文化有根 創意是伴 Bridging Creativity
攝影家：馬來西亞部落關懷攝影家 Panjang Yong
《愛墾影像慕課》推薦延續閱讀： 》愛墾媒體與藝頻道 》愛墾影像慕課 》微電影分析
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Nomadic Narratives 1.Order is often considered crucial for understanding stories, but this notion can be challenged. Maria Tamboukou from the University of East London has introduced the concept of nomadic narratives. These narratives don't necessarily follow a strict chronological order with clear beginnings and endings. Instead, they meander through various literary styles and autobiographical accounts, blurring the lines between genres. 2.Narrative analytics frequently emphasizes the dynamic process through which stories evolve, focusing on how meaning emerges and narratives take shape rather than adhering strictly to their sequential structure. There's a notable shift in attention from merely representing experiences to understanding the effects of power dynamics, knowledge relations, and desires in play. Analysis now pays close attention to the fluidity and openness of narratives, acknowledging the virtual forces that influence them, as well as the significance of silences and unspoken elements within them. 3.Narration revolves around the interconnectedness of experiences and relationships. Traditionally, it hasn't involved the researcher's personal identification with their historical subject. Rather, it's been about the spatial and temporal connections that lead one to recognize that their present as a researcher comprises a series of realized moments, enveloped by numerous potentialities emerging from the study.
(Rewrite by www.iconada.tv from Re-imagining the narratable subject by Maria Tamboukou of University of East London, Article in Qualitative Research · July 2008 DOI: 10.1177/1468794106093623 · Source: OAI)
KKFVA 3rd Golden Wind Award
This marks yet another achievement. Congratulations to these groups of cultural and creative professionals from Sabah.
Over the years, I have witnessed their gradual growth in the challenging field that demands imagination, passion, and devotion.
Let's support them in sharing their creative endeavors.
Talented individuals emerge in every generation; the cultural and creative industries present promising opportunities for them.
Keep up the excellent work!
（KKFVA 3rd Golden Wind Award）
陳明發博士〈TikTok年代：刷亮華團品牌路徑圖〉 你對華團還有期望嗎？ 你真的認為，好些老字號的宗親、鄉親社團在傳統福利、文教與社會關懷之餘，非搞個“總商會”不可，才可能搭上一带一路的大願景？ 不管多偉大的憧憬，在媒體4.0的年代，没有一套完善的营銷方略，再响亮的名堂，還不如一個搞活了TikTok的漢堡包街販呢。 在總動員“我們客家人”、“我們姓李的”之前，管理好鄉親們、宗親們、同業們或策略伙伴們的参與意願，投入期望，是偷懒不得的心理學功課。 最重要的，先從組織本身的領導與幹部做起吧。 要不，瘦田没人耕，耕開大家争，那真是親者痛、仇者快囉。 首先聲明，本全渠道PNS营銷方程式，適宜全部文化組織如宗親總商會、鄉親總商會以及一般華團、非营利社團、社會影响力企業、青年運動與婦女組織等。要抓住機會，就要提供超越参與者預期的體驗。 對于那些有待提升的商團、行團，本PNS一樣有效。
目標：樂齡老参與者（50、60、70後），與Z世代（90，00後）参與者，各有不同的人生需求。可採地方化/社區化社媒营銷模式，如連接在地“人文地產景”方面的消費、産業、動態、物流、週邊商舖，注進社團話題，如福建社區、廣東社區的特色訴求。活動形式和內容要求多樣化、趣味化。 個案：每月籍貫美食配送、安親生活服務與孩童文化體驗等。可結合行團、商團、古迹、老街、宗祠、文物館、骨灰塔與文教講堂等集体記憶論述。 藍圖：建立参與者體驗需求圖（如鄉產學協同計劃、華團ESG領導學、文創市場學、民族[企業]大學、地方詩性藝術創作等） 科技: 根據體驗期待藍圖，爲参與者，提供一緻性的、閉環式的参與/使用體驗。多端統一貫徹6大服務要素：隨時、隨地、隨性、方便、快捷、合理。（在節慶化、大日子化的活動之外，亦有日常化、小日子化的華團）。
良性循環；活動/交易結束是另一波營銷的開始。強調購買體驗、售後服務及参與者口碑傳播的重要性；推進體驗消費循環圈；趁既有参與者新鲜心理紅利未消失，深入挖掘参與者的新需求；體驗和口碑的産生，需要從生理、心理等多方面給参與者驚喜，如参與者的感官、情感與行爲。 會員體系：要培養頭部粉絲参與者，産生大V效果（頭部帶局部）；提高社會影响力變現能力。重點在于維護會員的忠誠度，提供真正有價值的體驗服務，避免“為舉辦而舉辦”，應重情感、避免同質化營銷。提供會員回饋、文化建設、長期個人化聯系，從而保持良好關係。 哲學：一流組織銷售文化，二流組織銷售品牌和信譽，三流組織銷售商品和服務。面對社會影响、經濟發展的背景，全球亦有ESG可持續要求，参與者從“理性参與”轉向“感性参與”，體驗方式的設計應緊隨参與者。一些值得關注的新趨向：配合TikTok經濟學，鄉產學協作倡議等，開發故事營銷、内容营銷，如雪蘭莪黄金海岸濱雪鄉鎮的新旅遊商品故事；街邊攤/咖啡店肉骨茶檔走向國際市場的成功故事；新加坡貨幣强勢带来馬来西亞的地方商機；東馬各鄉鎮原有土產（如古達泥蚶、馬鲁度玉米、拿篤燕窝與丹南咖啡等）節慶，如何與造就新一代的鄉產學结合上来。（陳明發博士〈TikTok年代：刷亮華團品牌路徑圖〉23.6.2023）
32 jiocinema.comjiocinema.com 33 waisheph.comwaisheph.com
35 yandex.kzyandex.kz 36 orf.atorf.at
天下一近年投資兩部Sony動畫電影，包括《維沃的精彩生活》（Vivo）及《一家人大戰機械人》（The Mitchells vs. the Machines），古天樂更擔任執行製片人，他在訪問亦透露公司有意進運荷里活及泛亞地地區，目前更尋找更多投資機會，不過整體目標是希望透過合作計劃，成香港產業的技術能勁夠得以提升。
今年港產片香港票房大放異彩，其中古天樂天下一有份的《明日戰記》、《飯戲攻心》票房屢破紀錄，成為香港影史上票房最高的兩部華語電影，有人認為港產片市場正式復蘇，古天樂認為每個國家的電影業都有起有跌：「只是香港影業到達了最低點，現在反彈回來。這就是為甚麽現在是嘗試新事物的最佳時機，我們不能一直重覆相同套路。」（原題：古天樂投資荷裏活電影為影壇吸新技術 計劃進軍韓泰市場出當地電影 / 原載：16.12.2022 星岛網）
“Inherent Tribe Tatana” by Chester Pang
Sabahan producer Chester Pang puts the limelight on Dusun Tatana people in his 60-minute documentary film titled “Inherent Tribe Tatana”.
Just like other 30 ethnics in Sabah, he said the ethnic from Kuala Penyu deserves a storytelling opportunity to tell the world of its uniqueness.
“As people know the Baba Nyonya in Melaka, Dusun Tatana in Sabah also has the similar backgrounds,” he said after a technical preview of the film at a cinema here on May 11.
According to the documentary, due to the proximity of Kudat and Kuala Penyu to China, it is possible that the Chinese migrated to both places during the 19th and 20th century which led to the intermarriage with Dusun Tatana people.
To date, there are about 3,000 descendants of the Dusun Tatana, although embracing either Christianity, Islam or Buddhism, but they are still practicing Chinese traditions such as celebrating Chinese New Year.
Despite having fewer “shaman” and “messenger” now, the Tatana people is still conducting rituals meant for blessings, peace and harmony among others.
The annual organisation of Odou Bakanjar festival, which falls a day after Chap Goh Mei, is said to make the people including younger generation to feel proud of their heritage.
Pang said the RM280,000 film, which is partially funded by FINAS, will take part in the international film festivals this year.
It will be screened for public viewing next year either via local television programmes, online platforms and also Netflix.Sabah Creative Economy and Innovation Centre (SCENIC) general manager Viviantie Sarjuni said the centre under the initiative of Sabah government would support creative talents.
“We do not only provide training and workshops but also help to commercialise talents into the international level, outside Sabah.
“For Chester, we will also support in terms of their participation fees to join festivals, their flights and accommodation to ensure their journey is smooth-sailing.”
(Source “Inherent Tribe Tatana” to compete in international film festivals by Borneo Echo Team on May 12, 2022
Chester's early works: https://iconada.tv/profiles/blogs/home001
Wu Tang Clan & The RZA: 10 Kung-Fu Movies That Inspired Their Hip-HopBy Cody McIntosh Published Jan 16, 2020
10/10 The 36th Chamber of Shaolin
UP FROM THE 36 CHAMBERS... IT'S THE GHOSTFACE KILLA. Both the namesake of their debut album, which is not only their most critically acclaimed record, but also definitely the fan-favorite, shortly followed by Wu-Tang Forever and Liquid Swords. It's, of course, a film done by the Shaw Brothers as with many on this list to be sure. It tells the story of a fictionalized story of San Te, a mythical master of Shaolin martial arts. It also received a more light-hearted sequel, called Return To The Thirty-Six Chambers. If you haven't seen this one, whether you're a Wu-Tang fan or a fan of Kung-Fu movies, this one is an absolute must-watch considering some people think that it very well may be the best Kung-Fu movie of all time.
9/10 Shaolin And Wu-Tang
The film Shaolin And Wu-Tang is another really important film to Wu-Tang's history. Anyone who's heard 36 Chambers will recognize this movie considering it's been sampled on "Bring Da Ruckus", "Da Mystery of Chessboxin'", "Wu-Tang: 7th Chamber", "Clan in Da Front", "Conclusion", and "Method Man (Remix). This film also starred the star of the previous film on the list, Gordon Liu. While it's arguably more important than the previous entry since this film is where Wu-Tang took their name from, the previous entry is generally considered the better of the two.
8/10 Executioners From Shaolin
Executioners From Shaolin is another Shaw Brothers film from 1977. It follows the story of Hung Hsi Kuan, and a generational struggle that the Shaolin are involved in to take out the followers of Pai Mei, and the lineage that will eventually become the martial arts style known as Pai Mei Kung-Fu.
You might recognize this film as the source of the sample on 36 Chambers that really lets you know "Okay, I'm in for a hype album" when you finally hear that "Tiger Style" sample hit on "Wu-Tang Clan Ain't Nuthing To F' With". This song and this sample let you know that indeed, Wu-Tang should be held at a high regard.
7/10 Five Deadly Venoms
Five Deadly Venoms is another Shaw Brothers production about five fighters (the titular 5 deadly venoms) that all fight using unique animal-based Kung-Fu styles, such as centipede, snake, scorpion, lizard, and toad. Each one of these styles have specific attributes that are directly related to the animals they're named after, like the scorpion style character using a kick that is said to be able to paralyze its victims. Since 7 of Wu-Tang's members had served prison time, the RZA decided that the sample from the movie would represent that people were afraid of them, so he plopped it into the beat for the song "Intro (Shaolin Finger Jab/Chamber Music)
6/10 The Mystery Of Chessboxing
The name of the song "Da Mystery Of Chessboxin'" from 36 Chambers is a direct reference to the film The Mystery Of Chessboxing from 1979 which has the international title of Ninja Checkmate. The film features a villain known as the Ghostface Killer which is extremely reminiscent of oh wait... Ghostface Killah, duh.
The villain in the film is known for his distinctive 5-elements style and most of the film features our protagonist trying to get an old master to teach him the art of chessboxing, a rather strange sport that features the alternations of rounds of chess with rounds of boxing. A pretty uncreative name for such an odd sport, but it gets the job done.
5/10 Shaolin Vs. Lama
Samples from the film Shaolin Vs. Lama appear mostly on tracks from GZA and Raekwon which at first doesn't seem that important to Wu-Tang as a whole, but GZA and Raekwon are two of the most critically acclaimed members of Wu-Tang, releasing the hit albums Liquid Swords and Only Built 4 Cuban Linx respectively. The influence they've had on hip-hop as a genre really can't be overstated. The film tells of a battle between a young Shaolin apprentice who has to learn a new move to defeat the head of a rival gang, who also happens to be a Tibetan Buddhist Lama.
4/10 The Eight Diagram Pole Fighter
The Eight Diagram Pole Fighter is yet another entry produced by the Shaw Brothers on our list, and it stars Gordon Liu yet again, as well as Alexander Fu in his very last film appearance.
The film was released in 1984 and made in Hong Kong. The film is based on some of the ancient legends of the Song dynasty, specifically a text called Generals Of The Yang Family. The RZA said that if he had to pick just one Kung-Fu film that was most important to the formation of the Wu-Tang clan, it'd be this one.
3/10 Ten Tigers From Kwangtung
Ten Tigers From Kwangtung is a film that came out in 1979, and was directed by Chang Cheh. It tells the story of rivalries held between the Shaolin and Qing dynasty. It features a ridiculous roster of incredibly good martial artists that you can usually find appearing in a Shaw Brothers film. It's also the classic "Tiger Style" sample in "Wu-Tang Clan Ain't Nuthing Ta F' With".
2/10 The Four Assassins （馬可波羅)
This film cast a western actor in an attempt to garner a larger audience. Another Shaw Brothers powerhouse, The Four Assassins tells the story of historical explorer Marco Polo's time in China (rather inaccurately) as he tries to thwart the 4 assassins that are coming for the Mongolian emperor's life. This film came out in 1975, and the name of the film serves as the title track for a Wu-Tang song.
1/10 Invincible Armor
Invincible Armor is a film that The RZA chose to sample explicitly because it's fairly obscure, deciding that by sampling it, hopefully he'd open a bigger audience up to watching one of his favorite Kung-Fu movies. The Invincible Armor is a 1977 film that tells the story of a man's struggle for his honor after he's falsely accused of a crime by a corrupt official.
About The Author: Cody is an author from Ohio. When he's not writing, he enjoys improv comedy, making music with friends, and consuming whatever media he can. Before working for Valnet mainly on the Screen Rant site, he got his writing experience in doing music.
Iron Fists and Kung Fu Kicks–Netflix film tracks the pop culture reach of Hong Kong kung fu movies
Review by C.J. Bunce
From Hong Kong to the U.S. and Australia to Uganda, Australian director Serge Ou and writer Grady Hendrix track the scope of the Hong Kong kung fu movie industry and its pop culture influence on the world in the documentary Iron Fists and Kung Fu Kicks, now streaming this month on Netflix. Splicing interviews with kung fu legends of the past with new discussions with martial artists and actors influenced by them, Ou offers up a surprisingly rich look at how and why kung fu movies gained an international following that continues to this day via Jackie Chan comedies, the Matrix movies (with a sequel due in theaters next year), and new television series like Wu Assassins and Iron Fist.
Beneath what is in essence an overview of the genre is a smart mixture of social and cultural commentary on a global phenomenon centered on an artform mixing athleticism, dance, and grace. Kung fu made its way to American audiences with Tom Laughlin in Billy Jack, and into millions of homes via the Kung Fu series. This was paralleled by Bruce Lee movies and lesser films (they call them Bruce-sploitation) from China and U.S. studios, direct-to-video crotch-kicking and “squirrel-grabbing” action on VHS tapes in video stores, heroines leading the way as a sub-genre, eventually moving to black and inner city audiences embracing the culture, starting with martial artist and actor Jim Kelly (who co-starred with Bruce Lee in Enter the Dragon), re-emerging later as an influence on hip hop music. The genre got even bigger boosts with Jackie Chan heavy-stunt comedies, followed by The Matrix and the Academy Awards arrival of the genre with Crouching Tiger, Hidden Dragon. Chinese co-productions with other nations, and actors of Chinese background in the mainstream outside of Asia would eventually come along.
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愛墾網 是文化創意人的窩;自2009年7月以來，一直在挺文化創意人和他們的創作、珍藏。As home to the cultural creative community, iconada.tv supports creators since July, 2009.
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