文化有根 創意是伴 Bridging Creativity
不厭其煩地交代情節鏈上的每段糾葛,不離不棄地延展感情線上的每條線索,直到無路可走、無話可說,這是電視劇的玩法;跳躍性地、蒙太奇式地講述前因後果,點到為止地表達人物的悲喜愁苦,相信觀眾智商,給人留有余地,這是電影的玩法。
新銳導演程耳的新作《邊境風雲》是電影的套路,一團一團地往前推進,團與團之間大量留白。影片的敘事是不連貫的,開篇毒梟(孫紅雷)劫走了小女孩小安,鏡頭一轉毒梟和成年小安(王珞丹)已是結發夫妻。“斯德哥爾摩綜合癥”是怎麽發作的,“捆著我,綁著我”怎麽就成了“愛著你,勸化你”,影片完全沒有交代,一切留給觀眾揣摩。當年麥克阿瑟在太平洋上用了“蛙跳”戰術,在廣袤海域的島嶼之間跳躍式前進,沒多久就打到了日本人的老巢。《邊境風雲》也是這樣,在過去和現在兩個時空中隨意出入,幾個大的節點描述清楚,故事和情感脈絡已出。…
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愛墾網 是文化創意人的窩;自2009年7月以來,一直在挺文化創意人和他們的創作、珍藏。As home to the cultural creative community, iconada.tv supports creators since July, 2009.
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