文化有根 創意是伴 Bridging Creativity
一個老去的名妓,如果還要勉強而賣力地歌舞獻醜,真俗。但有一天晨起梳妝時,失手將玉釵跌碎地上,沒一點跺地跳腳的懊惱,反而徐徐地回過頭來對別人說:“很久沒聽過碎玉的聲音了!”真雅!
一個精於琴藝的朋友,生前訂做一個棺材像古琴,自己還寫好墓銘刻在棺材上,這種構想不教人喜,有點惡俗。但這股把生死擺在眼前的灑脫勁兒卻很雅。
陶淵明用葛巾來灑酒,在籬笆邊采菊花,天真爛漫中不管葛巾臟不臟,菊花好好的采它幹嗎?俗態竟成了雅事。
鄭板橋是放曠人,寫“難得糊塗”以自勉,俗裏有雅;顧鼎臣是宰相,寫“學吃虧”以自勉,也俗裏有雅。一般平凡的人也掛張“難得糊塗”“學吃虧”,就顯得心頭有點不平的標榜了,未必俗裏有雅。…
ContinueAdded by 私貨珍藏 on November 10, 2016 at 9:40pm — No Comments
記得梁啟超有一篇說“趣味”的文章,解釋了人生趣味的所在,他舉例說讀書是有趣味的,做官是沒趣味的,當時讀了很感佩。現在想想,覺得“趣”和“味”的境界不太一樣,有高下的差別,在生活中追求“有趣”,還遠不如尋取“有味”。
生活裏有許多“有趣”的事,卻並不“有味”。
譬如說一個善於講黃色笑話的朋友,使大家笑得前仰後翻,趣事連連,但稍一停歇,只覺得下流,毫無余味。
宴席上沒有人打“酒官司”,也很寂寞,但若纏住一家,百般激將,當時有趣,當然是惡趣,事後也毫無余味。醉後荒唐的事一大堆,有趣則未必,可真乏味。
負情者、偷情者的羅曼史,可能曲折有趣,高潮疊起,但一樣無味。…
ContinueAdded by 私貨珍藏 on November 6, 2016 at 12:22pm — No Comments
一位老板坐著舒適的豪華轎車,由司機駕駛,作三日的環島考察,司機當然羨慕老板,有人開車,暗中照照鏡子,覺得勞逸不均,自憐命苦。到了下榻旅社,老板還在輾轉反側,久不成寐,隔房的司機早已經鼾聲如雷,輪到老板起床照照鏡子,兩鬢飛霜,覺得誰苦誰樂?根本不是司機的對手。
當晚司機夢見自己成了老板,業務繁雜、勞心營營,苦得不得了,頭發全白,竟在夢裏驚醒,醒來發誓不做老板,才又睡著。而老板好不容易睡著了,夢見自己成為司機,開車趕路,體力實在支撐不住,也驚醒了,只祈求上蒼,最好身體享受仍是老板,心地單純能像司機,如果能夠如此,我就可以長生不老了,祈求著祈求著,在司機的鼾聲裏不曾再睡著。
這樣的故事,正說明了天地間有許多無奈,難以兩全,在這無奈之中,即寓有造物者最最公平的原則。…
ContinueAdded by 私貨珍藏 on November 1, 2016 at 8:59am — No Comments
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愛墾網 是文化創意人的窩;自2009年7月以來,一直在挺文化創意人和他們的創作、珍藏。As home to the cultural creative community, iconada.tv supports creators since July, 2009.
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