文化有根 創意是伴 Bridging Creativity
“衝啊,尾款人!”今年的“雙十一”於11月1日0點30分起掀起了第一波小高潮。與前幾年消費者僅在各購物平臺比價不同,如今直播經濟的蓬勃發展,讓眾多消費者在各個直播間裏來來回回,邊看直播邊熬夜付款,痛並快樂著。
據報道,2019年直播經濟達到4300多億,2020年直播電商規模有望突破萬億元。規模如此巨大,如何把握好直播經濟業態的新趨勢,保障直播經濟更加蓬勃有序發展,就顯得尤為重要。10月31日,“2020直播經濟產業峰會暨中國主播海安行”在江蘇省海安市召開。會議圍繞數字經濟發展戰略、直播經濟產業等內容,開展經驗分享、技能培訓等活動,助力直播經濟發展。可謂正逢其時。
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ContinueAdded by Khalak Khalayak on January 25, 2021 at 6:30pm — No Comments
20特色華人新村
2018年大选前,马华公会圈定了20個特色新村,计划转型成旅遊區,各座落于柔佛、彭亨、霹靂、森美蘭、吉打和雪蘭莪州。
当时的首相署新村事務局曾组织考察團遠赴中国雲南省考察。以借此計劃新村民生經濟;促進城鎮化;并為新村年輕人帶來商機和就業機會。
這些新村被選條件,是其特別文化歷史價值,同時能提供基本設施。
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Added by Khalak Khalayak on January 21, 2021 at 4:06pm — No Comments
專家對話
問:2020年以前,直播在泛娛樂領域已經有了大量的嘗試。遊戲直播、電商直播等領域出現了較為成熟的運營模式和產業鏈,但旅遊垂直領域的直播卻因疫情才出現。您如何看待此現象?
高舜禮:這就是“時勢造英雄”,也是旅遊行業被倒逼的一個例證。這場疫情對旅遊業的直接影響,就是由於防疫隔離的需要,極大地限制或禁絕了客源,使得以客源為生的旅遊產業沒有了生產和服務的“原材料”。有些旅遊企業被迫從其他渠道找“活命糧”,有的是為了“賺吆喝”,吸引潛在旅遊者的注意力。所謂“帶貨”和“直銷”就是這麽產生的,要說是主動創新、主動探索,那也是被逼無奈,迫於生存壓力。…
Added by Khalak Khalayak on January 20, 2021 at 7:00pm — No Comments
2016年,直播興起並迅速拓展市場,從傳統制造業、服務業到電商平臺,都用直播進行新的嘗試。
如今,直播領域已然有了頗為成熟的運營模式和產業鏈,在受疫情影響的情況下,直播衍生出的帶貨功能捕獲了巨大的熱度及話題度。但就在各方紛紛入場直播時,旅遊行業卻一直未能搭乘上這輛快車……為何早在4年前就迅速被人們熟悉且接受的直播,在旅遊垂直領域仍然被冠以“新鮮”之名?
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ContinueAdded by Khalak Khalayak on January 19, 2021 at 7:00pm — No Comments
Malaysia on Wednesday released its 10-year tourism policy plan, with officials emphasizing the roles of technology and ecotourism in the coming decade, local media reported
Launching the National Tourism Policy (DPN) 2020-2030 online, Prime Minister Muhyiddin Yassin said the government would seek to make Malaysia's tourism firms more competitive, while also encouraging sustainable and inclusive sector development and planning for future disasters.
"Digital technology-based…
ContinueAdded by Khalak Khalayak on January 1, 2021 at 1:00am — No Comments
愛墾網 是文化創意人的窩;自2009年7月以來,一直在挺文化創意人和他們的創作、珍藏。As home to the cultural creative community, iconada.tv supports creators since July, 2009.
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