文化有根 創意是伴 Bridging Creativity
客人久坐不去,驅禳至為不易。如果你枯坐不語,他也許發表長篇獨白,像個垃圾口袋一樣,一碰就泄出一大堆,也許一根一根的紙煙不斷的吸著,靜聽掛鐘滴答滴答的響。如果你暗示你有事要走,他也許表示願意陪你一道走。如果你問他有無其他的事情見教,他也許乾脆告訴你來此只為閑聊天。如果你表示正在為了什麽事情忙,他會勸你多休息一下。如果你一遍一遍的給他斟茶,他也許就一碗一碗的喝下去而連聲說“主人別客氣。”鄉間迷信,惡客盤踞不去時,家人可在門後置一掃帚,用針頻頻刺之,客人便會覺得有刺股之痛,坐立不安而去。此法有人曾經實驗,據云無效。
“茶,泡茶,泡好茶,坐,請坐,請上坐。”出家人猶如此勢利,在家人更可想而知。但是為了常遭客災的主人設想,茶與座二者常常因客而異,蓋亦有說。夙好羊飲之客,自不便奉以“水仙”“云霧”,而精研茶經之士,又斷不肯嘗試那“高末”,“茶磚”。茶鹵加開水,渾渾滿滿一大盅,上面泛著白沫如啤酒,或漂著油彩如汽油,這固然令人惡心,但是如果名茶一盞,而客人並不欣賞,輕咂一口,盅緣上並不留下芬芳,留之無用,棄之可惜,這也是非常討厭之事。所以客人常被分為若干流品,有能啟用平夙主人自己捨不得飲用的好茶者,有能享受主人自己日常享受的中上茶者,有能大量取用茶鹵沖開水者,饗以“玻璃”者是為未入流。至於座處,自以直入主人的書房繡闥者為上賓,因為屋內零星物件必定甚多,而主人略無防閑之意,於親密之中尚含有若干敬意此,作客至此,毫無遺憾;次焉者廊前檐下隨處接見,所謂班荊道故,了無痕跡;最下者則肅入客廳,屋內只有桌椅板凳,別無長物,主人著長袍而出,寒暄就座,主客均客氣之至。在廚房後門佇立而談者是為未人流。我想此種差別待遇,是無可如何之事,我不相信孟嘗門客三千而待遇平等。
人是永遠不知足的。無客時嫌岑寂,有客時嫌煩囂,客走後掃地抹桌又另有一番冷落空虛之感,問題的症結全在於客的素質,如果素質好,則來時想他來,既來了想他不走,既走想他再來。如果素質不好,未來時怕他來,既來了怕他不走,既走怕他再來。雖說物以類聚,但不速之客甚難預想。“夜半待客客不至,閑敲棋子落燈花,”那種境界我覺得最足令人低徊。
愛墾網 是文化創意人的窩;自2009年7月以來,一直在挺文化創意人和他們的創作、珍藏。As home to the cultural creative community, iconada.tv supports creators since July, 2009.
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