文化有根 創意是伴 Bridging Creativity
The South China Sea is a marginal sea that is part of the Pacific Ocean, encompassing an area from the Singapore and Malacca Straits to the Strait of Taiwan of around 3,500,000 square kilometres (1,400,000 sq mi). The area's importance largely results from one-third of the world's shipping transiting through its waters, and that it is believed to hold huge oil and gas reserves beneath its seabed.
It is located:
south of mainland China, including the island of Taiwan, in the east;
east of Vietnam and Cambodia;
west of the Philippines;
east of the Malay peninsula and Sumatra, up to the Strait of Malacca in the west; and
north of the Bangka–Belitung Islands and Borneo
The minute South China Sea Islands, collectively an archipelago, number in the hundreds. The sea and its mostly uninhabited islands are subject to competing claims of sovereignty by several countries. These claims are also reflected in the variety of names used for the islands and the sea.
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Albums: South China Sea 南中國海
Location: South China Sea 南中國海
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嫣然《絲路上的南海東籬》
船舷下的記憶
每一滴浪花裡,都藏著唐人坡的夢。
他們在雨林深處開墾,又在海風裡吟唱鄉音。
婆羅洲不是遠方,而是另一種故鄉。
當星辰指向北方時,
我們聽見了祖先的羅盤,仍在轉動。
Yen Yan: Eastern Fence on the Maritime Silk Road
Memories Beneath the Hull
Within each drop of spray,
a Chinatown dream lies hidden.
They tilled the soil deep in the rainforest,
and sang their native tongue
to the breath of the sea wind.
Borneo was never the faraway—
it was another kind of home.
And when the stars point north,
we hear it still—
our ancestors’ compass,
turning in silence.
The Unforgettable Photographic Masterpieces of the Late Harry Quah 已故柯昭興留给我們的攝影佳作
A gentle remembrance—each frame still breathing,
each shadow holding the warmth of his gaze.
愛墾創研:《許我耀眼》熱潮與南海文化敏感性:面向東南亞市場的文創警示
2025年陸劇《許我耀眼》以極短時間席捲華語影視圈與海外市場,成為「爆款」現象。由趙露思與港星陳偉霆主演,該劇憑藉精良製作、強勢卡司與女性職場題材的共鳴,在中國內地與海外平台(如WeTV、Netflix)同步走紅,並登頂全球多國熱度榜。
然而,這股耀眼光芒也因一幕「九段線地圖」閃現戛然而止——該劇因此遭越南全面下架。這起事件不僅凸顯出南海主權爭議在文化交流中的高度敏感性,更提醒所有面向東南亞市場的文創產品:地域政治與文化意識,正成為跨境傳播中不可忽視的「軟性邊界」。
一、從「現象級爆款」到「外交風暴」
《許我耀眼》的成功可謂多重因素共振的結果。
首先,明星效應無疑是推動熱度的核心。女主角趙露思憑藉過往作品積累的龐大粉絲基礎與討喜形象,使劇集在開播初期即具備高流量潛質;與港星陳偉霆的組合,更拓展了跨地域觀眾層。
其次,劇情與主題的當代性契合了都市女性成長、職場競爭與愛情自主等熱門議題,展現了女性在職場與情感間追求自我價值的過程,與當代觀眾的心理需求形成共鳴。
第三,製作與營銷的專業化也功不可沒。從服裝美術到鏡頭語言,該劇呈現出明顯的精品化趨勢;230套造型成為社交媒體話題,帶動時尚跟風。而多平台同步上線及微博、抖音等社群推廣策略,則讓《許我耀眼》在無宣傳預熱的情況下仍能「自然爆紅」。
然而,在第16集閃現的地圖畫面中,一條被中國官方視為南海主權象徵的「九段線」,成為了越南文化主管機關的敏感焦點。越南以「侵犯國家主權」為由,依據《電影法》第九條下令下架此劇。這一決定再次揭示,當中國文創產品「出海」時,南海議題所承載的地緣政治張力,足以瞬間抵銷商業與文化成果。
二、「九段線」的文化爭議鏈:從影視到品牌
這並非孤例。自美國動畫《雪人奇緣》(Abominable)至遊戲改編片《神秘海域》(Uncharted)、甚至芭比電影(Barbie),凡出現「九段線」圖像者,幾乎都在越南遭禁。2023年韓團Blackpink巡演主辦方iMe娛樂,也因網站使用該地圖被調查並公開道歉;中國手搖飲品牌「霸王茶姬」進軍越南時,亦因App圖示疑涉該線遭抵制。這些案例共同指向一個事實:南海地圖不僅是政治符號,更是文化產業的敏感雷區。
對越南、菲律賓、馬來西亞等國而言,「九段線」象徵對主權與領土完整的挑戰,因此任何文化作品若未加篩檢、誤植相關符號,即可能觸及主權紅線,導致禁播、抵制、甚至品牌信任危機。對於面向東南亞市場的文創業者而言,這是一個關乎風險管理與文化理解的現實考驗。
三、南海市場的文化政治座標
當前,東南亞已成為中國文創產業「出海」的關鍵前沿。以WeTV、愛奇藝國際版、抖音海外版為代表的中國平台,在越南、泰國、印尼等地擁有龐大用戶群。然而,在多元的文化與政治環境中,「內容全球化」並不等於「觀點無界化」。
要真正進入南海區域市場,文創活動需特別關注以下幾個敏感面向:
地圖與地理符號審查:所有涉及地圖、國界、地名的影像或平面素材,須符合當地法規與官方認定的疆界標示,避免誤用中國版本地圖。
主權與歷史敘事的敏感度:任何涉及南海、邊境、戰爭記憶的內容,都應避免單一立場或暗示性符號,以免被視為政治宣示。
文化翻譯與本地化策略:除了語言配音,更需理解當地觀眾對符號、服裝、宗教元素的接受界限;在創作階段建立跨文化顧問機制。
品牌溝通與危機預案:當地監管機構、媒體輿論與社群意見可迅速擴散,企業應建立危機應對流程與透明溝通機制,以減少誤解與損害。
四、結語:從「爆款」到「邊界」的再思考
《許我耀眼》在文化層面上確實展現了中國都市劇的成熟製作力與全球敘事能力,但其「踩線」事件提醒我們:文創全球化的成功,不僅取決於藝術品質與市場行銷,更取決於對地域文化與政治語境的尊重與洞察。
在南海這片充滿歷史記憶與現實張力的水域,文化自信與文化輸出不只是「文化產品」的競爭,更是一場「文化敏感性」的測試。只有在尊重多元、理解差異的基礎上,文創活動才能真正跨越邊界,成為連結而非分裂的力量。
沙巴東海岸石器時代古迹 (Bukit Tengkorak in Semporna)曾發現古窯,學者發現造陶的泥土是外來的,那裡呢?聖誕島。數千年前用什麼來載?就是樹木挖空而成的木舟。《詩經》提到過這類木舟。
邶風·柏舟
泛彼柏舟,亦泛其流。
(意譯:柏木船兒蕩悠悠,河中水波漫漫流。)《詩經》摘句(出自先秦佚名的《柏舟》)
《邶風·柏舟》是中國古代詩歌總集《詩經》中的一首詩,此詩以「隱憂」為詩眼、主線,逐層深入地抒寫作者的愛國憂己之情,傾訴個人受群小傾陷,而主上不明,無法施展抱負的憂憤。全詩五章,每章六句,直訴胸臆,徑陳感受,風格質朴,其最突出的藝術特色是善用比喻,而富於變化,另外其語言亦復凝重而委婉,激亢而幽抑,侃侃申訴,娓娓動聽,在《詩經》中別具一格。
註:先秦(公元前221年以前)是指秦朝統一中國之前的漫長歷史時期,它包括了中國原始社會和早期封建社會,從遠古時期一直延續到夏、商、西周、春秋、戰國等歷史階段,直到秦始皇在公元前221年建立秦朝為止
。
CIA在911事件中的角色:從2001年9月11日發生恐怖攻擊事件後,到同年10月2日這段期間,美國中央情報局(CIA)以及其他美國情報與國防機構迅速展開了一系列反應和行動。以下是這段期間內CIA與美國政府主要做的事情概況:
迅速評估與情報蒐集即時追蹤基地組織(al-Qaeda):911事件發生後,CIA立即將注意力集中在al-Qaeda組織及其領導人奧薩瑪·賓·拉登(Osama bin Laden)。
情報分享強化:CIA與FBI、NSA以及國際盟國情報機構(如英國軍情六處MI6、巴基斯坦ISI等)密切合作,交換關於恐怖份子行動與藏匿地的情報。
部署特種行動部門(Special Activities Division, SAD)
CIA於911事件後迅速部署其特種行動部隊,主要準備潛入阿富汗,與反塔利班的北方聯盟合作,準備未來軍事行動。
策劃對阿富汗的秘密與軍事行動
CIA是第一個進入阿富汗的美國機構:在911後數週內,CIA特工(尤其是名為「Jawbreaker」的小隊)於9月末已經進入阿富汗北部與北方聯盟接觸。這些人員的目標是:
組織「Jawbreaker任務」小隊
CIA於9月26日左右派遣了代號「Jawbreaker」的小隊進入阿富汗,這是第一批美國人正式進入該地準備開戰。
這支小隊由CIA行動人員與特種部隊人員組成,他們與北方聯盟聯絡並開始建立美方在阿富汗的立足點。
向白宮與布希政府提供戰略建議
CIA在911後不久就建議布希政府推翻塔利班政權並摧毀al-Qaeda在阿富汗的基地。
CIA在此階段提供許多具體的打擊方案與策略,並與國防部(DoD)和國家安全會議(NSC)密切合作。
監控與預防次級攻擊
CIA持續監控全球恐怖活動,包括歐洲、東南亞、中東與非洲,以預防可能的「第二波攻擊」。提高對潛在恐怖組織資金流動的監控。
總結(至2001年10月2日為止):
在這段短短三週的時間內,CIA的行動可概括如下:
日期 |
行動 |
9月11日 |
事件發生,CIA立即進入緊急應對狀態 |
9月12~20日 |
分析al-Qaeda責任、蒐集情報、建立行動策略 |
9月20日後 |
與北方聯盟合作、Jawbreaker小隊準備進入阿富汗 |
約9月26日 |
第一批CIA人員進入阿富汗 |
10月2日 |
對塔利班政權與al-Qaeda的攻擊計劃已接近完成階段 |
真正的軍事行動(持久自由行動)是在10月7日正式展開,但CIA的前期部署與行動是整個戰爭的開端。
聯邦法院駁回政府終極上訴,庇高庭審40%淨收司法審查~~
沙巴律師公會(SLS)發起的司法挑戰案,旨在確保沙巴有權依據《1963年馬來西亞協議》(MA63),向聯邦政府要求返還從沙巴獲得的40%聯邦稅收,並對長達48年的財政損失進行審查,該案件將在高等法院正式審理。
此前,聯邦法院在周四駁回了聯邦政府的上訴請求,拒絕其就哥打京那巴魯高等法院的裁決提出進一步上訴。該裁決允許SLS提出司法挑戰,並已獲得上訴法院的支持。由聯邦法院法官丹斯裡娜麗妮·帕斯瑪納丹(Tan Sri Nallini Pathmanathan)率領的三人法官小組駁回了聯邦政府的上訴,認為此案不符合《聯邦憲法》第128(1)(b)條款規定的專屬司法權限,法院無需批准上訴請求。
她表示:「目前尚無初步證據表明此案屬於聯邦法院的專屬管轄範圍。此外,SLS在司法審查申請中具有基本的法律訴訟資格,因此無需批准上訴。」她補充道:「如果必要,在正式司法審查過程中,仍可進一步審查SLS的法律訴訟資格。」 娜麗妮法官與拿督扎巴麗雅·莫哈尤索夫(Datuk Zabariah Mohd Yusoff)和拿督羅扎里亞·布章(Datuk Rhodzhariah Bujang)共同審理了此案。
此外,她還指出,該案件的核心問題是聯邦政府未能審查和支付沙巴的「特別撥款」是否違反了《聯邦憲法》相關條款,以及沙巴是否有權獲得1974年至2021年間的財政損失賠償。
她強調:「這不是聯邦政府所辯稱的政策問題。因此,不應批准上訴請求,此案應在哥打京那巴魯高等法院依據實體法進行審理。」聯邦政府向聯邦法院提出了四項法律問題供裁決,但均被駁回。
2022年司法審查訴求:追討「失落的歲月」 SLS於2022年提出司法審查申請,要求推翻聯邦政府當年頒佈的《2022年審查令》,該法令規定沙巴僅能獲得1.256億令吉的年度撥款。SLS認為,這一撥款標准嚴重違反了《1963年馬來西亞協議》(MA63)中沙巴應獲得40%稅收返還的權利。 SLS主張,自1974年起,聯邦政府未能履行應有的審查責任,並在《2022年審查令》中未能采取措施彌補沙巴在1974年至2021年期間錯失的40%稅收返還,這一時期被SLS稱為「失落的歲月」(Lost Years)。
最初,沙巴州政府與聯邦政府一同反對SLS的司法審查申請。然而,在州檢察總長更換後,沙巴州政府撤回了在聯邦法院的上訴。 2023年6月18日,上訴法院駁回了聯邦政府針對SLS司法審查許可的上訴。 此前,聯邦政府曾就2022年11月11日哥打京那巴魯高等法院的裁決提出上訴,該裁決允許SLS提起司法審查,並認定其具有法律訴訟資格。
司法審查程序進展 在2022年11月11日的判決中,高等法院法官伊斯邁·布拉欣(Ismail Brahim)批准了SLS的司法審查申請,認定其具備法律訴訟資格,並認為該案件涉及公共利益。
然而,聯邦總檢察署(AGC)隨後申請暫停高等法院對該案件實體內容的審理,等待上訴法院的裁決。 在上訴法院的裁決中,法官拿督P·拉文德蘭(Datuk P. Ravinthran)表示,SLS至少已確立其司法審查的法律訴訟資格,因為此案明顯屬於公共利益訴訟,旨在為公眾爭取權益,而非SLS自身的私人訴求。 此次司法審查的重點在於《2022年審查令》未能涵蓋「失落的歲月」所導致的財政損失問題。該案件接下來將在哥打京那巴魯高等法院依據實體法進行審理。(The Edge Malaysia 17 Oct 2024, 07:08 pm)[AI 翻譯]
Merits of Sabah Law Society‘s fight for 40% revenue return to state to be heard at High Court By Hafiz Yatim
KOTA KINABALU (Oct 17): The merits of the Sabah Law Society‘s (SLS) challenge, to ensure that Sabah's entitlement to compel from the federal government a return of 40% of federal revenue earned from the state according to the Malaysia Agreement (1963) and a review of revenue that was lost for 48 years, will be heard at the High Court.
This follows the Federal Court on Thursday refusing to grant permission to the federal government to appeal the Kota Kinabalu High Court's decision to allow SLS' challenge, which was upheld by the Court of Appeal. (Cont‘ Below)
A three-member bench led by Federal Court judge Tan Sri Nallini Pathmanathan, in dismissing the federal government's appeal, said it was not necessary for the apex court to decide on the matter as argued by the government.
「There is no prima facie case at this juncture to justify the conclusion that this matter falls within the exclusive jurisdiction of the Federal Court under Article 128(1)(b) and, as SLS has threshold locus standi (legal standing) to bring this judicial review application, there is no necessity for the grant of leave.
「This is particularly so as the issue of substantive locus standi may, if necessary, be considered in the course of the substantive judicial review on the merits,」 she said.
Nallini sat with fellow Federal Court judges Datuk Zabariah Mohd Yusoff and Datuk Rhodzhariah Bujang.
The apex court judge added that this matter deals with whether the failure to review and provide Sabah‘s Special Grant amounts to a breach of the relevant Articles of the Federal Constitution, and whether Sabah was entitled to damages for the period from 1974 until 2021.
「That is not a matter of policy (as argued by the Federal Government). Therefore, the grant of leave is not warranted, and the matter should proceed to be heard on its substantive merits (at the KK High Court),」 Nalini said.
The federal government had posted four questions of law for determination by the apex court, and all of them were dismissed.
Judicial review filed in 2022 seeking return of “lost years”
SLS had filed the judicial review application in 2022 to overturn the federal government‘s gazette of a RM125.6 million annual grant for Sabah that year, claiming that it violated the state's revenue rights under the Malaysia Agreement 1963 (MA63) to have 40% returned.
After having failed to conduct a review by the end of 1974, the federation allegedly 「failed to remedy Sabah's 40% entitlement for the annual payments for the period from 1974 to 2021 in its decision, action, and omission under the Review Order 2022」. This is referred to by SLS as the 「Lost Years」.
Initially, the Sabah state government, along with the federal government, had challenged SLS‘ judicial review, only for the Sabah government to drop its appeal at the apex court level following a change in the state attorney general.
On June 18, the Court of Appeal dismissed the government‘s appeal against SLS‘ leave bid for judicial review.
The federal government was appealing against the Kota Kinabalu High Court‘s decision on November 11, 2022, to grant SLS leave (permission) to seek a judicial review be heard on its merits.
Challenges to government decisions may only be done via judicial reviews.
On Nov 11, 2022, High Court judge Ismail Brahim granted SLS‘ application for leave for the judicial review, ruling that SLS had locus standi for a judicial review as it was a public interest matter.
The Attorney General‘s Chambers (AGC) obtained a stay order to stop the High Court from hearing the merits of the case pending the appeal at the Court of Appeal.
In the Court of Appeal‘s decision, which was unanimous, COA judge Datuk P Ravinthran said that SLS had at the very least established locus standi for a judicial review as it was clearly a public interest litigation taken for the benefit of the public.
He said it was not taken to seek redress for a personal wrong or grievance of the SLS.
The focus of the judicial review application is the alleged omission in the Review Order 2022 to account for the missing “lost years"
The “lost years” is referred to by Sabahans as a 48-year period of a second mandatory review of the state’s 40% revenue grant originally due by 1974, but only undertaken in 2022.
(The Edge Malaysia 17 Oct 2024, 07:08 pm)
SOUTH CHINA SEA 南中國海
The South China Sea is a marginal sea that is part of the Pacific Ocean, encompassing an area from the Singapore and Malacca Straits to the Strait of Taiwan of around 3,500,000 square kilometres (1,400,000 sq mi). The area's importance largely results from one-third of the world's shipping transiting through its waters, and that it is believed to hold huge oil and gas reserves beneath its seabed.
It is located:
south of mainland China, including the island of Taiwan, in the east;
east of Vietnam and Cambodia;
west of the Philippines;
east of the Malay peninsula and Sumatra, up to the Strait of Malacca in the west; and
north of the Bangka–Belitung Islands and Borneo
The minute South China Sea Islands, collectively an archipelago, number in the hundreds. The sea and its mostly uninhabited islands are subject to competing claims of sovereignty by several countries. These claims are also reflected in the variety of names used for the islands and the sea.
關心南海·延續閱讀
沙巴海丝故事館
夢迴新加坡女皇镇
華商:百年蛻轉 HYR
跟《馬來紀年》走一帶一路·望加錫
我們這樣走過歷史
一帶一路·劄記
SOUTH CHINA SEA 南中國海
海絲大典
陳博士教你吃榴槤 02
《我的加雅街杜順公主 》文化劄記
愛墾鄉频道
香料群岛
南洋研究
沙巴歴史
馬華文學@亦筆的詩
馬華文學@舒靈的詩
陳明發詩選·FOR YOUR EYES ONLY
陳明發文選·說好的俳句
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