文化有根 創意是伴 Bridging Creativity
□ 江曉原 ■ 劉 兵
□ 現在確實有不少學者對以前那些手工藝技術和作品感興趣,甚至專門為此組織了研究機構。不過這種收集和整理工作,恐怕有兩種不同的動機。一種是近似於“好古成癖”,對這些如今已成“活化石”的舊時遺物把玩、欣賞,這種動機的背後,也許沒有更深的情懷。另一種則是出於對現代化及全球化的反感,從而對“前現代化時代”表現出深深的眷戀。比如田松對納西族科學技術史的研究就明顯表現出這種眷戀。 …
ContinueAdded by Cheung Po Tsai Cave on May 27, 2020 at 5:29pm — No Comments
□ 江曉原 ■ 劉 兵
□ 最近看一些科幻電影,發現一個奇怪的現象——也可能是我“過度解讀”:故事發生的時間經常被定在1900年前後,而不是在科幻作品中通常設定的未來。這種科幻電影中經常有一些令人懷舊的場景和情調。1900年還沒有時速幾百公里的高鐵,也沒有互聯網和iPad;但是也沒有關於轉基因食品的爭議,更沒有福島核電站的核泄漏汙染。那個年代似乎是一個令人懷念的時代。 …
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愛墾網 是文化創意人的窩;自2009年7月以來,一直在挺文化創意人和他們的創作、珍藏。As home to the cultural creative community, iconada.tv supports creators since July, 2009.
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