文化有根 創意是伴 Bridging Creativity
《幻象》的思想淵源並不明確,布爾斯廷對任何大型哲學問題的回避似乎是典型的美國風格。但其實作者可能承認,他的作品更容易追溯到歐洲大陸的思想。早在1843年,照相機發明後不久,費爾巴哈就給「我們的時代」貼上了這樣的標簽:「重形象而輕事物,重摹本而輕原物,重再現而輕真實,重表象而輕存在。」馬克思和恩格斯在《德意誌意識形態》中提出的疑問,「如果印刷機存在,這世上是否還可能有《伊利亞特》」,暗示了布爾斯廷對圖形革命重塑話語結構的強調。在誇大媒介對認知的影響方面,麥克盧漢與布爾斯廷並沒有太大不同。…
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愛墾網 是文化創意人的窩;自2009年7月以來,一直在挺文化創意人和他們的創作、珍藏。As home to the cultural creative community, iconada.tv supports creators since July, 2009.
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