文化有根 創意是伴 Bridging Creativity
你在導演方法中的大敵就是習慣受騙地被動接受人生“原來如此”的說法,應該要努力像藝術家一樣,拒絕輕易接受生命的表象,並把表象視為一種欺騙,一種那些堅持更深刻意義的人除之而後快的皮相,對於你即將拍攝的時間都考慮隱藏於背後且需要經過萃取的深義。
這種努力逼使你考慮到並置、反諷與對比等方法: 保持生命力不墜而不只是個記錄者。千萬別忘記,這是個高度暗示性的媒介,而觀眾多年的觀影經驗已使他們習慣於期待暗喻及形而上的弦外之音。你應該盡力把想像力用在中規中矩的表象之下,從生活的原料中看到詩,因為攝影機只照顧到外在面貌與空泛的表面,這些地方的思考特別重要。
(製作紀錄片,Michael Rabiger著, 王亞維譯, 2010二版,台灣遠流出版,216頁)
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Albums: The Light of City 城市之光
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石黑一雄·我太太需要客觀
她以為我讓自己失望了,但我沒有啊。我好的很呢。當你非常年輕時,有無限的理想抱負固然很好,但來到我們這把年紀,你得……搞清楚自己的處境。每當她忍無可忍、重提這種事時,我的腦袋會一直這麽轉:客觀,她得客觀一點。我也一直對自己說,瞧,我過得好極了,看看其他人,我們認識的那票人。看看雷,看看他把他的人生搞成什麽豬樣。她需要客觀。 (石黑一雄《夜曲》 の《或雨或晴 Come Rain or Come Shine》)
愛墾網 是文化創意人的窩;自2009年7月以來,一直在挺文化創意人和他們的創作、珍藏。As home to the cultural creative community, iconada.tv supports creators since July, 2009.
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