文化有根 創意是伴 Bridging Creativity
3.總結和討論
分析“哪咤鬧海”的目的,是為了探尋中國人俄狄浦斯情結和心理發展的特點。有必要從紛亂的材料中跳出來,總結一下提出的假設,並和類似研究作比較:
第一個假設是中國人的幼年關係中母親的重要作用。這影響到中國人各期的發展都延長。這一點有些學者也有類似的看法,曾文星總結提出,[24]中國人的心理發展過程有這些特點:“口欲期”延長,“性蕾期”繼續享受“小孩”階段,“潛伏期”社會要求的突然增加,“潛伏期”和“青春期”的階段都較長,緩慢進入“生殖期”。徐靜也指出:…
Added by iPLOP on September 17, 2020 at 5:35pm — No Comments
《淮南子·地形訓》:“正土之氣,禦乎埃天。埃天五百歲生缺,缺五百歲生黃埃,黃埃五百歲生黃澒,黃澒五百歲生黃金,黃金千歲生黃龍,黃龍入藏生黃泉。黃泉之埃,上為黃雲。陰陽相迫為雷,激揚為電。上者就下,流水就通,而合於黃海。“龍的變化性體現在本身是千變萬化的,並無固定模式,固定形態、固定形象。
許慎在《說文解字》中,對龍概括為“八能”;能幽能明,能細能巨,能短能長,能潛能飛。對龍的變易無窮的本質特征,講得最透底、最充分的首推晚年孔子《易傳》,特別是新發現的帛書易傳。在帛書易傳《二三子》的一開頭,孔夫子一連三次講了“龍大矣”,作為龍德的顯著特征,實質上是逐層深入地闡發了“龍變易無窮”的基本觀念。二是六位時成,待機而動。中國的“龍之易”有二重性:龍既是變易無窮的,又有變化有道的;龍的變化之道與時機、機遇是緊密聯系的。…
Added by iPLOP on September 17, 2020 at 5:34pm — No Comments
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愛墾網 是文化創意人的窩;自2009年7月以來,一直在挺文化創意人和他們的創作、珍藏。As home to the cultural creative community, iconada.tv supports creators since July, 2009.
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