文化有根 創意是伴 Bridging Creativity
不復存在的行業·補碗…
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Blog Good and Fond Memories - Dedicated to all those born in 1940's, 1950's & 1960's 53 Promotions 柳敬亭說書南京柳麻子,面色黃黑,滿臉長著瘡疤、小疙瘩,行動隨隨便便,身體象木偶一樣呆板。
他善於說書,每一天說一回書,定價一兩銀子。請他的人在十天前送去請帖、定金,約好時間,他經常不得空。南京同時有兩個走紅的人,就是王月生、柳麻子。…
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又是四五年過去了。…
「焊接是一門藝術,要想做到極致,讓每一條焊縫都有靈魂,靠的是三分悟性七分癡迷。」「齊魯時代楷模」程平說。帶著這份癡迷,程平與團隊不斷發明創造,填補了國內焊接領域多項空白。…
Blog 齊魯時代楷模|程平:讓每一條焊縫都有靈魂 9 Promotions怪不得范寧爬大煙囪,原來他有這麼個古怪的舅舅。…
Blog 冯苓植·與死共舞—“鞭桿”的故事 5 13 Promotions溫錦昌排行第五,六歲時隨父母從彭亨搬到森美蘭。那時所有的膠農和伐木工都住茅寮,他家人多,搭的茅寮是芙蓉鎮最大的。家中的生活十分清苦,孩子們很小就隨父母去割膠,天不亮就出發,父母在前面割,他們睡眼惺忪跟在後面收。茫茫無邊的膠林,前不見頭,後不見尾,膠水仿佛永遠也收不完。…
Blog 吳赤鋒·回望馬口:尋覓南洋客走過的足跡 5 8 Promotions 魯樞元·詩人與自然之死(5)三、持守清貧,以清貧維護生命的本真、生存的自由、靈魂的純潔。
陶淵明自 41 歲上棄官歸田之後,生活一天比一天貧困,幾乎淪落到食不果腹、衣不蔽體的地步。…
Blog 魯樞元·詩人與自然之死(5) 6 Promotions 龔鵬程:何以中國沒有史詩?4這兩點,都和中國傳統對「詩」的看法大相徑庭。從第一點來看,詩幾乎成了文學的代詞,可以總括模仿之藝術。中國詩,除了偶爾可以兼指詞曲外,一般不如此用,也不如此想。其次,亞里士多德將「詩」視同「文學」,而且又是「模仿的藝術」,則這種詩與中國之所謂詩,在性質上亦不相同。因為自《尚書》和《詩序》以來,中國歌詩是環繞著「 詩言志…
Blog 龔鵬程:何以中國沒有史詩?4 8 Promotions愛墾網 是文化創意人的窩;自2009年7月以來,一直在挺文化創意人和他們的創作、珍藏。As home to the cultural creative community, iconada.tv supports creators since July, 2009.
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