莊士弘·Affect 情感素；情動；動情 afffect 下

情感素最後終將離不開德勒茲思想的概念，並且了解內在性。情感素並不會淪入為主體性中，而應該被設想成內蘊於它必須建立的平面過程：這個平面既不是形式的結構化，也不是自然化或自發性的，而是一個不穩定的中間/空間（milieu）位置，總是受情感素-熱情與情感素-作用的影響，並且由動力學（cinétiques）原則(快與慢)與動態學（dynamiques）原則(強度，力量的強度 [intensités, degrès de puissance])所重新形構的。(編譯自Delourme & Lecercle 32-33)

就Delourme與Lecercle兩人而言，德氏所謂的情感素對於生命是持肯定的態度，而非是匱乏的。情感素不會結構化成為一種主體或型式；它永遠總是在快與慢之間，強度與力量強度之間，如此便能與任何異質的身體結合，以產生創新，甚至革命的可能。

弦學無器官音樂感情地理學文创要素

Bibliography

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Crawford, Lucas. “Transgender without Organs? Mobilizing a Geo-Affective Theory of Gender Modification.” WSQ: Woman''s Studies Quarterly 36: 3&4 (Fall/Winter), 2008. 127-143.

Deleuze, Gilles. Cinema 1: The Movement-Image. Trans. Hugh Tomlinson and Robert Galeta. Minneapolis: U of Minnesota P, 1986.

---. Expressionism in Philosophy: Spinoza. Trans. Martin Joughin. New York: Zone Books, 1990.

---. Spinoza: Practical Philosophy. Trans. Robert Hurley. San Francisco: City Lights, 1988.

---. 《斯賓諾莎的實踐哲學》馮炳昆譯•北京：商務印書館，2005•

---. and Félix Guattari. A Thousand Plateaus: Capitalism and Schizophrenia. Trans. Brian Massumi. Minneapolis: U of Minnesota P, 1987.

---. and Claire Parnet. Dialogues. Trans. Hugh Tomlinson and Barbara Habberjam. New York: Columbia UP, 1987.

Delourme, Chantal and Jean-Jacques Lecercle. “Affect.” Le vocabulaire de Gilles Deleuze. Eds. Robert Sasso and Arnaud Villani. Nice: Centre de recherches d''histoire des idées, 2003. 23-33.

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Lefebvre, Alexander. The Image of Law: Deleuze, Bergson, Spinoza. Stanford: Stanford UP, 2008.

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1] 該例子的原文可參考：“this is because the racehorse and the plow horse do not have the same affect nor the same capacity for being affected; the plow horse has affects in common rather with the ox”(Spinoza: Practical Philosophy 124). 而他在《千重台》也有類似的說法：“a race-horse is more different from a workhorse than a workhorse is from an ox” ( 257)。

[2] 任何關於《斯賓諾莎的實踐哲學》的中譯，筆者參考馮炳昆之譯文，然而會依行文的脈絡而有些調整。

[3] 關於情感素的討論，主要在於《千重台》中的頁256-260。

[4] 在其《電影1》中，德勒茲指出，力量(power / puissance)是 « expression of a power which passes from one quality to another »。而質性(quality)是 « expression of a quality common to several different things. » (91 ; [法文版]130)

[5] 為求行文方便，筆者暫將以下的專有名詞譯為如下：「percept=感知物」；「perception=感知」；「affect=情感素」；「affection=情感」；「sensation=感覺」前者通常是指一種情感較細微的元素，而後者(+tion)的詞語通常是指該情感已變成一種較為穩固，並且主體性的情感狀態(state of emotions)。

[6] 參考 « it is the percept or affect of the material itself, the smile of oil, the gesture of fired clay, the thrust of metal, the crouch of Romanesque stone, and the ascent of Gothic stone » (166 ;法文156)

[7] 參考 « the aim of art is to wrest the percept from perceptions of objects and the states of a perceiving subject, to wrest the affect from affections as the transition from one state to another : to extract a bloc of sensations, a pure being of sensations » (167 ; 法文158)

(Stephen Shih-hong Chuang July, 2010；見：英文文學與文化資料庫)

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