文化有根 創意是伴 Bridging Creativity
另一條軌跡則是在清末民初開始出現的,一方面,初步喪失了可以同化一切異族優越感的中國有了亡國滅種的威脅;另一方面,西方達爾文的單線進化論和近代民族國家概念也開始傳入中國,影響到許多知識精英的思想。對於那些地方的知識精英來說,他們便開始利用自己手中的文化權力,對傳統的資源加以改造,他們希望把大槐樹從一個老家的或中原漢族的象征,改造成為一個國族的(national)象征。…
Added by Ashgabat on December 20, 2020 at 12:22am — No Comments
另外使我感興趣的是這段話里提到中原大地“異類逼處,華族衰微”,這使我想到女真人和蒙古人在淮河以北的生活,這對於北方人來說,又是像魏晉南北朝那樣的一個族群混雜的時代。我們在金、元時期北方的文集、墓誌等資料中,看到大量女真人、色目人、蒙古人與漢人通婚的記載;我們也知道明朝在重新確立漢族正統的過程中,對蒙古等北方少數民族采取了鄙夷、甚至壓制的態度,特別是在有明一代,國家一直對蒙古人十分警惕和防範,這就更加劇了族群之間的緊張關係。因此這里的所謂“土著”中,不清楚自己有沒有一個真正漢族祖先的族系恐怕不在少數。我們幾乎沒有在族譜中見到說自己有女真或者蒙古人祖先的記錄。(48)…
Added by Ashgabat on December 17, 2020 at 11:30pm — No Comments
愛墾網 是文化創意人的窩;自2009年7月以來,一直在挺文化創意人和他們的創作、珍藏。As home to the cultural creative community, iconada.tv supports creators since July, 2009.
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