Still I Rise

You may write me down in history
With your bitter, twisted lies,
You may tread me in the very dirt
But still, like dust, I'll rise.

Does my sassiness upset you?
Why are you beset with gloom?
'Cause I walk like I've got oil wells
Pumping in my living room.

Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I'll rise.

Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops.
Weakened by my soulful cries.

Does my haughtiness offend you?
Don't you take it awful hard
'Cause I laugh like I've got gold mines
Diggin' in my own back yard.

You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I'll rise.

Does my sexiness upset you?
Does it come as a surprise
That I dance like I've got diamonds
At the meeting of my thighs?

Out of the huts of history's shame
I rise
Up from a past that's rooted in pain
I rise
I'm a black ocean, leaping and wide,
Welling and swelling I bear in the tide.
Leaving behind nights of terror and fear
I rise
Into a daybreak that's wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise.

Maya Angelou

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Comment by 史識 庫 2 hours ago


嫣然《絲路上的南海東籬》

Yan Ran: Eastern Fence on the Maritime Silk Road

失語者的歌


婆羅洲的森林裡,仍有古語迴盪。

詞句,如被潮水吞沒的經卷。
我們拾起、拼合,讓它重新發聲。
缺了族群的系譜,
終將遺忘在時間的海霧中。

Song of the Speechless


In Borneo’s forest, the ancient tongue still echoes—
words like scriptures swallowed by the tide.
We gather them, piece by piece,
to let them breathe again.
For a people without record
will vanish, forgotten,
into the fog of time.

已故柯昭興留给我們的攝影佳作 The Unforgettable Photographic Masterpieces of the Late Harry Quah

溫柔的追憶——每一幅畫面仍在呼吸,
每一道光影都留存著他目光的溫度。
A gentle remembrance—each frame still breathing,
each shadow holding the warmth of his gaze.

愛墾網 是文化創意人的窩;自2009年7月以來,一直在挺文化創意人和他們的創作、珍藏。As home to the cultural creative community, iconada.tv supports creators since July, 2009.

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