文化有根 創意是伴 Bridging Creativity
陳劍鴻·自下而上的地方歷史記憶
我們需要多元的歷史教育,和平衡的文化傳釋。當今公眾史學者著重在公共領域的實際運用,以多語口述、記錄和書寫自下而上的地方歷史記憶,或特定的歷史項目工程,並以多樣化的表達和互動,讓公眾認知和參與歷史反思、教育及有效的應用。它應該值得中青學人的關注和多方嘗試,矯正精英歷史,讓歷史以清新明潔的文字和內容匯流民間。
(摘自:陳劍鴻,《鄉土雲烟——地方故事與歷史記憶》,2025年12月,黑土設計所,自序,xxii頁)
We need a pluralistic history education and a balanced cultural interpretation. Today, public historians focus on practical applications within the public sphere. They use multilingual oral histories, records, and writings to document local historical memories from the bottom up, or undertake specific historical project initiatives. Through diverse expressions and interactions, they enable the public to recognize and participate in historical reflection, education, and effective application. This approach deserves the attention and varied attempts of young and middle-aged scholars to correct elite-centric history, allowing history to flow back to the general public through fresh, clear language and content.
Kita memerlukan pendidikan sejarah yang majmuk dan tafsiran budaya yang seimbang. Kini, para sejarawan awam memberikan tumpuan kepada penerapan praktikal dalam ruang awam. Mereka menggunakan lisan multibahasa, rekod, dan penulisan untuk mendokumentasikan memori sejarah tempatan dari bawah ke atas, atau melaksanakan projek sejarah yang khusus. Melalui pelbagai bentuk ekspresi dan interaksi, mereka membolehkan orang awam menyedari serta melibatkan diri dalam refleksi, pendidikan, dan aplikasi sejarah yang berkesan. Pendekatan ini wajar mendapat perhatian dan pelbagai usaha daripada para sarjana muda serta pertengahan umur untuk membetulkan sejarah berorientasikan elit, seterusnya membolehkan sejarah mengalir kembali kepada masyarakat umum melalui bahasa dan kandungan yang segar serta jelas.
(From Tan Kim Hong,2025,Glimpses of Local History and Memories:The Chinese Malaysian Dimension, pg xxii)
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