李蕾蕾:文化經濟地理學進展與"項目網絡地理學"的提出(8)

參考文獻

[1] 李蕾蕾,彭素英. 國內外文化創意產業集群研究前沿與評述[A].彭 立勛.文化軟實力與城市競爭力 (2008 年深圳文化藍皮書)[C].北 京:中國社會科學出版社,2008.292-314.

[2] James A, Martin R, Sunley P. The Rise of Cultural Economic Geogra phy[A]. Martin R, Sunley P (eds.) Economic Geography: Critical Concepts in Economic Geography: Volume IV: Cultural Economy [C]. London and New York: Routledge, 2007.3-18.

[3] 李蕾蕾.文化產業和創意城市的發展策略[J].深圳大學學報(人文社 會科學版),2008,25(2):120-125.

[4] 趙繼敏,劉衛東.文化創意產業的地理學研究進展[J].地理科學進 展,2009,28(4):503-510.

[5] DCMS. Creative Industries Mapping Document 2001[EB/OL].2001. available online: http://www.culture.gov.uk/reference_library/ publi cations/4632.aspx.

[6] Christopherson S, Storper M. The city as studio; the world as back lot: the impact of vertical disintegration on the location of the motion industry[J]. Environment and Planning D: Society and Space,1986, (4):305-320.

[7] Grabher G. Fragile sector, robust practice: project ecologies in new media[J]. Environment and Planning A, 2002, 34(11) :1911-1926.

[8] Rantisi N M, Leslie D, Christopherson S. Placing the creative econo my: scale, politics, and the material[J].Environment and Planning A, 2006,38(10) :1789-1797.

[9] Pratt A C. Cultural Commodity Chains, Cultural Clusters, or Cultural Production Chains? [J]. Growth and Change,2008,39(1):95-103.

[10]Lorenzen M, Scott A J, Vang J. Editorial: Geography and the Cultur al Economy[J]. J Econ Geogr, 2008,8(5): 589-592.

[11]Amin A, Thrift N. The Blackwell Cultural Economy Reader[M]. Ox ford, U.K, Blackwell, 2004.

[12]Scott A J. Social economy of the metropolis: cognitive-cultural capi talism and the global resurgence of cities[M]. New York: Oxford u niversity press, 2008.

[13]UIS/UNESCO.The 2009 UNESCO Framework for cultural statistics [EB/OL]. 2009. Available online: http://www.uis.unesco. org/template/pdf/cscl/framework/draftdoc_EN.pdf. [14]UNCATD.The cultural economy report [EB/OL].2008. available on line :http://www.unctad.org/en/docs//ditc20082cer_en.pdf.

[15]李蕾蕾,張曉東,胡靈玲.城市廣告業集群分佈模式—以深圳為例 [J].地理學報,2005,60(2):257-265.

[16]王緝慈,梅麗霞,謝坤澤.企業互補性資產與深圳動漫產業集群的形成—基於深圳的經驗和教訓[J].經濟地理,2008,28(1):49-54.

[17]錢紫華,閆小培,王愛民.城市文化產業積聚體: 深圳大芬油畫[J].熱帶地理,2006,26(3):269-274.

[18]張景秋.北京市文化設施空間分佈與文化功能研究[J].北京社會科 學, 2004(2):53-60.

[19]張敏,劉學,汪飛.南京城市文化戰略及其空間效應[J].城市發展研 究卷, 2007,14(5):13-18. [20]張曉明,胡惠林,章建剛.文化藍皮書 2009 年中國文化產業發展報 告 [M].北京:社會科學文獻出版社,2009.

[21]崔保國.2009 年:中國傳媒產業發展報告[M].北京:社會科學文獻 出版社,2009.

[22]Hesmondhalgh D. The cultural industries [M]. London: Sage. 2007: 27-50.

[23]McKinlay A, Smith C (eds). Creative Labour: Working in the Creative Industries[M]. New York: Palgrave Macmillan, 2009.

[24]Baumol W J, Bowen W G. Performing Arts: The Economic Dilemma [M]. New York: The Twentieth Century Fund,1966.

[25]Ginsburgh V A, Throsby D. Handbook of the economics of art and culture[M]. Amsterdam:Elsevier, 2006.

[26]Pratt A. An economic geography of the cultural industries[EB/OL]. 2007. Available Online: http://eprints.lse.ac.uk/855. [27]Scott A J. The cultural economy of cities: essays on the geography of image-producing industries[M]. London: Sage publications. 2000.

[28]Ward S, O' Regan T. Servicing 'the other Hollywood':The vicissi tudes of an international television production location [J]. Interna tional journal of culture studies. 2007,10(2):167-185.

[29]Litvak I A. Hollywood Movie Production Industry: Floating Facto ries [EB/OL]. Proceedings- AIB-SE (USA) 2006 Annual Meeting: Clearwater Beach, Fl. Available online: http://www.aibse.org/Pro ceedings/Proceedings%202006/28%20Litvak,%20Litvak.pdf.

[30]Coe N M, Dicken P, Hess M. Introduction: global production net works—debates and challenges[J]. Journal of Economic Geography, 2008,8:267-269.

[31]Yeung H,Wai-chung. Towards a Relational Economic Geography: Old Wine in New Bottles?[J] Trans Inst Br Geogr, 2005, NS 30: 37-51.

[32]Coe N, Johns J. Beyond production clusters: towards a critical politi cal economy of networks in the film and television industries [A]. Power D, Scott A J. eds., Cultural industries and the production of culture[C]. London and New York: Roultledge, 2004.188-204.

[33]Coe N M. The view from out West: embeddedness, inter-personal re lations and the development of an indigenous film industry in Van couver[J]. Geoforum, 2000,31:391-407.

[34]Nachum L, Keeble D. Neo-Marchallian clusters and global net works: the linkages of media firms in Central London [J]. Long Range Planning, 2003,36:459-480.

[35]Grabher G. Ecologies of creativity: the Village, the Group and the heterarchic organization of the British advertising industry[J]. Envi ronment and Planning A, 2001, 33:351-374.

[36]Hospers Gert-Jan, Dalm, Roy van. How to create a creative city? The viewpoints of Richard Florida and Jane Jacobs[J]. Foresight, 2005, 7 (4):8-12.

[37]Pratt A C. Inside and across clusters: production and peer respect net works[Z]. Paper presented to cultural creative spaces conference.Beijing,19 to 21 October,2006.

[38]Scott A. Entrepreneurship, Innovation and Industrial Development: Geography and the Creative Field Revisited[J]. Small Business Eco nomics,2006, 26(1):1-24

[39]Etterlinger N. Cultural economic geography and a relational and mi crospace approach to trusts, rationalities, networks, and change in collaborative workplaces [J]. Journal of economic geography, 2003 (3):145-171.

[40]Nachum L, Keeble D. Why being local just isn' t enough: the media cluster of Central London [J]. Business Strategy Review,2002,13(1): 37-43.

[41]Faulconbridge J R. Stretching tacit knowledge beyond a local fix? Global spaces of learning in advertising professional service firms[J]. J. Econ. Geogr, 2006,6:517-540.

[42]Pratt A C, Jeffcutt P. eds. Creativity, innovation and the cultural e conomy[M]. London and New York: Routledge.2009.

[43]Pratt A C. Advertising and creativity, a governance approach: a case study of creative agencies in London [J]. Environment and Planning A, 2006,38(10) :1883-1899.

[44]Christopherson S. Project work in context: regulatory change and the new geography of media[J]. Environment and Planning A, 2002, 34: 2003-2015.

[45]苗長虹.變革中的西方經濟地理學: 制度、文化、關係與尺度轉向 [J].人文地理,2004,19(4):68-76.

[46]Musterd S, Bontji M, Chapain C, Kovacs Z, Murie A. Accommodating creative knowledge: a literature review from a European perspective [EB/OL]. Amsterdam: ACRE report 1. 2007, available online: http://dare.uva.nl/document/123534

[47]Hutton T A. Spatiality, built form, and creative industry development in the inner city [J]. Environment and Planning A, 2006,38 (10) : 1819-1841.

[48]Scott A J. Creative cities: conceptual issues and policy questions[J]. Journal of urban affaires, 2006, 28(1):1-17.

[49]Knudsen B, Florida R, Stolarick K. Beyond Spillovers:The Effects of Creative-Density On Innovation [EB/OL]. 2005, available online: http://www.rotman.utoronto.ca/userfiles/prosperity/File/Beyond_ Spillovers.w.cover.pdf.

[50]Wu W. Dynamic Cities and Creative Clusters. World Bank Policy Research Working Paper 3509 [EB/OL].2005.available online: http: //scholar.google.com/scholar?hl =en&lr =&newwindow =1&q =cache:- Us8vAoDaSAJ:econ.worldbank.org/files/41298_wps3509. pdf+Dynamic+Cities+and+Creative+Clusters.

[51]Florida R. The rise of the creative class—and how it is transforming leisure, community and everyday life[M]. New York: Basic Books. 2002.

[52]Landry C. The Creative City: A Toolkit for Urban Innovators(2nd edition)[M]. London: Earthscan Publications Ltd, 2008. [

53]Gertler.M.S. Creative cities: what are they for, how do they work, and how do we build them? [EB/OL]. 2004. available online: http: //www.cprn.com/documents/31348_en.pdf.

[54] Pratt A. Hot jobs in cool places. The material cultures of new media product spaces: the case of South of Market, San Francisco[J]. Information, Communication and Society, 2002, 5(1)27-50.

[55]Drake G. This Place Gives me Space: Place and Creativity in the Creative Industries[J].Geoforum, 2003.34(4):511-524.

[56]Molotch H. Place in Product [J]. International Journal of Urban and Regional Research, 2002,26(4):665-88.

[57]Gibson C. Cultural at work: why『cultural』matters in research on the 'cultural' industries[J]. Social & Cultural Geography, 2003,4(2): 201-215.

[58]周尚意,沈小平.北京美術產業對地方文化的嵌入性程度分析[J]. 人文地理,2008,23(2):26-32.

[59]Neff G. The Changing Place of Cultural Production: The Location of Social Networks in a Digital Media Industry .Annals of the American Academy of Political and Social Science, 2005, 597(1):134-152.

[60]Currid E, Williams S. The geography of buzz: art, culture and the so cial milieu in Los Angeles and New York [J]. Journal of Economic Geography.2009:1-29.

[61]Power D, Scott A J. A prelude to cultural industries and the produc tion of culture[A]. In Power D, Scott A J. eds., Cultural industries and the production of culture [C]. London and New York: Roul tledge.2004.3-15.

[62]McRobbie A. Making a living in London's small-scale creative sector [A]. Power D, Scott A J. Cultural industries and the production of culture[C]. London and New York: Roultledge, 2004.130-143.

63]Bathelt,H. Toward a multidimensional conception of clusters: the case of the Leipzig media industry,Germany[A]. Power D, Scott A J. eds.,Cultural industries and the production of culture.London and New York: Roultledge, 2004.147-168.

[64][美]J.佩克.管制研究[A].[英]G.L.克拉克,[美]M.P.費爾德曼,[加]M. S.格特勒主編,劉衛東等譯.牛津經濟地理學手冊[C].北京:商務印 書館,2005.61-80.

[65][英]阿什.阿明.區域經濟發展中的制度主義視角[A].[加]特雷弗.J. 巴恩斯,[美]傑米.佩克,[美]埃里克.謝潑德,[英]亞當.蒂克爾主編, 童昕等譯.經濟地理學讀本[C].北京:商務印書館,2007.37-46.

[66][美]斯科特.拉什,約翰.厄里(著),王之光,商正(譯).符號經濟與空間 經濟[M].北京:商務印書館,2006.151-195.

[67]Ekinsmyth C. Project Organization, Embeddedness and Risk in Mag azine Publishing[J]. Regional Studies, 2002,36(3), 229-243.

[68]Windeler A, Sydow J. Project networks and changing industry prac tices: collaborative content production in the German Television In dustry[J]. Organization Studies, 2001,22:1035-1060.

[69]Potts J, Cunningham S, Hartley J, Ormerod P. Social network mar kets: a new definition of the creative industries[J]. Journal of cultural Economy, 2008,32:167-185.

[70]Grabher G. The project ecologies of advertising: the tasks, talents and teams[J]. Regional Studies, 2002,36(3):245-262.

[71]Manning S. Managing project networks as dynamic organizational forms: learning from the TV movie industry[J]. International Journal of Project Management, 2005,23:410-414.

[72]Sydow J, Staber U. The institional embeddedness of project net works: the case of content production in German television [J]. Re gional Studies, 2002,36(3):215-227.

[73]Grabher G. Cool projects, Boring institutions: temporary collabora tion in social context. Regional Studies, 2002,36(3):205-214.

[74]Christopherson S. The Divergent Worlds of New Media: How Policy Shapes Work in the Creative Economy [J]. Review of Policy Re search, 2004,21(4):543-557.

[75]Blair H. Working in film Employment in a project based industry[J]. Personnel Review, 2001,30(2):170-185.

[76][美]理查德.E.凱夫斯(著).孫緋(譯).創意產業經濟學—藝術的商業 之道[M].北京:新華出版社,2004.

[77]Grabher G. Learning in projects,remembering in networks?commu nity, sociality,and connectivity in project ecologies[J].European Ur ban and Regional Studies, 2004,11(2):99-119.

[78]Grabher G. Locating economic action: projects,networks,localities, institutions[J]. Environment and Planning A, 2001,33:1329-1334.

[79]Bathelt,H. Geographies of production: growth regimes in spatial per spective 3 -toward a relational view of economic action and policy [J]. Progress in Human Geography, 2006,30(2):223-236.

Views: 39

Comment

You need to be a member of Iconada.tv 愛墾 網 to add comments!

Join Iconada.tv 愛墾 網

愛墾網 是文化創意人的窩;自2009年7月以來,一直在挺文化創意人和他們的創作、珍藏。As home to the cultural creative community, iconada.tv supports creators since July, 2009.

Videos

  • Add Videos
  • View All