了東盟社會企業發展計劃（ASEAN SEDP）並以線上方式舉行區域內社會企業相關問題討論會。

在德國國際合作機構（GIZ）與SAP集團的協助下，ASEAN SEDP的目的是支持由青年領導的社會企業牽頭為減輕新冠肺炎疫情給地區經濟社會發展帶來的影響作出努力。

東盟基金會首席執行官楊博士（Yang Mee Eng）在致開幕詞時強調，一年多以來，新冠肺炎疫情給區域內人民生活、身體健康以及經濟發展產生巨大負面影響。疫情已凸顯了社會最弱勢群體-青年需要面臨的困難和挑戰。 

然而，一年來也充分彰顯東盟地區的力量。東盟最大的財產就是年輕人。他們通過加大數字技術應用力度，學習新技能以及創新做法，實現可持續發展等措施證明其強大的適應能力。 

楊博士透露，ASEAN SEDP的宗旨是激發年輕人的熱情，從而增加區域內社會企業數量。除了幫助青年具備就業技能之外，該計劃還對青年進行經營技能培訓，讓他們對東盟共同體的社會福利作出更多更大貢獻。

 

負責東盟經濟共同體副秘書長薩特溫德·辛格（Satvinder Singh）評價稱，社會企業是幫助東盟實現各項可持續發展目標的有效工具，也是解決社會問題的最佳途徑。 

薩特溫德·辛格透露，目前，印度尼西亞，菲律賓，泰國和越南是區域內社會企業數量最多的國家。這些企業從事諸多不同的領域，並給國家經濟發展產生巨大影響。（2021/04/18）

延續閱讀 》

Story Corps

社會企業的定義

The Malaysian Social Enterprise Blueprint

文創抗疫·抗疫文創