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楊建國·雅各布森詩學話語的符號學闡釋 2
二、雅各布森詩學中的神話
神話和神話研究是雅各布森詩學理論中的一個重要主題，克里斯蒂娜·潑墨斯卡(Krystyna Pomorska)指出：「雅各布森認為，神話不僅是值得研究的口傳文學，更是一種無所不在的因素，潛藏在我們的一切行為之後。」⑦神話一詞頻頻出現於雅各布森的詩人研究中，如普希金詩歌中雕塑的神話、詩人馬雅可夫斯基的神話，等等。在雅各布森看來，上述詩人的全部作品構成了一個連貫的超文本符號系統，他們的每一首詩不再是孤立的符號，而是成為能指，共同構成一個更龐大的系統——詩人的個人神話。之所以這些詩歌-能指(即巴特所說的語言-對象)能夠連為一體，構成詩人之個人神話(巴特所說的元語言)，正是由於相同組分(既包括主題，也包括話語結構等其他要素)在不同詩歌中的對偶與復現。…
ContinueAdded by iki kia kiak on June 21, 2024 at 6:00pm — No Comments
楊建國·雅各布森詩學話語的符號學闡釋 1
內容提要：神話是存在於語言之上的二度符號系統，有著類似於詩歌的對偶結構；今日之神話也是一種審美現代性話語，是構成現代主義文化的重要部分。羅曼·雅各布森的詩學話語在各個方面都印證了神話的上述特征。如果我們把雅各布森的詩學話語看成一個超文本符號系統，可以說，雅各布森窮一生之力建立起這一系統去探索語言中的「詩功能」，而「詩功能」反過來也浸透到他所建立的符號系統中，令其呈現出結構完美，具有詩歌結構特征的神話體系。
As a second-order semiological system, myth is endowed with parallelistic structures similar to poems. At the same time, myth today is also a discourse of aesthetic modernity and constitutes an…
ContinueAdded by iki kia kiak on June 12, 2024 at 3:30am — No Comments
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愛墾網 是文化創意人的窩;自2009年7月以來，一直在挺文化創意人和他們的創作、珍藏。As home to the cultural creative community, iconada.tv supports creators since July, 2009.
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