Ra Zola's Blog – January 2025 Archive (2)

陳仲義:現代詩語的重要「紐帶」：隱喻與轉喻 4

在對等原則基礎上，筆者力主將張力引入本來已夠複雜的隱喻與轉喻的關係中。這，會不會把水攪渾？誤入「自作多情」的推舉，抑或牽強附會的累贅？三者關係如下：

比值S（張力）= X（隱喻）/ Y（轉喻）

比值≦1基本無張力：他經過大海（常態話語）

比值≧1出現張力：他犁過大海（一丁點隱喻）

比值遠遠>1張力增大：他聆聽貝殼的深淵、珊瑚、和風的細雨（轉喻+隱喻）

這就是說，當比值由1發生遞增性變化，隱喻（轉喻）的功能得到增強。…

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Added by Ra Zola on January 8, 2025 at 7:30am — No Comments

陳仲義:現代詩語的重要「紐帶」：隱喻與轉喻 3

對等原則作為隱秘而靈活的「槓桿」，聯結起隱喻與轉喻，共同實施語詞句子的運作。需要注意的是，對等並非相等的同義，對等是在對應，類似和相異，同義和反義的基礎上進行的，故對等原則也是雅各布森所說的「平行」結構。這意味著對等原則中相似與相異，同義和反義具有同等重要的地位，由此奠定了在相似性中廣泛「代表」的可能，同時也暗含著向著組合過程不斷生發、延伸的多種可能。

即對等原則投射到組合軸上，組合軸也存在「替代」次序的支配可能。所以隱喻與轉喻之間，不管是「等價」「代表」「替換」關係，轉喻都帶有輕微的隱喻特性，而隱喻也同樣帶有轉喻的色彩。這種投射轉換也恰如羅蘭·巴特所言：「在隱喻中，選擇變成了鄰近；在轉喻中鄰近變成了一種從中選擇的範圍。因此，看起來，在這兩個邊緣上，創造似乎永遠有著存在的機會。」[8]正是雙方不可抗拒的親和、兼容，互為照耀才成為可能，它完全符合詩歌的復合意指功能。…

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Added by Ra Zola on January 3, 2025 at 5:30am — No Comments

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