文化有根 創意是伴 Bridging Creativity
札哈哈蒂:建筑還有一個層面,是大家忘記的。建筑應該令人喜悅--在一個美妙的地方,令人覺得喜悅。一間漂亮的房間,大小并不重要。大家對于奢侈經常誤解;奢侈其實和價格無關。這是建筑該做的事情--以較大的尺度讓你感到奢侈。(Photo Appreciation: MAXXI Museum by Shahrzad Gh)
Tags:
Albums: 札哈哈蒂:房子能浮起來嗎?
Location: Rome, Italy
Comment
Finally, following recent advances in ethnography, and in feminism and postcolonial studies, reading ‘Quiet Eilat’ raises issues concerning the discourse of tourism studies, that is writing about tourists and tourism. Although the poem was written naïvely, the question as to what is naïveté and whether there is indeed such an objective, ‘naïve’ perspective rises poignantly. Consider the power matrix that underlies the triadic relations between (1) the people who are described in the poem ‘Quiet Eilat’ (who traveled to Sinai in the late 1970s and to Eilat in the early 1990s) – mainly Nathan and myself; (2) the person who wrote the poem (in 1994); and (3) the person who wrote the academic text – the autoethnography, about the poem (in 2006–2007). Power relations and inequalities between the researcher, the writer and those represented in the text (the ‘field’), are clearly at stake here, complicated by the particular arrangement of power relations within the family.
By way of epilogue I wish to return to the interconnection between professional life and disciplinary academic socialization, on the one hand, and personal life and familial relationships, on the other, an interconnection which is characteristic of autoethnographic inquiry (Ellis, 2007). In the professional sphere, writing an autoethnography amounts to an empowering and emancipating act, because it assumes a public state (i.e. publication). It positions the scholar within a particular field or sub-discipline, ties her or him to a particular social network etc. The autoethnographic text assumes, beseeches, and cultivates a particular type of (academic) readership, which can radically change the discursive and interpretative practices of academic writers and readers.
On the personal sphere, I have not been in touch with Nathan in the last few years. He has refused the invitations which I extended before and during a post-doctorate year spent in the US in 2001. Yet my invitations were admittedly sparse: coping with Nathan’s severe illness is difficult for me, and I had and still have other needs to satisfy – my own growing family and my academic career.
I was initially furious with my relative, blaming his refusal to receive therapy (and recurrent institutionalizations) for the continuous deterioration in his health and for causing a deep divide in our relationship. I guess this is what psychologists call the ‘denial phase’. Only quite recently, and as a consequence of writing this autoethnography, I came by way of self-reconciliation to view Nathan’s crude rejections as expressing perhaps an agentic decision to avoid contact with me in this period of his life, or to establish a different type of relationship, one which is yet to be conceived. (Chaim Noy,2007,The Poetics of Tourist Experience: An Autoethnography of a Family T...,Journal of Tourism and Cultural Change. January 2007, P141-157)
愛墾網 是文化創意人的窩;自2009年7月以來,一直在挺文化創意人和他們的創作、珍藏。As home to the cultural creative community, iconada.tv supports creators since July, 2009.
Added by engelbert@angku张文杰 0 Comments 75 Promotions
Posted by 馬來西亞微電影實驗室 Micro Movie Lab on February 21, 2021 at 11:00pm 7 Comments 62 Promotions
Posted by 馬來西亞微電影實驗室 Micro Movie Lab on February 18, 2021 at 5:30pm 18 Comments 74 Promotions
Posted by Host Studio on May 14, 2017 at 4:30pm 11 Comments 51 Promotions
Posted by 用心涼Coooool on July 7, 2012 at 6:30pm 39 Comments 56 Promotions
Posted by 就是冷門 on August 24, 2013 at 10:00pm 83 Comments 83 Promotions
Posted by 罗刹蜃楼 on April 6, 2020 at 11:30pm 40 Comments 65 Promotions
Posted by 葉子正绿 on April 2, 2020 at 5:00pm 77 Comments 70 Promotions
Posted by Rajang 左岸 on August 26, 2013 at 8:30am 29 Comments 63 Promotions
Posted by 來自沙巴的沙邦 on November 4, 2015 at 7:30pm 3 Comments 78 Promotions
Posted by Dokusō-tekina aidea on January 5, 2016 at 9:00pm 35 Comments 75 Promotions
© 2025 Created by 馬來西亞微電影實驗室 Micro Movie Lab.
Powered by
You need to be a member of Iconada.tv 愛墾 網 to add comments!
Join Iconada.tv 愛墾 網