文化有根 創意是伴 Bridging Creativity
大荒《森林中的唱片》
清晨入山,鳥啼蟲吟泉響風嘯
盈耳,而
不見鳥
不見蟲
不見泉
不見風
誰在彈撥樹箜篌吧
待我推開輕霧瞧瞧
一推,只見滿林掛著帶露的唱片
一閃一閃的
在朝陽唱針下
飛旋
(選自《剪取富春半江水》臺灣九歌出版社1999年版)
【賞析】
早期,大荒因受現代主義思潮的啟迪,寫作不少頗具現代感的詩作,他尤擅長詩,諸如《兒子的呼喚》、《流浪的鑼聲》、《臥遊龐貝廢墟》、《塔克拉馬干》……這批詩作,不論寫個人感情生活、歷史神話、故國風煙或是現實諷喻,他俱以極審慎的態度出之。辛郁曾評述:“大荒作品給我最深的印象是:充滿一個現代知識分子良知的呼號。”確是一針見血之論。
《森林中的唱片》,作者為清早的森林而歌,這是一首“情思趣”三者水乳交融的佳篇。大荒從清晨上山開始,由鳥鳴、蟲吟、泉響、風嘯四者入手,詩中洋溢不可宣說的情趣,三四五六句的不見鳥蟲泉風,更把讀者想像的思維擴大了。而倒數第四句“滿林掛著帶露的唱片”,據作者告知是形容蜘蛛網上的露水,它一閃一閃的,是不是把讀詩人的心靈照映得更澄明了。
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