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Moooi's Blog – August 2017 Archive (2)
蔡振念·折翼天使之歌──評歐陽柏燕《飛翔密碼》
每一個詩人都有著相同的挑戰與宿命，那就是尋求如何擺脫前人的影響，創造自己的風格，而在風格既成之後，又要思考如何自我突破，避免重複。前者美國批評家布魯姆（Harold Bloom）稱之為「影響的焦慮」（The Anxiety of Influence），認為它如同詩人心理的弒父情結。兒子要獨立自主，勢必經歷一番心理上的弒父，詩人要脫去前人的影子，也需要叛逆。這一切說明風格建立之非易，但歐陽柏燕做到了，不僅如此，她深知超越的重要，在《飛翔密碼》的序文中她說道：「寫詩的人，總是隨時在啟程，隨時在尋求超越。」
然而我又感受到她另一種焦慮，擔心讀者能否索解她詩中的密碼：「不知他是否能搭著詩的翅膀，體貼我的心意飛翔」作者在此是多慮了，法國解構學者侯蘭．巴特（Roland…
ContinueAdded by moooi on August 15, 2017 at 10:36am — No Comments
溫柔的牢籠——評蔡振念詩集《水的記憶》
批評從來不是容易的事，批評是把金針渡予人，把自己的理解介紹給讀者，去幫助讀者理解。讀者的閱讀經驗、期待視野各自不同，對作品的理解也就不同，所以西方的解釋學（hermeneutics）自施萊爾馬赫（Friedrich Schleimacher,1768—1834）及狄爾泰（W.Dilthey,1833—1911）以降，都強調讀者不同的理解。何蘭（Norman N. Holland ,1927—）甚至認為：「意義無關乎文本，而是繫於讀者，解釋是讀者再創造的一種過程。」於是，問題來了，文學批評有句老話：「一千個讀者，就有一千個哈姆雷特。」批評家的理解因此也就不可能讓每個讀者滿意，批評實際上成了另一種創作，於是我們有了批評的批評，使文學批評變成一種螺旋式的上升。…
ContinueAdded by moooi on August 12, 2017 at 12:05am — No Comments
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