文化有根 創意是伴 Bridging Creativity
References
Aristotle. (1953). Aristotle on the art of fiction (L. J. Potts, Trans.). London: Cambridge University Press. Carroll, N. (2008). The philosophy of motion pictures. Malden: Blackwell.
Deleuze, G., & Guattari, F. (1994). What is philosophy? London & New York: Verso. Dewey, J. (2005). Art as experience. London: Penguin Books.
Eisenstein, S. (1988). The fourth dimension in cinema. In: S. Eisenstein, Selected works: Writings, 1922–34 (R. Taylor, Ed., pp. 181–194). London: BFI Publishing.
Grodal, T. (2009). Embodied visions: Evolution, emotion, culture, and film. New York: Oxford University Press.
Kappelhoff, H. (2018). Front lines of community: Hollywood between war and democracy. Berlin & Boston: De Gruyter.
Merleau- Ponty, M. (2002). Phenomenology of perception. London & New York: Routledge.
Pfaff- Czarnecka, J. (2012). Zugehörigkeit in der mobilen Welt: Politiken der Verortung. Göttingen: Wallstein. Plantinga, C. (2009). Moving viewers: American film and the spectator’s experience. Berke ley, Los Angeles, & London: University of California Press.
Plantinga, C., & Smith, G. (Eds.). (1999). Passionate views: Film, cognition, and emotion. Baltimore: Johns Hopkins University Press.
Plessner, H. (1970). Laughing and crying: A study of the limits of human behavior. Evan ston: Northwestern University Press.
Röttger-Rössler, B. (2016). Multiple Zugehörigkeiten: Eine emotionstheoretische Perspektive auf Migration. Working Paper SFB 1171 Afective Societies, 04/16. Retrieved from: http://edocs.fu-berlin.de/docs/receive/FUDOCS_series_000000000562 Slaby, J. (in press). Existenzielle Gefühle und In- der-Welt- sein. In: H. Kappelhoff, J.-H. Bakels, H. Lehmann, & C. Schmitt (Eds.), Emotionen: Ein interdisziplinäres Handbuch. Stuttgart: Metzler.
Sobchack, V. (1992). The address of the eye: A phenomenology of film experience. Prince ton: Princeton University Press.
Warburg, A. (2010). Dürer und die italienische Antike. In: A. Warburg, Werke in einem Band (M. Treml, S. Weigel, & P. Ladwig, Eds., pp. 176–184). Berlin: Suhrkamp.
Filmography Apocalypse Now, 1979, Francis Ford Coppola. Full Metal Jacket, 1986, Stanley Kubrick. Platoon, 1986, Oliver Stone. Saving Private Ryan, 1998, Steven Spielberg.
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