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私貨珍藏's Blog – June 2022 Archive (2)
王立群：遊記的文體要素與遊記文體的形成（6）
《儋耳夜書》
己卯上元，余在儋耳，有老書生數人來過，曰：” 良月佳夜，先生能一出乎？” 予欣然從之。步城西，入僧舍，歷小巷，民夷雜揉，屠酤紛然，歸舍已三鼓矣。舍中掩關熟寢，已再鼾矣。放杖而笑，孰為得失？問先生何笑，蓋自笑也，然亦笑韓退之釣魚，無得更欲遠去。不知釣者，未必得大魚也。
上述五篇遊記基本代表了蘇軾遊記的主要特點： 略景存情與捨景存情。
在《記遊廬山》這篇遊記中，廬山勝景已淡化到可有可無境地了。” 山谷奇秀，平生所未見，殆應接不暇”…
Added by 私貨珍藏 on June 5, 2022 at 10:26am — No Comments
王立群：遊記的文體要素與遊記文體的形成（5）
蘇軾是繼柳宗元之後第一位大量創作遊記的作家，他的遊記以表現作家的主觀情思為主。蘇軾的遊記主要保存在《東坡誌林》中，下文選載《東坡誌林》中《遊沙湖》、《記遊松江》、《記遊廬山》、《記遊松風亭》、《儋耳夜書》五篇遊記：
遊沙湖16
黃州東南三十里為沙湖，亦曰螺師店，予買田其間。因往相田得疾，聞麻橋人龐安常善醫而聾，遂往求療。安常雖聾，而穎悟絕人，以紙畫字，書不數字，輒深了人意。余戲之曰：” 余以手為口，君以眼為耳，皆一時異人也。” 疾愈，與之同遊清泉寺。寺在蘄水郭門外二里許，有王逸少洗筆泉，水極甘，下臨蘭溪，溪水西流。余作歌云：” 山下蘭芽短浸溪，松間沙路凈無泥，蕭蕭暮雨子規啼。誰道人間無再少？君看流水尚能西！休將白發唱黃雞。” 是日劇飲而歸。…
ContinueAdded by 私貨珍藏 on June 2, 2022 at 9:30pm — No Comments
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